Grassland Paintings

Oil painting with green of nature, bright flowers, sunny day look amazing in home interior. This place is one of the most favorite places of the artist. When the sunny summer comes, ...

Martha Mans 7 x 7 image size and 16 x 16 matted and shrink-wrapped The painting process has been an evolving experience for me from the time I was very young and first started paint...

Wonderful Gold Country Church landscape by Gladys Louise Bowman Fies (American, 1909-2005). Signed "Fies" lower right. Unframed. Image size, 18"H x 24"...

Claude Le Sauteur, Canadian, 1926-2007 GERBES SOUS LE SOLEIL, 1980 Oil on canvas 8 x 10 in signed and dated on lower left Le Sauteur 80; Signed, dated and titled verso; Kastel Galler...

In this painting, I sought to capture the ephemeral dance of light across a vibrant flax field. Using oil paints, I blended Impressionist strokes with Realist details to evoke the se...

"Alpine Village" is an beautiful oil painted on location in the French Alps by Maria Bertran. This Contemporary Impressionist painting captures a timele...

This serene Hudson River School painting by George Wright captures a peaceful moment of pastoral life, where three cows rest and graze under a wide, luminous sky. The composition gen...

Charles Courtney Curran (1861 - 1942) Twilight, Mianus, Connecticut, 1892 Oil on canvas 18 x 32 inches Signed titled, and dated lower left An Impressionist figure, genre, and landsc...

A peaceful country scene looking over summer fields towards farm buildings. The artist captures the landscape in the height of summer using vibrant greens to show the luscious countr...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Vibrant Summer, Size: 23.5" x 31....

Mountain Landscape with Wildflowers in the Marsh in Acrylic on Canvas Lush landscape by unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century). The viewer stands at the edge of a marshy area, filled with yellow and red wildflowers, with patches of water and wet ground throughout. As the landscape begins to slope upward in the distance, the vegetation is green, with a few trees. A road follows the curve of the mountain, towering above the landscape. A few grey and white clouds drift through the blue sky. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray Signed "M Pavao...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Ancient Trackway 1 By Sarah Brooks [2022] limited_edition Mixed media Edition number 40 Image size: H:29.7 cm x W:42.5 cm Complete Size of Unframed W...

"Marsh" is a 22x28 oil painting on canvas by artist Rob Meyers featuring a marshy view from out on the water. A moody sky with lifting clouds reveals blue skies with sail boats glid...

ARTIST: Edward 'Ted' Tranter (1931-2012) British TITLE: "Beach Scene" - probably Swansea SIGNED: labelled verso MEDIUM: oil on board SIZE: 94cm x 63cm inclusive of frame CONDITIO...

Hans Schmidt Hamburg 1859 – 1950 Weimar German Painter 'Deer in a Landscape' Signature: Signed bottom left, placed Weimar and dated 1941 Medium: Oil on canvas Dimensions: Image siz...

A highly atmospheric painting with the sunlight beautifully rendered which filters through the leaves of the trees and the clouds.

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Title: Towards Where Afar Medium: Oil on canvas Size: 26 x 34 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2012 Ar...

French artist Trimborn is renowned for his large-­scale, stunning landscapes in oil on canvas. Trimborn, trained as an architect, categorizes his work as “contemporary impressionism”...

shipped in roll This painting is about balance and equilibrium. In every person, in every action, there are two sides — the dark and the light, shadow and sun. They cannot exist with...

The Harvest Workers French Post-Impressionist, signed and dated 1977 oil on canvas, unframed canvas: 20 x 25.5 inches Provenance: private collection, South of France Condition: very ...

“A Lake, Moonlight” by Ralph Albert Blakelock sees the artist portray a full moon rising above a wooded landscape, reflecting off the lake below.

This vibrant landscape, "Springtime", is an 11x14 equine oil painting on canvas featuring three brown and white horses grazing in a lush green grassy pasture in the warm sunlight. T...

A realistic painting of a summer garden in Dorset by the painter, Dylan Lloyd. “The Dorset summer garden paintings are a response partly to my emerging garden on the Isle of Portla...

A painting by William Wendt. "Laguna Hills" is an impressionist landscape, oil on canvas in an earth-tone palette by American artist William Wendt. The artwork is signed in the lower...

Morning Poppy Meadows #17 – By Lucy Moore [2022] original Acrylic on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:1.5cm Sold Unframe...

Charming 1940s modernist mountain landscape painting featuring a white farmhouse, outbuildings, and trees set in a verdant meadow near Gunnison, on the western slope of Colorado. Maj...

This panoramic work reflects Aeling’s long devotion to the wide horizons of New Mexico. The enormous sky—occupying most of the composition—reveals the scale relationships that shaped his artistic vision from childhood onward. He often said that in the West, weather doesn’t merely pass overhead; it defines how one experiences land. The soft layering of cloud strata hints at distant rain, a familiar sight from his years traveling between the Rockies and the Southwest. As in his seascapes, the horizon becomes a hinge between two immense forces: the solidity of earth and the constantly shifting atmosphere above. Jeff Aeling North of Las Vegas, NM oil on panel 24h x 36w in 60.96h x 91.44w cm JAE026 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith...

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

Louis Eilshemius', American (1864 -1941), early works were influenced by the Barbizon School and Corot among others. This oil on canvas painting from 1890-1910 is from the era when h...

"Acacia Shade" by Anthony Gibbs. Anthony Gibbs who was born in 1951 is a highly popular midlands painter of wildlife. He studied at the Bournmouth school of art. Oil on canvas. Signe...

Oil on canvas Dondi Schwartz is an Israeli artist born in Canada in 1961 who lives and works in the Kibbutz Beeri, Negev, Israel. Schwartz studied art at the Avni School of Arts in...

Summer Meadows by Winifred Wilson (1882-1973) signed oil on board, unframed board: 7 x 9.75 inches Provenance: private collection, England Condition: very good condition For more a...

Original oil on canvas Image size: H:60 cm x W:76 cm Complete Size of Unframed Work: H:60 cm x W:76 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication o...

This sketch, painted by the artist from plain air near Maksimkovo, is a dramatic landscape at sunset, capturing the approach of rain on the slope of the day and the transition from d...

Ancient Trackway 2 By Sarah Brooks [2022] limited_edition Mixed media Edition number 40 Image size: H:29.7 cm x W:42.5 cm Complete Size of Unframed W...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

Framed Size - 84 x 84 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, ac...

Poppies for Miles 10.0 x 8.0 x 0.1, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "The photo reference was actually a field of daisies but I wanted ...

"Green Meadow" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back. This artwork features an expansive green landscape with yellow, brown, ...

Large interior painting with the image of a cornflower field - is a window in the summer in the house. Blue flowers on a background of sky and white clouds, perspective, distant hori...

A beautiful rainbow at the far end of the field behind my property in rural Ontario, Canada :: Painting :: Realism :: This piece comes with an official certificate of authenticity si...

Earth toned naturalistic painting depicting a Colorado mountain scene with horse and native man attempting to strike a mountain bear. Framed and matted in a black modern wooden frame...

Field of Dreams 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Continuing to explore homemade, textured boards and really enjoying...

Landscape of Auvergne, in the very heart of France. This landscape is painted “alla primaâ€

This plein air oil painting captures the serene beauty of the rolling green hills near Gruyère, Switzerland — a region known not only for its world-famous cheese but also for its idy...

Original Oil Painting signed by the Artist in the lower right corner.

Artist: Jack Graves III (American, 1988-) Title: "Old July Barn" Series: Eclecticism *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2024 Medium: Original Acrylic Painting on Canvas Canvas size: 60" x 48" Condition: The stretched canvas was custom built by the artist himself. In mint condition Shipping: This painting will be shipped canvas rolled with its stretcher bars to greatly reduce shipping cost and ensure its safety during transport Notes: In this painting, Graves has depicted a Virginia country farm landscape with the Blue Ridge Mountains in the background, a horse facing the viewer at left, pansy flowers at bottom, and a hidden "nod" on the farm fence...

A secluded path leads into a dense woods begging the viewer to ask the question - what is beyond the path? "The Walk" is a small scale landscape painted with painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. This oil on panel painting is framed in a silver and black wooden frame measuring 20.5 x 15 inches. "Pozas" René Monzón...

Came to view this panoramic image near Orangeville Ontario. it was a very bright and sunny day. :: Painting :: Impressionist :: This piece comes with an official certificate of authe...

In creating this oil painting, I sought to capture the ephemeral beauty of a wildflower meadow at dusk. Employing a blend of impressionism and realism, I allowed my brushstrokes to d...

There’s a moment when the morning sun meets the wildflowers, and the world feels brand new again. “Morning Sonata” captures that quiet joy — when colors awaken and the air itself see...

Holland landscape with haystacks. Studio painting done after a number of plain airs at the location. :: Painting :: Impressionist :: This piece comes with an official certificate of ...

What Tomorrow Brings - Diptych Total dimensions 97 x 120 cm x 1.5cm Deep x 2 pieces 97 x 60 cm The 5th piece in my 'Accents Of Gold' collection Each piece has been infused with littl...

"Sheridan Herd" is an original oil painting on masonite by Heather Foster. The artist initialed the work in the lower right. This painting depicts a herd of cows in a yellow hilly me...

Oil on linen

The road to the sun 1996, cardboard, oil, 74x85 cm The composition depicts a landscape where a road leads towards the sun, with the sea visible in the background. The focal point ...

Wooded Sand Dune Oil on panel, 12 x 18 1/8 inches Framed dimensions: 17 1/2 x 23 1/2 inches Estate stamp lower right: RSwain Gifford Provenance The artist; By descent in the family ...