Modern Paintings

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Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-2016) Collectors Exhibitions 1970 jean Tannous graduates from the national superior institute of fine arts of the university of lebanon. he teaches at the same institute in 1974 and 1975. 1976 fleeing the lebanon war upon his arrival in paris, Tannous obtains the certificate of the commission of professionalism for artists & intellectual workers. affiliated with the maison des artistes, he works at the place du tertre doing portraits for tourists. during this period, Tannous masters all painting techniques, thanks to his years of experience spent in european museums doing copies of great masters. paris (1976-2001) finally Tannous settled down in paris. he participates in the creation of a fresco for the ratp in the subway, the spiral of the abbesses. he collaborates with the régie immobilière de la ville de paris and the mairie de paris. under this banner he will participate in several projects in belgium (ypres, ostende, ghent and bruges among others). in sandnes, norway, he contributes to the realization of another fresco, le pont de paris. the cartier and baume & mercier companies appeal to the talents of Tannous for their seminars. 1977 with the support of günther kaphammel, the famous german watercolourist, Tannous receives an invitation to exhibit in braunschweig at the jaeschke gallery. this is the beginning of his career in germany. Tannous collaborates with karstadt for a long time. he creates many portraits of celebrities that pose for him, such as rudi cerne, dr volker schmidt, herbert paschen and helmut marmulla. 1982 in paris, jimmy carter poses for tannous. the artist carefully keeps the thank-you letter that the former us president sends him. Tannous also portrays the former president of the ivory coast, his excellence félix houphouët-boigny and the sultan oman qabus ibn saïd. 1984 after a long period of research, Tannous discovers a new way to protect his artistic creations by covering them with an innovative varnish which quickly becomes his signature. the artist also excels in sculpture with the realization of busts. 1986 Tannous wins first prize in a painting contest held by l’île des impressionnistes. the winning work is acquired by the fournaise museum. 1987 karstadt-recklinghausen surprises the artist with a jubiläum for their ten-year collaboration. 1988 Tannous designed the entirety of the bang & olufsen home in parly 2 (chesnay-versailles). 1991 the artist founds and presides over carré ouvert, an official association of professional artists. it will be very active at the mitsukoshi gallery in paris for 9 years, performing, among other things, a decor of parisian cafés in trompe-l’oeil. 1992 carré ouvert organizes an event in carroz d'arâches with québecois artists, such as sylvain cousineau, suzelle levasseur, hanibal srouji and michel madore. the same year, paravision, chaired by raphaël berdugo, now known as europacorp, sponsors Tannous by providing him a large workshop for 8 years. from 1992 to 2000, the agency of modern art regularly represents Tannous in germany, especially in braunschweig, spain and united states. 1993 Tannous personalizes a harley-davidson for the harley-davidson convention in frankfurt (germany). 1996 in march, the artist is exhibited at the artexpo of new york, represented by the bernice jackson gallery. in july, he exhibits at the kennedy studios gallery in boston, alongside the works of hundertwasser. the next month, the caesars palace casino in atlantic city invites Tannous for a solo exhibition, for which he created twelve large formats paintings. 1997 france-okinawa elects Tannous vice-president of their association. this organization promotes relationships between france and japan. it brings okinawa’s kumi odori ballet to paris. Tannous founds europ'art, an association of experienced artists specialized in frescoes. karstadt (hambourg, germany) selects ten european painters for a major exhibition. Tannous is one of them. the artist collaborates with stephanie, an art dealer, who organizes several solo exhibitions in for him across switzerland - notably at the polo gallery, in männedorf-zürich. 1998 Tannous exhibits at porsche in fulda (germany) for a private sale reserved for their customers. the artist moves to 34 avenue des champs-élysées, where he establishes his workshop, keeping it until 2001. 1999 Tannous participates in the international kiev art festival (ukraine). in the scientific, economic and cultural guide der pfiffikus, Tannous is presented by katja gross as an innovative painter and creator of a new technique. hartmann tresore places an order to Tannous for a special edition of large safes...

Artist

Artist

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Silvana Robert was born in 1965 in Argentina. She took first row between the artists of her generation. Well-educated at the National School of Fine Arts and having gone through work...

Few artists in Venezuela have the fortune of the affection and the overwhelming admiration of the city that saw them born, like the one expressed by Barquisimeto and the Barquisimeta...

Artist

Established Catalan painter Jordi Prat Pons is best known for his uniquely modern approach to the traditional still life. The works are characterized by bold use of color and manipul...

Watercolor Comes Framed Drydocked boats sitting in a boat yard About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City t...

I received my MFA in advertising and fine arts from SCAD-Atlanta with awards and recognition for work in each discipline. While still in school I worked for Grey World Wide and Turner...

Rosa McMurtray is an internationally exhibited artist who was born in Spain and currently lives in Atlanta, Georgia. Her innate artistic talent was reco...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Rosa McMurtray is an internationally exhibited artist who was born in Spain and currently lives in Atlanta, Georgia. Her innate artistic talent was reco...

A natural ability for art runs in the Marshall family. Neil’s late father produced some excellent ink drawings many years ago. Art college beckoned in 1972 having been prolific in ar...

A natural ability for art runs in the Marshall family. Neil’s late father produced some excellent ink drawings many years ago. Art college beckoned in 1972 having been prolific in ar...

Oil on canvas, 36 x 42 in. Signed, dated, and inscribed (at lower right): WILLIAM S. SCHWARTZ 1926; (on the back): “OLD COUNTRY BAZAAR” / BY / WILLIAM S. SCHWARTZ / 1926 RECORDED: C. H. Bonte, “122nd Annual opens at Pennsylvania Academy,” in The Philadelphia Inquirer, Jan. 30, 1927 EXHIBITED: The Art Institute of Chicago, 1926, The Thirty-Ninth Annual Exhibition of American Paintings and Sculpture, no. 174 // The Pennsylvania Academy of the Fine Arts, Philadelphia, 1927, The One-Hundred-and-Twenty Second Annual Exhibition, p. 37 no. 181 // The Chicago Culture Club...

Artist

Artist

Artist

Established Catalan painter Jordi Prat Pons is best known for his uniquely modern approach to the traditional still life. The works are characterized by bold use of color and manipul...

Rosa McMurtray is an internationally exhibited artist who was born in Spain and currently lives in Atlanta, Georgia. Her innate artistic talent was reco...

Artist

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Rosa McMurtray is an internationally exhibited artist who was born in Spain and currently lives in Atlanta, Georgia. Her innate artistic talent was reco...

Artist: Felix Angel – Colombian/American (1949- ) Title: Untitled – Ciclistas or Cyclists Year: 1985 Medium: acrylic on canvas Size: 54 x 70 inches Signat...

An original oil painting on paper by Benjamin Benno, American (1901 - 1980) measuring 25 x 19.25 inches. Framed to 28.5 x 25 inches. By the early 1930s he had established a reputat...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. Wi...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...

this is oil on wood panel with a rough sandy textured surface . it comes ready to hang with a black frame that nicey complements the color scheme

American modern 1945 winter landscape painting by Edgar Britton (1901-1982) with a tree driving among snowy mountains and trees (likely Colorado). Signed and dated by the artist in t...

Signed and dated (on verso): Louisa Chase 1982

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-...

Few artists in Venezuela have the fortune of the affection and the overwhelming admiration of the city that saw them born, like the one expressed by Barquisimeto and the Barquisimeta...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

John Udvardy (American 1936-) Hungarian American artist. known for sculpture and painting. He studied at the Skowhegan School of Painting and Sculpture an...

ARIEH ALLWEIL (ARIE ALWEIL) 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in 1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. Alweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust. Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggadah and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed. Education 1921-25 Art Academy, Vienna, Austria 1921-25 Dresden Academy, Germany Teaching Herzliyah Gymnasium High-School, Israel, art. Tel Aviv High School Awards And Prizes 1937 Dizengoff Prize for Painting and Sculpture, Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa 1946 Dizengoff Prize 1955 Turov Prize for Bible Illustrations Select Solo Exhibition: 1933 Tel Aviv Museum, Solo Exhibition 1942 Katz Gallery, Tel Aviv 1950 Tel Aviv Museum, Tel Aviv 1956 The Blue Dome, Safed 1968 Memorial Exhibition of the artist Arieh Allweil Yad Labanim Museum, Petach-Tikva 1969 Solo Exhibition The Knesset, Jerusalem 1987 Arieh Allweil: 1901-1967 - ''Return to Betanya Ilit'' Beit Gabriel, Zemah 1994 Arieh Allweil: Prints and Calligraphy The Isaac Kaplan Old Yishuv Court Museum,Jerusalem 2011 Arieh Allweil, Letters, Figures, Landscapes Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod Select Group Exhibitions 1929 Eged - Palestine Painters Group Allenby Street, Tel Aviv Artists: ChanaOrloff, Abraham Melnikoff, Reuven Rubin, Nachum Gutman, Sionah Tagger, Arieh Allweil, Haim Gliksberg, Yossef Zaritsky, Leon Arie Fein, Pinchas Litvinovsky, Elias Newman. 1932 The Bezalel National Museum, Jerusalem Artists: Pinchas Litvinovsky, Gutman Nachum Allweil, Arieh 1936 First Exhibition of ''Hever Omanim'' Steimatzky Galleries, Jerusalem Artists: Gutman, Nahum Holzman, Shimshon Moshe Mokady, Miron Sima, Jakob Steinhardt, Zeev Ben Zvi, Moshe Ziffer...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec (2002 - present) China (2011-2016) Collectors Exhibitions 1970 jean Tannous graduates from the national superior institute of fine arts of the university of lebanon. he teaches at the same institute in 1974 and 1975. 1976 fleeing the lebanon war upon his arrival in paris, Tannous obtains the certificate of the commission of professionalism for artists & intellectual workers. affiliated with the maison des artistes, he works at the place du tertre doing portraits for tourists. during this period, Tannous masters all painting techniques, thanks to his years of experience spent in european museums doing copies of great masters. paris (1976-2001) finally Tannous settled down in paris. he participates in the creation of a fresco for the ratp in the subway, the spiral of the abbesses. he collaborates with the régie immobilière de la ville de paris and the mairie de paris. under this banner he will participate in several projects in belgium (ypres, ostende, ghent and bruges among others). in sandnes, norway, he contributes to the realization of another fresco, le pont de paris. the cartier and baume & mercier companies appeal to the talents of Tannous for their seminars. 1977 with the support of günther kaphammel, the famous german watercolourist, Tannous receives an invitation to exhibit in braunschweig at the jaeschke gallery. this is the beginning of his career in germany. Tannous collaborates with karstadt for a long time. he creates many portraits of celebrities that pose for him, such as rudi cerne, dr volker schmidt, herbert paschen and helmut marmulla. 1982 in paris, jimmy carter poses for tannous. the artist carefully keeps the thank-you letter that the former us president sends him. Tannous also portrays the former president of the ivory coast, his excellence félix houphouët-boigny and the sultan oman qabus ibn saïd. 1984 after a long period of research, Tannous discovers a new way to protect his artistic creations by covering them with an innovative varnish which quickly becomes his signature. the artist also excels in sculpture with the realization of busts. 1986 Tannous wins first prize in a painting contest held by l’île des impressionnistes. the winning work is acquired by the fournaise museum. 1987 karstadt-recklinghausen surprises the artist with a jubiläum for their ten-year collaboration. 1988 Tannous designed the entirety of the bang & olufsen home in parly 2 (chesnay-versailles). 1991 the artist founds and presides over carré ouvert, an official association of professional artists. it will be very active at the mitsukoshi gallery in paris for 9 years, performing, among other things, a decor of parisian cafés in trompe-l’oeil. 1992 carré ouvert organizes an event in carroz d'arâches with québecois artists, such as sylvain cousineau, suzelle levasseur, hanibal srouji and michel madore. the same year, paravision, chaired by raphaël berdugo, now known as europacorp, sponsors Tannous by providing him a large workshop for 8 years. from 1992 to 2000, the agency of modern art regularly represents Tannous in germany, especially in braunschweig, spain and united states. 1993 Tannous personalizes a harley-davidson for the harley-davidson convention in frankfurt (germany). 1996 in march, the artist is exhibited at the artexpo of new york, represented by the bernice jackson gallery. in july, he exhibits at the kennedy studios gallery in boston, alongside the works of hundertwasser. the next month, the caesars palace casino in atlantic city invites Tannous for a solo exhibition, for which he created twelve large formats paintings. 1997 france-okinawa elects Tannous vice-president of their association. this organization promotes relationships between france and japan. it brings okinawa’s kumi odori ballet to paris. Tannous founds europ'art, an association of experienced artists specialized in frescoes. karstadt (hambourg, germany) selects ten european painters for a major exhibition. Tannous is one of them. the artist collaborates with stephanie, an art dealer, who organizes several solo exhibitions in for him across switzerland - notably at the polo gallery, in männedorf-zürich. 1998 Tannous exhibits at porsche in fulda (germany) for a private sale reserved for their customers. the artist moves to 34 avenue des champs-élysées, where he establishes his workshop, keeping it until 2001. 1999 Tannous participates in the international kiev art festival (ukraine). in the scientific, economic and cultural guide der pfiffikus, Tannous is presented by katja gross as an innovative painter and creator of a new technique. hartmann tresore places an order to Tannous for a special edition of large safes...

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco...

WPA style figurative painting of a "Adam & Eve" in pink dress and blue shirt with suspenders, and red snake "Adam and Eve in Twickenham", painted by Mark Beard aka 'Edith Thayer Cromwell...

Remembrance of Things Past NOT framed Neo Cubism About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint seascapes, catch fish, sing of Nature's beauty, put down roots, and, later, develop a style of painting all his own. The Boston native moved to New York after attending the School of Practical Art on the G.I. Bill, where he began his career in the art department of Lever Brothers. But he had bigger dreams, and soon established the Bonart Studio, a commercial art business. RCA Records, the Ideal and Transogram toy companies, and the Schrafft’s candy and chocolate company were among the studio’s clients. The business a success, he began to take vacations. He liked Montauk so much that he built a house in Hither Hills...

Urban landscape of city harbor, marine scene, (North Africa?) bearing the influence of the earlier color-block compositions of Paul Klee. Modernist Cityscape 24" x 36" sight. oil on ...

This Modern Abstract Expressionist painting by Stanley Bate features a vibrant and unique palette. Made with oil paint on canvas, the painting is modeled after the famed painting by ...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interio...

This Modern abstract painting by Stanley Bate features a warm, deep palette of red, yellow, orange, and burnt umber. Thick strokes of paint are layered beneath light white overlappin...

Antique modernist mixed media abstract oil painting and collage by Paul René Gauguin (1911 - 1976). Oil and mixed media on board, circa . Signed. D...

Portrait of the Artist's Wife Perfect for a midcentury home Comes framed . See photos About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Monta...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This artwork titled "Le Amiche" is an oil painting on canvas by Italian artist Vittorio Maria Di Carlo, 1939-2015. It is hand signed at the lower right corner by the artist. The canv...

Robert Alexander Darrah “R.A.D.” Miller (1905 - 1966) Robert Alexander Darrah Miller, called “RAD” by his friends, was born in Philadelphia. He enrolled at the Pennsylvania Academy of the Fine Arts from 1923 to 1927 under the tutelage of Daniel Garber. In 1928, Miller moved to Bucks County where he would meet and marry Celia Belden Marshall, daughter of Dr. George M. Marshall, who at that time owned the Phillips Mill property. Nearly a year later, in 1929, a committee headed by artist, William Lathrop, negotiated to purchase the Mill property from Dr. Marshall for the purpose of holding art exhibitions. Thus, the Phillips Mill Art Association was formed. RAD Miller was a regular exhibitor at the Phillips Mill with the traditional New Hope Impressionists. Many of the original founders of the New Hope Art Colony, set in their ways, frowned upon the concept of modernist painting. A decision was made by the Association to not include the growing group of modernist painters in the area to exhibit with them at Phillips Mill. Although clearly not a traditional impressionist, Miller was not being excluded with the others, largely because his father-in-law formerly owned the mill and was one of the Association’s board of directors. RAD was sympathetic to his fellow modernists. In 1933, he was one of the original members of the Independents, a group formed for modernist artists who chose to embark on a more non-traditional creative path. They would exhibit in tandem with the Impressionists but at different locations. Around the time of his arrival to New Hope in 1928, Miller struck up a friendship with Thomas Hart Benton, and in 1932 he worked under Benton on a mural project. RAD’s paintings...

This artwork titled "Naschera" is an oil painting on canvas by Italian artist Vittorio Maria Di Carlo, 1939-2015. It is hand signed at the lower left corner by the artist. The canvas...

GUSTAV LIKAN (1912 – 1998) Title: Artist with Wife Medium: oil on canvas Measurements: 16" x 14" Signature: signed LR, Likan ‘62 Framing: Framed