Boat Paintings

CELSO LAGAR Spanish, 1891 - 1966 FORAINS SUR LA PLAGE signed "Lagar" (lower right) signed, located, dated and titled “Lagar Pennedepie sur Honfleur / 1951 / Forains dans la Grove” (o...

The port of Étaples, France Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16.5 inches inscribed verso Provenance: private collection Condition: great co...

Title: Palma de Mallorca from the Sea Artist: Josep Coll Bardolet (1912–2007) Technique: Oil on linen canvas Dimensions: 81 x 100 cm (approx. 31.9 x 39.4 in) Condition: Unframed Sign...

“People sometimes ask me how I start a painting. Starting a painting is easy. I just put down two strokes of color. The interaction between these two marks is the beginning of the di...

Emile Gruppe (American, 1896-1978) Motif #1, Rockport, Massachusetts. A cold , rainy and gray morning or evening in Rockport gethhing the nets in order to start the day of fishing an...

An Oil painting of boats in a marina. Above, the suns rays pierce through the clouds. American realist painter Carl Bretzke is particularly adept at nocturne scenes which ooze in d...

Nicely painted American school sunset sailboat seascape. Oil on board. Framed. Signed.

James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...

Landscape is an artwork realized by Alberto Gillani, in 1981. Oil on Canvas. 49 x 69 cm; 79 x 89 cm with frame. Handsigned in the lower margin. Very good conditions

This artwork titled "Boats Repairs, Monterey Dock" 1933 is an oil painting on canvas by noted California artist Veda Fero Carnahan Dayton, 1891-1983. It is signed at the lower left...

"Les Salines" is the French titled. Pascal Vinardel was born on April 29, 1951 in Casablanca, Morocco, to brillant cultured parents, his father a lawyer and magistrate and his mothe...

Signed, verso, in Cyrillic, 'Аlexander Yurievich Tyutrin', (Russian, born 1951) dated 1982 and titled, 'Kazantipsky Bay'. Old attached label verso, from 'Art Salon-Shop', bearing a...

Antique English landscape oil painting. Oil on canvas. Signed. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and...

The Royal Sovereign by D. Cadman, British maritime artist, 2014 signed and dated oil painting on canvas, framed framed: 38 x 46 inches canvas: 32 x 40 inches condition: very good p...

Angelo PISANI (1885-1950) Panoramic View from Venice Oil on canvas signed low right Frame gilded with leaves Dim canvas : 51 X 100 cm Dim frame : 70 X 120 cm

Bright sunny blues and colorful water reflections fill "Le Brusc Lagoon," an exceptional oil painted on location in the Cote d'Azul, French Riviera by Maria Bertran, this Contemporar...

Boat and Fjord Scandinavia by Jorgen Hansen Denmark Dramatic skies and well boat along a Fjord by Jorgen Hansen (1862 - 1937) was active/lived in Denmark...

Beached Boats by Lucien Gondret (French b. 1941) signed oil painting on canvas, unframed canvas: 18.5 x 22 inches provenance: private collection, France condition: very good and soun...

"Le retour de pêche", Oil painting on canvas, signed in the bottom right corner, 55x82cm. Chérioux's student in Brest, Noel moved to Paris and debuted in the 1840 Salon, at which he...

Harry Leith-Ross (1886 - 1973) Fisherman of Yankee Cove Oil on canvasboard 8 1/8 x 10 1/2 inches Signed lower left; also with artist, title, and number '39' on label verso Provenance: Private Collection, Pennsylvania Landscape painter Harry Leith-Ross was born in Mauritius in 1886, a British possession in the Indian Ocean. He came to America as a seventeen year old. Before beginning, some ten years later in 1914, his studies at the Art Students League Summer School in Woodstock, New York at the relatively late age of twenty-eight, Leith-Ross had worked as a commercial artist. He studied with John F. Carlson and Birge Harrison at the League Summer School, and later with C. Y. Turner at the National Academy of Design in New York City. He then went to Paris, studying with Jean Paul Laurens at the Academie Julien and in England with Stanhope Forbes. Long associated with the Bucks County artists' colony in New Hope, Pennsylvania, Leith-Ross may have first gone there in 1912. It is definitely known that he visited the area in 1916 at the invitation of a student he had met when both attended the Art Students League Summer School in Woodstock, John Fulton Folinsbee. Birge Harrison, his former instructor at the League, whom he met again, was also there in New Hope during the winters from 1914 to 1916. The third and last generation of the New Hope colony would be comprised of artists like Leith-Ross, Folinsbee and Kenneth R. Nunamaker. It is somewhat ironic that Leith-Ross, so long affiliated with the New Hope School of American Impressionism...

Whitehaven is a small town and port on the coast of Cumbria, England 70 miles North of Liverpool. Historically a part of Cumberland, it has a manmade harbor which partially dries out...

'Boating Around' is a fun and vibrant contemporary 3D painting of boats in the water energetically creating a fun and dynamic work. Todd has create...

A delightful view of a boat yard at Mudeford Quay. Presented in a 20th century wood veneer frame. The artwork has been left unsigned by the artist. Titled to the reverse. Provenance:...

A most wonderful day on the water. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed:...

The painting depicts one of the bridges across the Main in Würzburg, the Ludwigbrücke. We look at the motif from the embankment, under the span of the bridge. The age of the bridge i...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Pain...

Minimalist landscape of a boat pulled up to the shore, a simple dwelling nearby and mountains in the background, by an unknown artist, 1969. Signed lower left corner with the monogra...

Yakov Besperstov (1929-1989) A Venetian Canal Scene Oil on canvas: 13 x 18in. Frame: 18 x 23 in. Circa 1970’s Yakov Tarasovich Besperstov was a So...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Signed lower right American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of ...

With oil on canvas, I captured the serene embrace of the Bay of Kotor, blending impressionism's light play with realism's detail. This piece conveys calm and majestic tranquility, in...

St Ives Harbour [2017] Original Figurative Acrylic on Board Image size: H:27 cm x W:22 cm Frame Size: H:46 cm x W:40 cm x D:2cm Sold Framed Please note that insitu images are purely ...

D. Tayler original oil painting on canvas “boat with American flag”. 43x31 in good condition

Jack Lorimer Gray paints a view of the strait separating Brooklyn from Staten Island from the river bank as boats sail by in his artwork entitled, “ The Narrows...

This charming oil shows a sunny estuary with figures fishing from jetties on the far bank. Well-presented in a distressed off-white frame. Unsigned. On board.

Venetian harbor scene with St Marks in the background oil on oak panel. Exceptional quality. Signed illegibly lower left. From an old Philadelphia collection. ...

The painting depicts an early hour on the Grand Canal in Venice. It is not yet dark, and the motif is immersed in a misty turquoise haze. The outlines of the buildings on the far ban...

Louis Wolchonok (1898 - 1973) Gondolas at the Dock, Venice, Italy, 1928 Watercolor on paper Sight 18 x 23 1/2 inches Signed and dated lower right Louis Wolchonok was an author of ar...

A delightful Impressionist study of fishermen on the riverbank at the days end. Well presented in a gilt effect frame. Signed. On canvas on stretchers.

Published by The Sporting Gallery New York and Frost & Reed London Printed in Germany Pencil Signed (LR) Blind Stamp (LL) Art Sz: 16"H x 24 1/4"W Frame Sz: 29 5/8"H x 36 1/2"W

In this piece, I poured my passion into capturing the serene beauty and timeless elegance of yachts gently floating on calm waters. Using oil, I blended impressionism with realism to...

Charles Leduc. French ( b.1831 – d.1911 ). Bastille Day In Port. Oil On Canvas. Signed Lower Left. Image size 15.9 inches x 27.6 inches ( 40.5cm x 70cm ). Frame size 21.5 inches x 33...

Bocca Tigris, Chinese Export Trade, circa 1850 Qing Dynasty - one of a set of three Large circa 1850 Qing Dynasty view of Bocca Tigris, oil on canvas. Important early and excellent...

Arijs Skride (1906.24.IX Madonna parish – 1987.22.XI Riga), painter. Arijs Skride was born into a farmer's family. Wife Gundega Vaska – graphic artist. At the age of 15, he passed ...

oil on wood panel

Signed indistinctly lower right

A fine and charming oil painting by the artist Roberto Scalvini, depicting a town view with figures strolling along a river. The precise brushstrokes ...

Oil painting on canvas by Elena Mardashova, 50x60 cm., realized in 2022. Excellent condition.

Double sided watercolor painting of a ship off the Santa Cruz, California coast and a path through the snow covered mountains on verso by Lillie Esther (Hillman) Heebner (American, 1...

This artwork titled "Autumn River Bank" c.1955 is an oil painting on canvas by American artist Richard Ellis Wagner 1923-2009 It is signed at the ...

A maritime conflict scene depicting The Battle of Trafalgar. Derek Gardner is widely considered to be the leading British maritime painter of the twen...

Boat at Moss Landing, Mid Century California Monterey Bay Seascape Beautiful Monterey Bay seascape of a motor boat at a dock in Elkhorn Slough in front...

De tekst aan de achterzijde: “ in de Alblasserwaard” Gerard Delfgaauw (Monster 1882-1947 The Hague) ‘Dutch landscape with windmills’ Signed lower ...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

The key to this painting's charm is that the subject is a beautiful young woman who is showing her face. We see her with her charming smile. She lounges comfortably in a carpeted bo...

"Merc Power" (2019) by Sheri Farabaugh (United States Based) is a handmade still life oil painting that depicts a scene on a lake, with a closeup of a boat engine in deep blue waters...

Seascape in oil. Presented in a white painted frame. Indistinctly signed in the lower left and dated 1976. On canvas board.

"Day of Rest" San Pedro Harbor Fishing Boats Oil on Linen 1948 Oil on linen of San Pedro fishing docks, Los Angeles, California by California artist Harry ...

Moonshine – Fowey, Cornwall [2020] Original Seascape Acrylic on extra deep edged Belgium linen. Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:7....

ALEXANDER STOLIN, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South.   Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...