Grassland Paintings

Joseph McGurl's "Far Away" is an original, handmade oil painting that depicts a vast landscape of valleys and mountains in the distance under the orange and yellow glow of sunrise or...

An oil painting, painted from a sketch done en plein air, a field half shaded by a large tree on the right side of the canvas. Framed Dimensions: 33 .5 x 41.25 inches Signed by t...

This artwork titled "Cahro Di Gnano" c. 1990 is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower l...

Gathering clouds over meadow [2019] Sheep grazing in a field with clouds gathering overhead. This was in North Yorkshire near the coast. Additional information: Original Acrylic pa...

Deer at the Purple Mountains - Landscape in Oil on Canvas Dramatic mountain landscape by California artist Ken Lucas (American, 20th Century). Deer are grazing in the grasslands at the base of a mountain range. The mountains are rich shades of tan, red-brown, and purple. In the distance, the mountains have a blue cast. The sky above is light blue with wispy clouds in white, yellow, orange, and magenta. Numbered in the lower left corner ("49") The artist signed and gave each painting a number in order of execution, we don't see the signature on the front side on this one. Dated on verso ("#49, Nov., 93") From a collection of the artist's works. Unframed. Canvas size: 30"H x 36"W Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel Artist.

On canvas on stretchers.

Charles Courtney Curran (1861 - 1942) Twilight, Mianus, Connecticut, 1892 Oil on canvas 18 x 32 inches Signed titled, and dated lower left An Impressionist figure, genre, and landsc...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. This work depicts a vibrant, peaceful country landscape, where the harmonious marriag...

Martha Mans lavender gray white blue green framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Eric Harrison (Born 1971 ) Texas Hill Country Artist Image Size: 34 x 48 Frame Size: 44 x 58 Medium: Acrylic "Dapple Grey Horse" Bio “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” -Henry D. Thoreau Eric Harrison-born 1971 in San Antonio, Texas. In 1995 he married Kim Marie, and together they have two sons, Noah and Ethan. The Harrison’s reside in the hill country west of Blanco, Texas. Currently painting in a language resonant with other Texas artists such as Robert and Julian Onderdonk, Robert Wood, Porfirio Salinas, Dawson Dawson-Watson, and Robert Harrison; with an affinity toward the work of California painter William Wendt. Paul Cezanne and many of the post impressionists. Exhibitions and collections of his work include: The United States Embassy in Togo, Africa The University of Texas at San Antonio The Buckhorn Museum San Antonio Best of the Best Art Show Salado, Texas Texas Lanscape Show The Nave Museum, Victoria Texas The Harrisons, “A Family of Texas Painters” Charles Morin Fine Art...

Alfejs Bromults (1913.3.IV – 1991.11.I) Alfej Bromults received his first professional education at Tautas University under R. Suta, J. Bīne and G. Šķilters. From 1938 he studied in...

Colorful naturalistic landscape painting by Houston based artist Nancy Paris Pruden. The work features a serene pastoral landscape of a barn with fall trees set against a rocky outcr...

Trees at the Top of the Hill - California Coastal Landscape in Oil on Canvas Dramatic coastal landscape by California artist Ken Lucas (American, 20th Century). A group of wispy trees are blowing in the breeze at the top of a hill. The hillside is composed of green and yellow grass with large boulders. Off to the right, the ocean stretches out to the horizon, with soft pink and white clouds above. Signed in the lower left corner (#56 Ken Lucas") Dated on verso ("#56 4/'94") From a collection of the artist's works. Unframed. Canvas size: 24"H x 36"W Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, a well known Carmel Artist.

Signed and dated to the lower right. On canvas board.

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

Signed lower right, 'G. Bundgaard' for Gunnar Bundgaard (Danish, 1920-2005) and dated '57'. A light-filled, panoramic landscape showing Holstein cattle grazing in a grassy field beneath sun-lit clouds. This listed Danish painter first studied at Copenhagen's Gronvang School where he was particularly influenced by the romantic academic style of Niels Pederson...

Field of Dreams 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Continuing to explore homemade, textured boards and really enjoying...

Here for your consideration is an outstanding oil on canvas painting by Max Silbert. Signed lower right. Circa 1915. Recently professionally cleaned with no restorations. The fra...

"Poppies, Jegun" is a contemporary Impressionist painting, painted en plein air in rural France. Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. Sh...

Claude Le Sauteur, Canadian, 1926-2007 GERBES SOUS LE SOLEIL, 1980 Oil on canvas 8 x 10 in signed and dated on lower left Le Sauteur 80; Signed, dated and titled verso; Kastel Galler...

Framed Size - 43.7 x 45.7 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils...

Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was art. In 1989 he started at the University of California at ...

From the Rollrights [February 2021] Original Landscape Oil Paint on Gesso Board Image size: H:15.2 cm x W:15.2 cm Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold U...

Framed Pegsdon by Tim Woodcock-Jones [2019] Signed by the artist Oil on canvas Image size: H:91 cm x W:122 cm x D:2cm Frame Size: H:99 cm x W:130 cm x D:4cm Please note that insitu i...

Signed lower right, 'Chas. H. Grant' for Charles Henry Grant (American, 1866-1939); titled on lower stretcher bar, 'Sand Dunes at Annisquam, Cape Ann, Mass' and dated 1894. Born in ...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Eugène Joseph Verboeckhoven, a luminary of 19th-century Belgian art, wielded his brush with unparalleled mastery, capturing the timeless allure of pastoral landscapes and noble anim...

Sweeping mid century desert landscape with a colossal purple mountain range in the distance by Alice M. Fink (American, b1880s-1968). Sign...

This beautiful landscape painting is full of vibrant yellow, orange and beige hues and depicts workers in the field. The oil color creates a heavy impasto texture and looks as rich a...

Title: Madrigals 1 Medium: Oil on canvas Size: 8 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Signed lower right, 'A. Delauzieres' for André Delauzieres (French, 1904-1941), dated 1936 and titled 'Bry-Sur-Marne'. Provenance: Collection of Ole...

The oil painting size is 13"x9.75". Classic work of Sarkis Diranian, with very smooth and artistic brush strokes. It is signed in the lower right corner. ...

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

Image dimensions: 41cm x 61cm Framed dimensions: 62.4cm x 82 Signed lower right. With a central focus on the group of horses grazing near majestic mountains, Webb captures the beau...

A beautiful rainbow at the far end of the field behind my property in rural Ontario, Canada :: Painting :: Realism :: This piece comes with an official certificate of authenticity si...

A charming landscape study depicting a country park in the height of summer. The artist captures the scene in various shades of green showing the vast range of summer foliage. Signed...

Near Ashridge is an Original Landscape Painting depicting the rolling hills of Hertfordshire looking onto the Ashridge woods with stormy skies. Artist Tim Woodcock-Jones original pa...

Oil on canvas mounted on cardboard. Realized in 1930s. Good condition.

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

An oil painting of a rose bush with bright pink dots of paint to depict the roses. This is his fourth in his series of rose bush paintings 2017. N...

In this serene landscape, Jeff Aeling uses deep greens and browns in the open field and a sapphire blue in the endless sky above. The painting is fra...

Landscape in oil. Signed lower right. Presented in a contemporary wood frame. On canvas board.

Landscape oil Painting Impressionism Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Sub...

Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the painting often spread out, with frank touches ...

A realistic painting of a summer garden in Dorset by the painter, Dylan Lloyd. “The Dorset summer garden paintings are a response partly to my emerging garden on the Isle of Portla...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Lovely mid century fall landscape with rolling hills in beautiful autumnal tones by A. Verbitski (translated) ( Russian, 20th Century), c.1950s. Signed in the lower left corner. No f...

In this painting, I've captured the serene whisper of a meadow at dawn, blending impressionism with abstract touches. The delicate dance of wildflowers in mellow tones breathes life ...

Springs On The Horizon #2 – By Lucy Moore [2022] original Acrylic on canvas Image size: H:60 cm x W:98 cm Complete Size of Unframed Work: H:60 cm x W:98 cm x D:1.5cm Sold Unframe...

Born in Abidjan in 1963, Patrice Marchal lives his childhood in Morocco. Used to see big spaces and wide blue sky and horizons, he transports this look with him to France and transpo...

This is an original and unique oil on canvas painting by the Belgian 19th century artist Julien Jos, who was active from 1890 -1910. He specialised in rustic genre scenes featuri...

F. De La Fuenta Bluebonnet San Antonio Artist Image Size: 12 x 16 Frame Size: 18 x 22 Medium: Oil 1962 "Bluebonnet"

An oil painting of a landscape in Tuscany. Rolling hills, a winding dirt-road, Cyprus trees, and a small farm-house cottage, underneath a pale blue sky. Rows of vines descend the hil...

"Oats and Poppy" is an Impressionist painting of a field of wild poppies and oats. Painted en plein air. Unframed Signed at bottom Artist's statement: Even as a child of 2, I had a...

Oil on board, signed and dated '1974' lower right Image size: 31 x 48 inches (79 x 122 cm) June 1987 Exhibition label on verso Original frame Provenance The Artist's Estate Exhibited "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, no.62 "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 11 Booth was above all a great recorder of the natural world who could translate his observations of the Yorkshire countryside, its fauna and flora, into compositions of a beauty and intensity rivalling the greatest of his Victorian predecessors. This intense, yet intimate, landscape depicts a section of woods around Booth's home in Alwoodley, Leeds, where he spent much of his time. Here Booth has worked slowly to develop the densely worked, close-up, landscape in which the woodland and meadows have acquired a poetic quality through his sensitivity to season, weather and time of day. Raymond Charles Booth Intensely private, and possessing an obsessive work ethic and passion for the natural world, Raymond Booth earned a reputation as one of the greatest botanical painters and illustrators, despite rarely leaving his Yorkshire home. Eschewing the more fashionable modernist principles of the early mid-twentieth century, he instead produced beautiful, intense compositions in oil of British flora and fauna, that rival the very finest Victorian followers of the genre. Raymond Booth was born in Wetherby, West Yorkshire, on 8 August 1929, to John Booth, a member of the local police force, and his wife Margaret Edna. When Raymond was still a young child, the family moved from their first home in the crowded streets of central Leeds, to Fearnville Place, in the leafy suburb of Roundhay. His father was a keen rambler and impressed upon Booth from an early age a respect and understanding for the British countryside. Just a short walk from his childhood home was Roundhay Park, the second largest urban park in Europe, comprised of over 700 acres of parkland, lakes and woodland. It is likely that growing up so close to such an environment had a profound influence on him, helping to develop what would become a lifelong obsession with natural world. Booth’s early passion for nature was surely heightened by the number of summer holidays he spent on an estate near Winterslow, Wiltshire, where an uncle worked as a gamekeeper. In 1946, at the age of 17, Booth won a scholarship to study at Leeds College of Art. However, his studies were put on hold during two years of National Service, which he spent largely with the RAF in Egypt, guarding the Suez Canal. He returned to Leeds College in 1949, graduating in 1953. While at Leeds College, he had frustrated his teachers and fellow students by insisting on working in a more traditional, precise style, and rejecting the more Modernist principles that were being promoted. As a result, his teachers convinced him that he was unlikely to earn a living as an artist, and encouraged him instead to study for a teaching diploma. Shortly after graduation however, he was diagnosed as suffering from tuberculosis, a consequence of his time in Egypt, and was admitted to a sanatorium, where he would stay for the next six months. Years later, Booth would joke ‘I am one of the few people who can say, “Thank God for TB”’ (The Times obituary, 9 September 2015), as his months of recuperation gave him countless hours to develop his skills as a botanical artist. This enforced focus on his work gave him the confidence to submit a number of his drawings to a botanical art exhibition in London organised by the Royal Horticultural Society. These works attracted the attention of a number of prominent horticulturalists, including Dr Harold Fletcher, the director of the RHS’s gardens at Wisley, Sir George Taylor...

Signature "Hogan" 24" x 36" Oil on Canvas Framed Size: 31.5" x 43.25" This landscape painting depicts a nostalgic Great Depression era farm scene of a barn and silos on a prairie.

Andrzej Skorut's (US based) "Green Landscape" is an oil painting that depicts grassy plains with soft blue mountains reaching into the distance speckled...