People Paintings

Muy interesante ÓLEO SOBRE CRISTAL, representando a una Virgen con Niño, de finales del siglo XVIII principios del XIX. Escuela colonial, va con un fino marco de madera dorada al oro...

Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...

This original 1940s American Modernist gouache painting, "Artists Sketching (California)," captures a dynamic scene of three artists at work against a majestic mountain backdrop. With expressive brushwork and a rich color palette, the piece embodies Frederick E. Shane’s signature blend of realism and modernist abstraction. Signed, titled, and dated by the artist in the lower margin, this remarkable artwork reflects the era’s Regionalist influence and the artist’s keen eye for capturing creative moments in the natural landscape. The painting is professionally housed in a custom archival frame, ensuring long-term preservation. Frame dimensions: 25.5 x 37.5 x 1.5 inches. Image size: 20.25 x 29.75 inches. Provenance: Estate of the Artist, Frederick Shane About the Artist: Frederick E. Shane (1906-1992) A celebrated Missouri Regionalist painter and printmaker, Frederick E. Shane was known for his compelling genre scenes, landscapes, seascapes, and portraits in a variety of media, including oil, watercolor, gouache, tempera, and lithography. While fundamentally a realist, Shane often incorporated elements of abstraction, expressionism, and surrealism, adding depth and emotion to his compositions. During the summers of 1925-26, Shane studied under Randall Davey at the Broadmoor Academy in Colorado Springs, an institution founded in 1919 by philanthropists Spencer and Julie Penrose. Shane remained closely connected to the Colorado Springs Fine Arts Center, the Academy’s successor, throughout the 1940s and early 1950s, participating in Artists West of the Mississippi exhibitions and forming lasting friendships with key figures like Boardman Robinson and Adolph Dehn...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

Massive size, this six-foot long oil painting makes an impression! Professionally preserved, this masterful work looks as contemporary and detailed as the day it was completed in 18...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Still Life wit Onions Size: ...

Artist/ School: Scottish School, early 19th century Title: a large panoramic Scottish landscape, with ancient castle standing to the centre, with various figures enjoying the landsc...

Portrait of a Woman Andre Dalloz ( French School, circa 1960's) signed oil on canvas, in a wooden frame framed : 24 x 15.5 inches canvas: 23.5 x 15 inches Provenance: private collect...

Artist: Suren Sokhakyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 1978 Style: Social Realism, Title: Intersection Size: 40" x 54" x ...

Signed figures in an interior oil on board circa 1940 by French impressionist painter Jules Rene Herve. This charming work depicts a grand red room with gold trim filled with balleri...

KAMIL LISEK (born in 1980) Studied under the guidance of prof. Maciej Świeszewski at the faculty of painting at the Academy of Fine Arts in Gdansk. He graduated with distinction obta...

Title: Historic Miniature Watercolor of Theatre Royal and Coopers' Hall in King Street by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Midi et Soir à Èze 65 x 54 cm Acrylic on Canvas "Midi et Soir à Èze" by Grégoire Mathias is a vibrant portrayal of the picturesque village of Èze, capturing the shifting moods of mi...

Pierre GARCIA FONS Fauvism : Dreaming Model , c. 1965 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 61 cm (c. 20 x 24 inch) PROVENAN...

This captivating painting portrays a mythological or allegorical scene, where a reclining nude woman, partially draped in a flowing red cloth, lies in a dreamlike landscape beside a ...

Romanticism movement is well maintained here by Benedikt Franz Hess (1817-1870), Swiss / American, a painter of panoramic landscapes in a detailed transcriptive yet broadly painted s...

Léon Olivié-Bon 1863-1901 French The Potter Oil on canvas Signed and dated "Olivie-Bon 1888" (lower right) This monumental masterpiece by French artist Léon Olivié-Bon is one of ...

A beautiful Modern figure painting of two bathers in a boathouse by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). Painted at the Ox-Bow School of Saugatuck, Michigan ...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

Pascal Marcel (B.1964) Pour toi Huile sur toile signée en bas à droite , titrée et datée au dos 116 x 89 cm / 45.6 x 35.03 inches With frame : 122 x 95 cm / 48.03 x 37.40 inches 202...

The setting is the French coast, on a tranquil summer's evening. Clouds are drawing in, the sky is turning dusky pink and purple, but there is still time left for play, for the children on the beach...

Joseph Idowu’s Persistence Of Expectations is a striking original acrylic on canvas measuring 60 x 48 x 1.50 inches (152.40 x 121.92 x 3.81 cm). Born in Nigeria, Idowu explores theme...

"Fragment 9" by Rudolf Kosow is a striking miniature painting that employs a minimalist yet impactful use of color and form to convey deep emotional and psychological states. The art...

The piece is based in the narrative poem Paradise Lost, written by John Milton in 1667. The author does a self-interpretation of Adam and Eve’s original sin and their later exile fro...

French Landscape by Bernard Labbe (French mid 20th century) original oil on artist paper size: 12 x 9.5 inches condition: very good and ready to be enjoyed provenance: the artists...

Denied Warhol Flowers, (Yellow) Silkscreen Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Authentication Board. 48 x 48" inches 20...

Henri Duhem fait partie des peintres qualifiés d’intimistes, s’efforçant avec réalisme et poésie d’« exprimer la vie intérieure des choses ou des êtres », selon les mots du critique ...

Frame size 80x69 cm. Joan Cruspinera Muñoz was born in 1945 in Tiana, Barcelona. This Catalan artist is a painter, draftsman and painter. His training...

A charming mid 19th century study depicting a man smoking a long pip. Presented in a gilt effect composition frame. On board.

Gorgeous contemporary impressionist figurative portrait of Annie, a reclining woman in a one-piece bathing suit reading on a couch, with a California license plate tucked behind her,...

August Vilhelm Nikolaus Hagborg (Swedish, 1852-1921) In the Garden of His Eminence Oil on wood panel Signed lower left 21 x 25.5 inches 34 x 38.25 inches, framed August Vilhelm Nikolaus Hagborg was a Swedish painter who spent most of his life in France. His father was an associate professor. Against the wishes of his parents, he decided on a career in art and, from 1872 to 1874, he studied at the Royal Swedish Academy of Fine Arts in Stockholm with Vicente Palmaroli...

James MacMaster Gray Morning Signed and titled lower left Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

A quaint rural scene in oil showing two figures out for a stroll on a summer's day, one sitting side saddle on a handsome white horse. The artist has signed to the lower left. On can...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. (Issues b...

The lonely demon. 2003, paper, mixed media, 15x19,5 cm Colorful, stylized portrait on black background. Portrait with lilac face and long nose Gunta Liepina Griva...

A fine study after Thomas Gainsborough's original painting of two peasant children Hobbinol and Ganderetta. The original was one of Gainsborough's last exhibited pieces in his lifeti...

Signed oil on canvas landscape circa 1910 by French post impressionist painter Raymond Thibesart. The piece depicts a view of a small rural village deep in winter. The roof tops and ...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

In this painting, the focus is on authenticity and self-confidence, emphasizing the idea of authenticity as a unique and valuable trait. The central figure, a large-profiled girl, sy...

Women is a contemporary artwork realized by Artist of the mid-20th century Mixed media Includes frame

Evgeniy loves to listen to the great Jim McCann during the painting sessions and one of the Irish folk songs performed by him, very suitable in terms of lyrics and mood, gave the tit...

This is an Antique oil painting on canvas 19 century depicting a portrait of a British Gentleman by Listed British-Irish Artist Samuel West (1810-1860). C...

Eduardo León GARRIDO (French, Madrid 1856-1949 Caen) Picture Size: 16 x 13" (41 x 33cm) Outside Frame Size: 22 x 19" (56 x 48cm) Eduardo León Garrido was born in Madrid in 1856. He...

This painting transports the viewer into the tranquility of a lemon orchard, where nature and humanity merge in perfect harmony. At the center of the composition stands a female figu...

Francesco Noletti known as the Maltese (Malta 1611-Rome 1654) Workshop/circle of Still life with musical instruments, toys, armour, textiles and precious objects Oil on canvas (52 x 78 cm. - in frame 71 x 102) This painting, of beautiful scenic effect, depicts a still life composed of a rich display of precious objects, arranged with an apparent disorder, one part on a table and the other on the floor, all theatrically behind a hanging drape from which tassels swing. Among the objects, our author has reproduced we can see parts of a parade armour with gold borders, jugs and plates...

ABOUT THE ARTIST: AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine...

Lunaria - Honesty Plant French School, circa 1930's period oil on canvas, unframed canvas: 18 x 15 inches Provenance: private collection, Paris Condition: very good condition The f...

A fine 19th century Continental School portrait depicting a distinguished gentleman dressed in formal attire, set against a dark background. The portrait is beautifully housed in an ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

The “Lavender breeze” painting where the sky is awash in soft shades of gold as the sun begins to set on the horizon. The light is warm and gentle, casting a dreamy glow over an endl...

Title: French Watercolor of "La Grosse Cloche, Bordeaux" with Architectural Detailing by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper,...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Park Fountain Medium: signed gouache on paper, loosely laid over c...

The Judgement of Paris Fontainebleau School, circa 1580 *see notes below oil painting on canvas, framed framed: 30 x 40 inches canvas: 27 x 37 inches Provenance: private collection, ...

Richard E. Miller 1875-1943 American Young Woman in Interior Signed "Miller" (lower right) Oil on canvas Richard E. Miller's Young Woman in Interior exemplifies the artist's exce...

Title: French Impressionist Oil Painting of Village Street Scene with Figures By Fanch Lel (French b. 1930) Size: 5.75 x 8.25 inches (height x width) Signed: Yes Oil painting on boar...

A French Cubist gouache on paper landscape by G Ricard. The painting is marked with the atelier stamp of Georges Ricard Cordingley. There is another painting of an autumn landscape t...

The Carpenters Workshop British School, late 19th century based on the Pre-Raphaelite painting by Millais oil on canvas, framed framed: 27.5 x 39 inches canvas: 24 x 36 inches proven...

George Arnull (c. 1800–1880) was a British painter active during the 19th century, renowned for his equestrian scenes and depictions of horse racing. He developed a keen interest in ...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...