Victorian Paintings

George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

William Oliver British, (1823-1901) Confidences Oil on canvas, signed Image size: 40.75 inches x 27.75 inches Size including frame: 47.75 inches x 34.75 inches A delightful genre painting of two women with flowers by William Oliver. The young women can be seen in a garden setting posed next to an arrangement of spring flowers on a wooden stool. One of the women is shown seated on a grassy bank wearing a white dress with flowers in her hair. The other, dressed in green stands beside her holding a posy of flowers. William Oliver was born William Oliver Williams at Worcester in 1823 to William and Jane Williams (née Oliver). Both his parents were from Wales but had relocated to Worcester where his father worked as a chemist before becoming a surgeon. Oliver showed a talent for art at an early age and when the family later moved to Birmingham he began working at the Government School of Design, where he later became the assistant master. In 1848, he moved to London where he enrolled at the Royal Academy and was admitted to the RA school on 16 December, 1848. Whilst there, he married Jane Hughes on 30 December, 1852. The couple lived in St Pancras and went on to have 10 children. Two of their sons, William Oliver Williams, known as Oliver Rhys (1854-1907) and Reginald Arthur Williams or Reginald Arthur (1862-1899), also became artists. Oliver began exhibiting in 1851 under his full name William Oliver Williams at the British Institution and in 1858 made his debut at the Royal Academy. He also exhibited around the country at the Royal Birmingham Society of Artists, Glasgow Institute, Manchester Art Gallery and the Walker Art Gallery, Liverpool. In the early 1850’s he won a commission from the Arundel Society to travel to Italy to draw Giotto’s fresco in Padua and other classical works. He later used his knowledge to incorporate Roman and Greek themes into his paintings, particularly fabrics and costumes. Sometime during the early 1860’s he was declared bankrupt and moved his family to Corwen in Wales and later to Aberystwyth near to be closer to where his parents had retired. Perhaps prompted by this, he began signing his works William Oliver from 1867 and resumed exhibiting at the Royal Academy and elsewhere. By 1872, his circumstances had improved and he returned to London, residing in the St John’s Wood area. He spent his final years living at 41 Queens gate Gardens, Kensington where he died on 16 April, 1901. Examples of his work are held by a number of public collections including the Aberystwyth University School of Art, Atkinson Art Gallery, Birmingham Museum, Bradford Museum, Kirklees Museum, Manchester Art Gallery, National Museum, Cardiff, Parc Howard Museum, Sewerby Hall Museum, Sheffield Museum, Stockport Heritage Services, Sunderland Museum, Thirlestane Castle and the Walker Art Gallery. Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Original watercolor from a Victorian album by an unknown artist. English, circa 1860.

An original oil painting on canvas signed lower left featuring the clipper ship Flying Fish. Provenance: MacConnal-Mason and Son, Ltd. London Private collection USA Bradbury Ar...

Victorian style Landscape with ladies feeding Geese in the Swiss town of Novelle. Oil on Canvas on stretchers and framed i original gold frame. Though painted in the very brief Edw...

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

Stormy Seas at Dusk, Cornwall by George Henry Jenkins (British, 1843-1914) Signed oil on board, framed Framed: 12 x 18 inches Board: 9 x 15 inches Provenance: Private collection, South West England This dramatic seascape painting...

Henry H Parker British, (1858-1930) The River Kennet Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inches Size incl...

The Plough Team Mid 19th Century English School indistinctly signed with a monogram 'AS' oil on canvas, gilt framed framed: 22.5 x 32.5 inches canvas : 16 x 26 inches Provenance: pri...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, England and had been part of an album of works assembled by the artist during the early 1900's. During the Victorian and Edwardian era in Britain, it was very fashionable for ladies of aristocratic and wealthy backgrounds to draw and paint still lifes of flowers and plants that they had picked or seen in gardens. Many were highly accomplished and extremely talented artists, who sadly were not encouraged to exhibit due to society frowning upon such activities. Artist/ School: Caroline Worsley...

Edwin Douglas (1848-1914) Guarding the flock signed 'ED(in ligature)ouglas' (lower left) Oil on canvas Painting size 24 x 20 in Framed size 29 1/2 x 25 1...

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

Figures in the Highlands by Charles Leslie (1839-1886) British signed & dated 1883 oil on canvas laid on board, framed framed: 9.5 x 17.5 inches board : 9 x 16 inches Provenance: pri...

David Bates British, (1840-1921) The Shadoof Oil on canvas, signed, further inscribed verso Image size: 19.75 inches x 29.75 inches Size including fram...

Alfred Augustus Glendening Senior (English, 1840–1921) River Landscape, oil on canvas, circa 1890 This lyrical river landscape by Alfred Augustus Glendening Senior is a quietly lumi...

Alfred de Breanski Snr British, (1852-1928) Near the Fairy Glen Betws-y-Coed Oil on canvas, signed & transcribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 31 ...

The former Curator of Oil Paintings at the National Maritime Museum, E H H Archibald, says of Joseph Heard in his Dictionary of Sea Painters in Europe and America that "…with Samuel Walters he must stand as the top-ranking Liverpool ship portraitist of the 19th century." He would have known the artist's work well as the National Maritime Museum has eleven paintings by Heard in its collection. Joseph Heard was born on 7th March 1799 in Egremont near Whitehaven in Cumberland. His father, also Joseph, was a saddler and it is believed that the aspirant painter received some artistic training from John Clementson who was a local portrait painter. Joseph had a brother Isaac who painted portraits. It is possible that Joseph came across the work of H Collins...

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...

"Dunkeld" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 16 x 24 inches frame: 19 x 27 inches Fine quality antiqu...

Robert John Hammond British, (1853-1911) Fishing by the Lock Gate Oil on canvas, signed & dated 1893 Image size: 19.5 inches x 14.5 inches Size including frame: 25.75 inches x 20.75 inches A picturesque painting by Robert John Hammond of three figures next to a river lock. One of the figures can be seen fishing on the bank as the others take shade under the trees. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...

Jean Pierre Haag French, (1842-1921) The Students’ Recital Oil on canvas, signed & dated 1891 Image size: 26.75 inches x 38.75 inches Size including frame: 34.75 inches x 46.75 inch...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) A lovely pair of French townscape paintings featuring Cathedrals by Henry Schafer. The first offers a view of Metz Cathedral and other medieval buildings from the river Moselle. On the right, figures can be seen at a market stall whilst others walk down a street. Meanwhile to the left, a boat is shown docking at a quayside in front of an archway. The other painting is of Chartres Cathedral seen from a cobbled town square lined with Medieval buildings. Two figures are depicted next to a market stall on the left as others chat or make their way towards the square along a lane to the right. Henry Schafer was born in Hanover, Germany in 1841. Although little is recorded about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...

Charles Sillem Lidderdale British, (1831-1895) The Scholar Oil on canvas, signed with monogram & dated (18)94 Image size: 26.5 inches x 19.5 inches Size including frame: 33.5 inche...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 12.75 INCHES X 10.75 INCHES** Walter Williams British, (1834-1906) Stormy Seas & By the Shore Oil on canvas, pair, both si...

Jane Maria Bowkett British, (1837-1891) Gathering Blackberries Oil on canvas, signed with monogram Image size: 22.75 inches x 34.75 inches Size including frame: 28.75 inches x 40.75...

Pierre-Louis Bouchard French, (1831-1889) Une Bonne Tasse de Thé Oil on canvas, signed Image size: 23 inches x 13.75 inches Size including frame: 35 inches x 25.75 inches A lovely portrait of a young woman pouring a cup of tea, by Pierre Louis Bouchard. The woman is depicted wearing a green striped dress with a white apron, whilst on her head is a mob cap decorated with a red ribbon. She is shown standing before a table containing a porcelain tea service on a silver salver. She is painted with her head turned towards the viewer as she expertly pours the tea into a cup. The mode appears similar to others figures the artist painted and could well have been the same person. Pierre Louis Bouchard was born Pierre-François Bouchard in Lyon on 2 May 1831 to Pierre Bouchard and Amelie Baron. In 1845, he began studying at the École des Beaux-Arts in Lyon where he was taught by Jean-Claude Bonnefond (1796-1860). He then moved to Paris where he became a pupil of Jean-Léon Gérôme (1824-1904) at the Ecole des beaux Arts. He also studied under Jean-Hippolyte Flandrin...

***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.75 INCHES X 14.5 INCHES*** Federico Andreotti Italian, (1847-1930) A Bouquet of Flowers & A Fine Vintage Oil on canvas, pair, both signed Image size: 12 inches x 9.75 inches (each) Size including frame: 16.75 inches x 14.5 inches (each) A delightful pair of three quarter length portraits of Italian women by Federico Andreotti. The first work shows a young woman in fine clothing with a basket of flowers in her hands. The second painting depicts a traditionally dressed woman holding a Chianti Fiasco and other wine bottles. Federico or Federigo Andreotti was a genre and figure painter born in Florence on 6 March, 1847. He showed artistic talent from an early age and at 9 years old began receiving art lessons from the miniature painter Angiolo Tricca (1817-1884). At the age of 17, he attended the Art Academy in Florence where he studied under Enrico Pollastrini (1817-1876), the President of the Academy. Whilst there he won a competition and made a name for himself by producing amusing genre scenes and costume studies. His success attracted the patronage of wealthy and notable clients including the King of Italy who commissioned him to paint a large historical painting of Savonarola. As well as working as an artist, he also taught art at the Florentine Academy where he was made Professor in 1879. During the same year, he began exhibiting abroad and made his debut at the Royal Academy in London, where he continued to show his works until 1883. He is believed to have spent time in England around this period where he also exhibited at other galleries including the Royal Manchester Institution, United Galleries, Arthur Tooth & Sons and Thomas Richardson & co. He spent most of his life in Florence where he died on 30 October, 1930. His painting of Savonarola is held by the Italian government. Other examples of his work can be found in a number of UK public art collections including the Blackburn Museum, Fylde Town Hall, Glasgow Museum, Hawarth Art Gallery and Towneley Hall Art Museum. Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition. Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

Charles Augustus Henry Lutyens British, (1829-1915) Cherubs with Flower Garlands Oil on canvas, signed Image size: 19.5 inches x 29.25 inches Size including frame: 25.5 inches x 35.25 inches A beautiful painting of three cherubs or putti with flower garlands by Charles Augustus Henry Lutyens. The winged infants are shown holding rose blooms as they rest on a cloud. Charles Augustus Henry Lutyens was born in 1829 the son of Charles Lutyens, who was the Deputy Commissary General of the Forces and Frances Jane Fludger. With his family connection to the military it was no surprise that he joined the army in 1848 as Ensign, serving in the 20th Foot Regiment in Montreal, Canada. Whilst there, he met Mary Teresa Gallwey, daughter of Major Gallwey of Ireland and sister of Thomas Gallwey, the Governor of Montreal. They married on 28 November, 1852 and the couple went on to have 14 children in total. He returned to England having been promoted to Captain and lived in Hampshire where was appointed Instructor of Musketry to the regiment. He retired from the army in 1855, moving to London in the same year where he lived at 4 Allen Terrace, Kensington. He began pursuing an artistic career and most likely took art and sculpture lessons as well as studying animal anatomy. He made his debut at the British Institution from 1860 and by 1861 was living at 6 Palace Garden Terraces in Kensington. In 1862, he began exhibiting at the Royal Academy, where he continued to exhibit regularly until 1903. He initially painted portraits but then developed his subjects to include animals, usually horses and hunting scenes. Many of the people in his paintings were notable horse owners such as King Edward and the Duke of Westminster as well as military figures. He is known to have sculpted clay models of animals which he used during his creative process. He also produced a number of scenes with cherubs which he became well known for. By 1865, he had moved to 16 Onslow Square...

Highland Companions by A. J. Blackie (British, 20th century) signed oil on canvas, framed framed: 23 x 30.5 inches canvas: 20 x 28 inches Provenance: private collection, England Con...

Alfred Pollentine British, (1844-1910) Santa Maria della Salute, Venice Oil on canvas, signed & dated (18)91 Image size: 15 inches x 23 inches Size including frame: 21.75 inches x 2...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 13.5 INCHES X 19.5 INCHES** George Augustus Williams British, (1814-1901) Winter in...

Henry Barraud British, (1811-1874) Horses & grooms at Mount Mascal Oil on canvas, signed Image size: 15.25 inches x 29.25 inches Size including frame: 21.25 inches x 35.25 inches ...

Alfred William Strutt British, (1856-1924) Good Sport Oil on canvas, signed, old hand written exhibition label verso with the artist’s address Image size: 31.5 inches x 54.5 inches S...

George Cole British, (1810-1883) Rick Making, Lunchtime Oil on canvas, signed & dated 1883 Image size: 23.5 inches x 35.5 inches Size including frame: 30.5 inches x 42.5 inches Prove...

Haynes King British, (1831-1904) Family Life Oil on canvas, signed & dated 1869 Image size: 27.25 inches x 35 inches Size including frame: 41 inches x 48.75 inches Provenance: Edwar...

William E Harris British, (1854-1930) *Sutton Park Oil on canvas, signed & dated 1884, inscribed verso Image size: 9.5 inches x 15.5 inches Size incl...

Painting, 19th century, women portrait, oil on canvas. Dimensions with frame 63cm x 77.5cm

John Brett A.R.A. (1831-1902) Glorious Summer', Newquay, Cornwall Oil on canvas Canvas Size - 12 3/8 x 25 3/8 in Provenance The Collection of F C Mills by 1884; C J Robin by 1893; ...

John Brett A.R.A. (1831-1902) The winter of our discontent when we took the bar to the ebb', Newport, Wales Oil on canvas Canvas Size - 12 3/8 x 25 3/8 in Provenance Acquired from t...

Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume. Signed Oil Painting on Canvas, on stretchers and Framed in period Frame. A humorous and beautifully pai...

Portrait of Sophia Clifton, aged 33 years, dated January 29th 1841 watercolour on artist paper with wood panel backing, framed framed: 16 x 12 inches painting : 13.5 x 9.5 inches Pro...

Louis Smets Dutch, (act. 1852-1896) A Winter’s Day Oil on canvas, signed Image size: 23.5 inches x 32.5 inches Size including frame: 30.5 inches x 39.5 in...

Arthur Wardle (1864–1949) Study of two collies signed and inscribed 'Arthur Wardle to G.H.Proctor Esq' (upper right) Oil on board Painting size 16 x 13 in Framed size 19 x 16 in Pro...

Artist/ School: French School, 20th century, signed by Eug. Mavie Title: Napoleonic War Ships at Sea, beautifully detailed with remarkable detailing. Medium: oil on canvas, unfram...

Charles Jones British, (1836-1892) Sheep Grazing on a Cliff Top Oil on canvas, signed with monogram Image size: 7.5 inches x 11.5 inches Size including frame: 13.5 inches x 17.5 inches A lovely landscape painting of sheep on a coastal cliff by Charles ‘Sheep’ Jones. The sheep and her two lambs are depicted against the backdrop of the sea with shipping and chalk cliffs in the distance. The location is likely to be the Devon coast, an area Jones visited often. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and had moved to 7 Paragon Place, Brixton Hill. From 1874, he lived at Heathercroft, Balham Hill where he spent the rest of his life. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson...

John Frederick Herring Snr (Surrey 1795-1863 Kent) "Feeding Time" Signed and dated 1850 middle right Oil on canvas Painting Size - 16 x 16 in John Frederick Herring Sr. (1795–1865) ...

Jacques François Carabain Belgian, (1834-1933) Market Day, Bruges Oil on canvas, signed & dated (18)58 Image size: 28.5 inches x 35.5 inches...

The Highland Loch by Sidney Yates Johnson, dated 1899 signed oil on canvas, unframed Canvas : 12 x 24 inches Provenance: private collection, UK Condition: very good condition Descri...

John Henry Sylvester (British, fl. late 19th–early 20th century) Self-Portrait Holding Palette and Brush Oils on canvas, monogrammed. Circa 1910–1920. This intimate and distinguishe...

Large seascape painting of Mill Bay, Cornwall by David James (British, 1853-1904) British, 1887 Frame: height 80cm, width 143cm, depth 6cm Canv...

Edward Ladell British, (1821–1886) Still Life of Fruit & Flowers in a Basket Oil on canvas, signed with monogram Image size: 13.5 inches x 11.75 inches Size including frame: 20.75 inches x 19 inches An exquisitely painted still life of roses and fruit by Edward Ladell. Pink and yellow rose blooms are depicted with black and white grapes and a pear on a marble topped table. Behind them, a basket of fruit containing plums and a nectarine can also be seen. Edward Ladell was born in Hasketon, Suffolk on 12 April, 1821 the son of Christmas Ladell a coachbuilder and his wife Mary Birch. He was a self-taught artist and initially worked in his father’s business in Colchester as an engraver. He is also believed to have worked as a pattern designer for a Flemish textile company in Colchester. In 1848 he married Julianna Roofe and they spent their married life living at East Hill in Colchester. During his spare time he began producing still life paintings in the Dutch traditions and in 1856 made his debut at the Royal Academy with a ‘Study from Nature’. He also exhibited at the British Institute from 1857 and the Royal Society of British Artists from 1858. Ladell’s exposure at the London galleries began earning him commissions and by 1861, he had become a full time artist. He was highly successful in his lifetime, earning many commissions and commanding high prices for his work. He became one of the best known still life painters of his generation. During the late 1860’s, after the death of his first wife and child, he began teaching art. One of his pupils was Ellen Maria Levett who he later married in 1878 and together they had a son. His wife Ellen Ladell...

Robert John Hammond British, (1853-1911) Stepping Stones Oil on canvas, signed & dated 1900 Image size: 20.75 inches x 13.75 inches Size including frame: 30.5 inches x 23.5 inches A pretty painting of figures crossing stepping stones over a river by Robert John Hammond. Behind the figures a path leads towards two cottages at the foot of a mountainous landscape. The landscape is similar to that of North Wales, a location which Hammond returned to a number of times. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...

Immerse yourself in the regal allure of Chinese history with this captivating pair of framed reverse glass paintings depicting a Chinese Emperor and Empress...

Rural Landscape Les Parson (b.1945) signed oil painting on canvas, framed framed: 17 x 22 inches canvas: 12 x 16 inches provenance: private collection cond...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...

'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan' English, c.1899 Frame: Height 109cm, width 133cm, depth 8cm Canvas: Height 92cm, width 116cm, depth 2.5cm Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...

Charles Euphrasie Kuwasseg French, (1838-1904) A Normandy Port Oil on canvas, signed & dated 1875 Image size: 21.5 inches x 38.75 inches Size including frame: 30.25 inches x 47.5 inches A wonderful seascape painting of a port in Normandy by Charles Euphrasie Kuwasseg. The scene shows large ships anchored...

Willem Johannes Martens Dutch, (1838-1895) The Admirer Oil on canvas, signed & transcribed with title to stretcher Image size: 19.25 inches x 24.5 inches Size including frame: 28 in...

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...