Boat Paintings

Edward Henry Eugene Fletcher British, (1857-1945) Shipping in the Pool of London at Dusk with Tower Bridge in the Distance Oil on canvas, signed Image size: 19.5 inches x 29.5 inches Size including frame: 26.75 inches x 36.75 inches An atmospheric painting of ships in the Pool of London at dusk by Edward Henry Eugene Fletcher. A variety of boats are depicted in the scene, including tug boats and barges. In the distance lies the iconic Tower Bridge. The Pool of London is a stretch of the River Thames between Tower Bridge and Limehouse and is divided into two sections, the Upper Pool and the Lower Pool. Edward Henry Eugene Fletcher was a marine artist who was born in Marylebone, London on 23 July 1857 to Robert Henry Fletcher and Julia Pennell. His father worked for the Bengal Pilot Service guiding shipping along the Hooghly River between Calcutta and the Bay of Bengal. After the death of his father in 1862, his mother married the picture dealer Reuben Brooks. He attended the Bradmore House School in Chiswick Lane before enrolling at the Chelsea School of Art, where he became a close friend of the landscape artist Daniel Sherrin. Fletcher initially enlisted in the Army Hospital Corp, serving in Nova Scotia but was invalided out in 1882 at the age of 24 due to an eye condition. His records indicate he was 6ft tall with fair hair and grey eyes. He continued to paint in his spare time and undoubtedly his travels would have inspired his subject matter and given him a deeper knowledge of shipping and the sea. He married Annie Reed Moses in 1886 at Norwich and they lived in Margate before moving back to London to live in Blackheath around 1890. He is widely believed to have set up an auction business during this time to help support his growing family, however , perhaps due to the return of ill health he decided to give it up to focus on painting. Although he did not exhibit, he sold his work mainly through art galleries, possibly aided by his step father. He also used the pseudonym of John Hayes which was probably for contractual reasons. By 1901, he had established himself as a full time artist and was living at Georgette Place in Greenwich with his wife and their 5 children. He later moved to 99 Lee Road, Blackheath where he spent the rest of his life. He died at Blackheath on 23 June, 1945. Much of Fletcher’s work consisted of views of the river Thames or ships in harbours...

Title: Watercolour Painting of a Tranquil French Fishing Port with Boats by Fanch Lel (French b. 1930) Size: 9.5 inches (height) x 12.5 inches (width) Watercolor painting on paper, u...

Francoise Gilot (French, 1921-2023), Gondolas in Venice, Gouache on Arches Paper, signed lower left, blindstamped "Veritable Papier d' Arches" lower right, with paper label to revers...

This Impressionist oil painting depicts a Dutch harbour scene (probably Rotterdam) with workers unloading a ship with hay. The artist employs loose, impressionistic brushwork to conv...

Silver of the ocean 2. Power of nature. The ocean ... deep, mysterious. He beckons you to unravel his secrets. ... Silver water, ocean, sun glare on the water, clear sky create an...

KAUFMANN KARL (1843-1901) Pseudonym : CARNIER Venice view Oil on canvas signed CARNIER low right Framed by Gault (Paris) gilded with leaves Dim : canvas ...

Emanuel Aage PETERSEN (1894 - 1948) Polar bear in a snowstorm Oil on canvas H. 70 cm; L. 100 cm Signed lower left Emanuel A. Petersen studied to...

Sailboats sail along the horizon, daylight reflects off the rolling waves. A tough palette of knives and a rich palette of purple, green and white empha...

This vibrant early 19th century gouache depicts the eruption of Mount Vesuvius, specifically the eruption of 1822. The painting shows heavy plumes of smoke rising from within the vol...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Oil on canvas Canvas size: 36 x 60 inches Framed size: 41 x 65 inches Signed lower right

Like many of the great French Impressionists Emile Cagniart (1851-1911) was inspired by the River Seine and its surrounding landscapes between in Ile de France and Normandy. Interest...

"The Gondole" by Alex Perez is an Original Oil Painting on Canvas. It is signed by the artist, unframed and comes with a Certificate of Authenticity (see photo). The piece is in Fair...

Paddle Boarders in Richmond by Tushar Sabale [2021] Original Oil on board Image size: H:25 cm x W:30 cm Complete Size of Unframed Work: H:25 cm x W:30 cm...

Duncan McFarlane. This excellent ship portraitist began his life's work in Liverpool. It is believed that he later sailed to America and was employe...

Oil Painting Pair by Jan Van Couver "On the Meerwede and Enkhysen" 1836 -1909 Dutch artist pseudonym for Hermannis Koekkoek junior. Painter of canal and estuary views. Both oil on ca...

Sandy banks set the scene for this middle eastern riverscape with boats on the river. Indistinctly signed to the lower right. On canvas on stretchers.

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE OF THE DOGE'S PALACE, VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) fr...

Sunset Over Copenhagen Harbour, 19th Century by Johan Jens Neumann (1860-1940) Large 19th Century Danish view overlooking Copenhagen Harbour at sunset, oil on canvas by Johan Jens ...

The Seine at the Louvre. Oil on canvas, 50 x 65 cm Serge Mendjisky was born in 1929 in Paris. His father, Maurice Mendjisky, was a painter from the School of Paris, this is how Serge became acquainted with the world of arts since childhood. After completing his studies at the School of Fine Arts of Paris, he soon became a recognized artist and his work was exposed in Europe, Japan and the United States. He used photography to make his preliminary studies in painting. By decomposing and recomposing the horizons of some of the most famous cities of the world like New York and Paris, Serge Mendjisky creates new urban landscapes which put into question our perceptive faculties. Volumes, lights and colors create different visual rhythms which create new connections between time and space. Through Serge Mendjisky's creativeness, Broadway becomes an explosion of colored lights...

An oil painting. Tina Orsolic Dalessio masterfully depicts the reflections of the sky on the water in this plein-air painting. The small boat seems to bob in the water as it faces the rising moon over the blue-toned landscape. Framed dimensions: 15.5 x 19.5 inches Framed in a custom Italian black frame with gold trim Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. She graduated from Florence Academy of Art in June 2018. She also holds a bachelor’s degree from University of Zagreb Law School...

A fine impressionist marine painting of boats docked in the harbor by Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterdam, Holland and, after traveling i...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Venice at night " 70.0 X 90.0 CM / 27.5 X 35.4 IN HIGH QUALITY oil on canvas Signed on the front and back Date...

Title: Cadaqués from the Bay Artist: Ramon Pichot i Soler (1924–1996) Technique: Oil on panel Dimensions: 33 x 55 cm (12.99 x 21.65 in) Support: Panel, unframed Signature: Signe...

With masterful precision and a keen eye for atmosphere, Frederic Rondel captures the rugged beauty of the coastline in Walking Along a Rocky Shore. The painting depicts a windswept s...

A tranquil early nineteenth-century river scene featuring cattle grazing along the shoreline. Signed and dated to the stretchers verso. On canvas on stretchers.

Bright sunny blues, greens, and colorful water reflections fill "Mallorca Reflections" an exceptional oil painted on location on the island of Mallorca in by Maria Bertran, this ...

A powerful scene of a harbor depicting several colorful sailing boats with rich color tones and bold brushwork. An oil on canvas impressionist painting with much attention to detail....

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

A delightful scene depicting sailboats making their way into a harbour at a French portside town. Painted in an impressionist style using gestural brushwork to capture the scene. Sig...

'Sailing to the Seas' by Spanish artist Bernard. Contemporary colourful blue, red painting of sail boats on the sea. The perfect addition to any home where colour is needed. the incr...

Large early 20th Century Dutch oil on canvas genre river view by C van der Maas. The painting is signed bottom left and is presented in a patinated gilt and 'bronzed' frame with a wh...

In this vibrant confluence of color and texture, I've unleashed my passion onto canvas using acrylics, oils, and oil pastels. Straddling expressionism and impressionism, I sought to ...

An impressive nautical work in oil. Signed to the lower left. Presented in a substantial gilt-effect frame. On wood panel.

Harbor Melbourne. 1982, oil on canvas, 50x60 cm Expressive colorful summer landscape of Melbourne harbor with yachts and people Ludmila Meilerte (1908 – 2008) - Painter 1940 – The Art Academy of Latvia, the masterclass of V. Purvitis. 1944 – Emigration to Germany. 1948 – Emigration to Australia. L. Meilerte took part at Latvian and Australian art exhibitions. She painted landscapes, still life’s, portraits. Her paintings are expressive and colorful. The artist was awarded in regional exhibitions and competitions. Dunlop Prize 1952, the Gosford Art Prize (1st prize) judged by Sir Russel Drysdale 1971, and the Victorian Artists Society`s Pirstitz Prize and gold medal in 1982. Royal exhibition in Melburn – 1975, 1976. Ludmilla Meilerts is represented in the National Gallery of Victoria, Melbourne; Tasmanian Art...

Acrylic on wood Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing h...

"Dusk Walk Along Marine Park Drive" is a realistic impasto painting of Marine Park Drive in Sag Harbor, New York. Persson's impasto technique of the paint with her palette knife brings the reflection on the bay to life with striking realism, making this paintin gboth a tactile delight and a precise Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel, Nina Provan, Lauren Li and has had her work displayed in some of Australia’s biggest lifestyle magazines including Belle and Country Style. Influenced by master artists such as Frederick McCubbin and Arthur Streeton and by the contemporaries such as Prudence Flint and Rick Amor...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Title: Harbour Scene with Boats Figures and Whitewashed Cottages British Coast By Tony Herbert (1927-2024) Signed: Bottom right Medium: Watercolor on paper, unframed Size: 11 inches ...

Experience the charm and maritime beauty of 1930s Brussels with this stunning original vintage harbor scene by acclaimed artist Carl Rabus. Painted in ...

Emile Albert Gruppe (American, 1896 - 1978), "Morning, Gloucester", oil on canvas, signed lower left "Emile A. Gruppe", Canvas: 24 x 20 Inches Framed: 27.25 x 23.25 Inches Conditi...

Charles Salis Kaelin (American, 1858–1929) Harbor and Town Oil on canvas 25.75 in. h. x 27.75 in. w., as framed 18 in. h. x 20 in. w., canvas Described as an artist whose "love of nature amounted to a passion," Charles Salis Kaelin was one of the earliest American exponents of Divisionism. A respected member of the art colony at Rockport, Massachusetts, Kaelin's colorful renderings of Cape Ann...

Oil Painting by Gudrun Sibbons "Unloading The Catch" Born 1925 in Germany and studied medicine but came to England after the war. Sold to many Hollywoo...

Sailboats, Ocean, France , grey, blue, azure,landscape France Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescence in Amie...

This captivating seascape presents a masterful coastal harbor scene from the 18th century, attributed to an unknown master of marine art. The composition is built around 2 watchtower...

This charming oil shows a sunny estuary with figures fishing from jetties on the far bank. Well-presented in a distressed off-white frame. Unsigned. On board.

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Whitehaven is a small town and port on the coast of Cumbria, England 70 miles North of Liverpool. Historically a part of Cumberland, it has a manmade harbor which partially dries out...

An oil painting by American Artist Kelly Carmody. Painted en-plein-air in Vermont, a pond has frozen over. A single tree stands straight up, adorned with just a couple of branches of...

A colourful continental scene on the coast with fisherman sorting nets aboard his small fishing boat. Illegibly signed to the lower right and dated (2004...

Artist: Vahe Yeremyan Title: Sail Boats Medium: Oil on Linen Year: 2025 Style: Contemporary Art Dimensions: 29" x 44.5" x 1" inch (74 x 112 x 3cm) Presentation: Unframed, Gallery Wra...

Jim’s of Lambertville is proud to offer this artwork by: Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

A vibrant nautical study of Team Stelmar at the Global Challenge Yacht Race 2004/5. Presented in a contemporary silver coloured frame. Signed. On canvas on stretchers.

Sailboat in the night. 1989. Oil on cardboard, 65x50 cm

Edward William Cooke RA (1811–1880) Dutch Beach at Scheveningen, oil on canvas, circa 1850 This sweeping coastal scene by Edward William Cooke, painted circa 1850, captures the bust...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

"How to capture the past, present and future at the same time; this is at the center of my work as an artist and as a father, son, friend and lover. As we navigating our daily lives,...

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Henry Moret 1856-1913 French Barque de Peche en Mer Fishing Boat at Sea Signed and dated “Henry Moret 1912” (lower left) Oil on canvas A beautiful gestural composition imbued with the sublime beauty of the open sea, this oil on canvas by Impressionist Henry Moret showcases the artist's deft use of color and texture. One of the most celebrated painters of the Pont-Aven School, Moret’s lasting reputation is tied to his talent for capturing the bright skies, lively waterways and the diverse coastline of northern France. With a mastery of plein air composition and a deep appreciation for the natural world, Moret's Barque de Peche en Mer renders a fishing boat navigating through the ocean. Moret creates a visceral sense of the vitality of the water and the enormity of the open skies. The artist captures the vigorous energy of the sea with a profusion of green and blue hues applied with a thick impasto. Small yet mighty against the infinite backdrop, Moret's fishing boat forges ahead. Henry Moret was born in Cherbourg in 1856, though little else is known about his early life. He entered military service as a young man in 1875, and it was during that period when Moret discovered the beauty of France’s northern coasts, particularly those of Normandy and Brittany. After his tour ended, he embarked on his artistic career, completing his formal education at the École Nationale des Beaux-Arts under Jean-Leon Gérôme, and later, from about 1880, under Jean-Paul Laurens at the Académie Julian. He exhibited for the first time at the Paris Salon in 1880, submitting a landscape of the coast of Brittany. During his time in Paris, he frequently traveled to Brittany to paint the region he so loved. In 1888, he more firmly established himself in Pont-Aven, a town whose center had become an artistic refuge for artists such as the great Paul Gauguin, Ernest Ponthier de Chamaillard, Emile Jourdan and others. Under Gauguin's influence, he briefly explored the concept of Symbolism in his works, but after Gauguin left Pont-Aven in 1891, Moret returned to his Impressionist roots. He formed a relationship with the famed dealer Durand-Ruel in 1895, and his career was officially launched. Today, his works can be found in important museums including the Manchester Art Gallery, the State Hermitage Museum (St. Petersburg), the National Gallery of Art (Washington DC) and others. Dated 1912 Canvas: 28 3/4” high x 36 3/4” wide Frame: 36 5/8" high x 44 1/8" wide Exhibited:Henry Moret, Galerie Durand-Ruel, April 5-January 29, 1966, n° 47 Provenance: Sale Marcel Bernheim...

This striking original vintage oil painting on canvas captures the dramatic energy of the sea. Against a turbulent sky of layered blues and storm‑laden clouds, a majestic sailing shi...