Cubist Paintings

Oil on wood, 1930. Signed lower right. Framed. Height 31.10 in ( 79 cm ), Width 25.19 in ( 64 cm ) The Hungarian artist Hugó Scheiber lived 1922-1934 in Berlin, that's where he pain...

This interesting seated woman pencil study is by French artist Wouyart (20th Century). This unique representation captures the model's expression through trace lines and shadows that...

An original oil painting by Benjamin Benno, American (1901 - 1980). By the early 1930s he had established a reputation as a member of the international avant-garde and exhibited wit...

Jozef Popczyk, a Polish artist known for his vibrant palette and affinity for Cubism, demonstrates his skill in blending Cubist and Art Deco styles in this oil painting on paper. Lik...

Charles Green Shaw Tabac, circa 1935 Signed on the reverse Oil on canvasboard 5 3/4 x 8 3/4 inches Provenance: Washburn Gallery, New York, 1982 Private Collection (acquired from the above) Christie's, The Collector, October 20, 2021, Lot 307 Private Collection, Scarsdale, New York (acquired directly from the above) Literature: Hilton Kramer, "Charles Shaw: In the Minimal Tradition," New York Times, February 21, 1982, Section 2, p. 25. Charles Green Shaw was born in 1892 to a wealthy New York family. He lost both his parents at a very young age; his mother died when he was just three years old. Despite the early loss of his parents, Shaw lived the whimsical life of a New York socialite. As a beneficiary to an inheritance based in part upon the Woolworth fortune, he was brought up surrounded by the well-bred, well-groomed and well-moneyed citizens of New York’s elite social class. His social status as an adolescent was cultivated while spending summers in Newport and attending Christmas balls at Mrs. W.K. Vanderbilt’s. At age six, Shaw began to take an interest in drawing, and by nine, he was known to have a fondness for sketching historical costumes. After graduating from Yale University in 1914, Shaw spent a year studying at Columbia University’s School of Architecture. Subsequently he served for eighteen months as a Lieutenant in World War I. After his service, Shaw returned to New York and tried his hand as a businessman selling real estate, but his attempt was short lived. In the early 1920s, Shaw began his career as a journalist and novelist. He achieved professional success, writing consistently for magazines such as The New Yorker, Vanity Fair and The Smart Set. Shaw’s writing was a record of his approvals and disapprovals of the social crowd to which he belonged. His profession along with his social pedigree, brought him in contact with a number of the most significant figures of the 1920s such as, F. Scott Fitzgerald, Sinclair Lewis, George Gershwin, George Jean Nathan and the American artist George Luks. Some of his profiles included celebrity caricatures used as illustrations, these were the publics’ first look at Shaw’s artistic ability. In 1928, a collection of Shaw’s articles and interviews were published in one volume titled, The Low Down. Just previous to the stock market crash and the end of the Jazz Age, Shaw left New York and traveled to Paris and London. He arrived in Paris in 1929. In an autobiographical note Shaw suggests it was on this trip when he first began to paint seriously. London also acted as a great source of motivation for the budding artist. He began to sketch everyday in St. James’s Park, making large pastels of its vistas in the style of Cezanne. When he returned to New York in 1932, Shaw considered himself a painter. Success for Shaw came quickly with his first solo exhibition mounted at the Valentine Gallery in 1934. The following year Albert Eugene Gallatin included works by the artist in an unprecedented solo exhibition at his Gallery of Living Art at New York University. Shaw further cemented his reputation as an artist through his association and friendship with fellow abstract artists Morris and Gallatin. The trio soon was regarded as ‘the Park Avenue Cubists’. As a founding member of the American Abstract Artists, Shaw became an impassioned defender of the style. His 1938 essay in the American Abstract Artists yearbook, “A Word to the Objector”, acted as a defense against those who failed to see the illustrative quality of abstract art and scolded those who disregarded American artists as serious Abstractionists. He was also an influential force at the Museum of Modern Art, where he sat on the Advisory Board from 1936 to 1941. In the later years of Shaw’s life he continued to produce abstract paintings, yet in a more private manner. He was known to be a reserved man— a ‘gentleman’; not much is known about his personal life in these later years. During this time he maintained his career as a writer, publishing the well-known children’s book, It Looked Like Spilt Milk in 1940 and two books of poems in 1959 and 1962. In 1974, Shaw died...

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

Clara Deike (American, 1881-1964) Gloucester Houses and Backyards, c. 1935 Oil on paper Estate stamp verso, Vixseboxse label verso 23 x 19.5 inches 30 x 26 inches, framed A graduat...

Antique American abstract cubist table top still life oil painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Still Life with Violin by Ismael de la Serna (1898-1968) Oil on canvas 81 x 65 cm (31 ⁷/₈ x 25 ⁵/₈ inches) Signed...

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

FRANCISCO BORES Spanish, 1898 - 1972 LES FUMEURS signed & dated "Borès 35" (lower right) titled in pencil "Les Fumeurs", unfinished sketch (head), signed & dated "Bores 36" (on the reverse) oil on cardboard 10-5/8 x 13-3/4 inches (27 x 35 cm.) framed: 15-1/2 x 18-1/2 inches (39.5 x 47 cm.) NOTE: THIS WORK IS ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY ISSUED BY “ARCHIVO FRANCISCO BORES”. BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofia, Madrid, 2003, n° 1935 / 49, reproduced in color p. 281 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz...

A shy and dirty man stands alone in a muted landscape, his hand timidly resting on his collarbone. His clothes are disheveled, a dark pair of overalls slouching across his too-narrow...

Benjamin Bennon most prominently worked in the cubist tradition, stretching and fracturing the figures of his subjects in order to take new approaches to their meaning and interpreta...

Antique American school cubist abstract oil painting. Oil on canvas. Signed.

An oil painting by artist Benjamin Benno depicting the main characters from the novel “Don Quixote” in a cubist style. Don Quixote and Sancho Panza...

An original oil on canvas of a cubist still life by Benjamin Benno, American (1901 - 1980). By the early 1930s he had established a reputation as a member of the international avant-...

Clara Deike (American, 1881-1964) Blue Table Still Life, 1935 Oil on board Estate stamped verso 23.5 x 19.5 inches 29.5 x 25.5 inches, framed A graduate ...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...

Characteristic of Arnold Topp's work is the compositional inner dynamics, his oil paintings are characterized by a glowing colorfulness. We can recognise this style in the painting: ...

Medium: Oil on Canvas

Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the artistic zeitgeist in a ca...

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: Abstract Composition, 1939 Technique: Original Signed and Dated Oil and Mixed Technique painting on Board ...

Figurative, warm tonal painting of people most likely of North African descent. The men are depicted completely clothed and sitting on the ground while ...

Artist: Kyohei Inukai (aka Earle Goodenow), American (1913–1985) Title: Three Nudes Year: 1938 Medium: Oil on Canvas, signed l.l. Size: 14.5 x 10 inches Frame Size: 18 x 14 inches

ANDRE LHOTE 1885-1962 Bordeaux 1885 - Paris 1962 (French) Title: Miramande Sous La Neige/ Miramande under Snow, ca. 1933 Technique: Original Signed Oil Painting on canvas ...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). G...

Study fot he tronconic hall of the Air Palace, 1937. Gouache on paper. This is a study most this artist's most important artistic work. Son of the painter Albert Aublet, Felix enrol...

Karl Drerup (1904-2000). Italian City, c.1930. Oil on masonite panel, 24 x 32 inches; 34 x 42 in custom frame. Signed lower right. Minor conservation to loss in margins. Price on request Biography: Born in Borghorst, Germany in 1904, Karl Drerup earned a Master’s Degree in graphic arts working under Hans Meid...

ANDRE LHOTE "LA PLAGE" PASTEL, SIGNED FRANCE, C.1927 17.75 X 24 INCHES André Lhote 1885-1962 Lhote was born in Bordeaux, France in 1885. H...