Post-Impressionist Paintings

Gabriel Casarrubios Martín (1953) - Beach´s day - Oil on panel Oil size 22x27 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

French Mid 20th Century oil on board Fauvist view of a Provençal village street, probably near Nice in the South of France by Hyppolite Roger. The pain...

Rafael Duran Benet (1931-2015) - Cadaques - Oil on canvas on board Oil measurements 60x60 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, ...

Artist/ School: French School, circa 1930's, inscribed verso. Title: Provencal Landscape Medium: oil painting on board, unframed, board: 15 x 18 inches Provenance: private colle...

Harold Speed RA, RCA (1872 – 1957) Landscape Study Oil on paper Painting Size - 12 x 17 in Framed Size - 15 x 20 in Born in London, Harold Speed was the son of an architect, Edward ...

In this oil painting , I sought to capture the ephemeral dance of light through vibrant leaves, a tribute to nature's quiet yet profound transitions. The impressionistic strokes conj...

French Mid 20th Century oil on board Fauvist view of a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

"Landscape, seascape, between sky and sea, painting of a beach in Normandy with a cloudy sky treated with oil and knife and brush. Sophie Dumont paints the seashores in a semi-abstra...

Provence Landscape by Paul-Louis Bolot (French 1918-2003) signed & dated 66'' oil on canvas in wooden frame framed: 22.5 x 19 inches canvas: 22 x 18 inches original oil painting con...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

Artist/ School: French School, indistinctly signed lower right, 20th century, inscribed verso. Title: Trees in a deep green landscape against a blue sky. Medium: oil on canvas, f...

In this oil painting, I've captured the essence of a vibrant autumn, blending impressionism with realism to evoke the warmth of the season. The vivid colors dance with energy, symbol...