Plant Paintings

This piece is created at 4.12" x 2.5", and is framed in a black frame at 6.5 x 4.5". Delton Demarest has been working in the freelance industry for many years. Recent and past clien...

A painting depicts a vibrant landscape scene featuring dirt tracks that merge from the left and right sides of the image, converging on their way toward a lake located in the middle ...

LeRoy A Oil Painting on Canvas Modern Nature Tree Outdoors Plein Air In Stock Born in Valthermond, 1971 - The Netherlands During his studies decided Gertjan to leave the concept of...

Artist Commentary: I have painted this scene many times and I could honestly paint it dozens more. Each time I paint it I find new ways to express what I see, be it from a color per...

Blooming evening- oil, acrylic painting on canvas, large size, ready to hang Spring. The trees are blooming with lush flakes. The grass under the trees has woken up and turned gre...

John B. Aragon's Watercolor Painting on Paper of the exterior of a New Mexico Mission Church measures 10-1/2 x 14-1/2 inches. The matting and framing bring the total dimensions to 17...

Known for his use of paint; Don Sahli's brush stroke is exciting and carries a positive emotion to the viewer. His work is diverse carrying many labels inclu...

Walking On Sunshine, Original Impressionist Landscape Painting, 2021 8" x 10" (HxW) Pastel on Board This landscape emits a warmth, both from the s...

Sonja Brussen Green love 100 x 140 cm Not framed (shipped in tube) When the painting begins, Sonja disappears... This is how artist Sonja Brussen describes her way of working. Fro...

Judd Mercer's (US based) "039 - Plein Air-Morrison, CO" is a gouache painting depicting a peaceful forest landscape. Artist bio/statement Judd Mercer is a contemporary landscape pa...

In creating this piece, I sought to capture the ethereal essence of autumn. Working with oils, I used impressionistic techniques to render the vibrant yet fleeting moments of the sea...

Rural Landscape Les Parson (b.1945) signed oil painting on canvas, framed framed: 17 x 22 inches canvas: 12 x 16 inches provenance: private collection cond...

The Woodshed or Woodshed, Woodstock, 1932, oil on canvas, signed lower left, 19 x 25 inches, exhibited Downtown Gallery, New York, NY, likely as part of the solo exhibition Dorothy ...

Oil on board, signed and dated '1974' lower right Image size: 31 x 48 inches (79 x 122 cm) June 1987 Exhibition label on verso Original frame Provenance The Artist's Estate Exhibited "Raymond Booth, A Memorial Exhibition", The Fine Art Society, London, 12th August - 9th September 2016, no.62 "Raymond Booth, In the Wild", The Fine Art Society, London, 02 May -29 May 2017, No. 11 Booth was above all a great recorder of the natural world who could translate his observations of the Yorkshire countryside, its fauna and flora, into compositions of a beauty and intensity rivalling the greatest of his Victorian predecessors. This intense, yet intimate, landscape depicts a section of woods around Booth's home in Alwoodley, Leeds, where he spent much of his time. Here Booth has worked slowly to develop the densely worked, close-up, landscape in which the woodland and meadows have acquired a poetic quality through his sensitivity to season, weather and time of day. Raymond Charles Booth Intensely private, and possessing an obsessive work ethic and passion for the natural world, Raymond Booth earned a reputation as one of the greatest botanical painters and illustrators, despite rarely leaving his Yorkshire home. Eschewing the more fashionable modernist principles of the early mid-twentieth century, he instead produced beautiful, intense compositions in oil of British flora and fauna, that rival the very finest Victorian followers of the genre. Raymond Booth was born in Wetherby, West Yorkshire, on 8 August 1929, to John Booth, a member of the local police force, and his wife Margaret Edna. When Raymond was still a young child, the family moved from their first home in the crowded streets of central Leeds, to Fearnville Place, in the leafy suburb of Roundhay. His father was a keen rambler and impressed upon Booth from an early age a respect and understanding for the British countryside. Just a short walk from his childhood home was Roundhay Park, the second largest urban park in Europe, comprised of over 700 acres of parkland, lakes and woodland. It is likely that growing up so close to such an environment had a profound influence on him, helping to develop what would become a lifelong obsession with natural world. Booth’s early passion for nature was surely heightened by the number of summer holidays he spent on an estate near Winterslow, Wiltshire, where an uncle worked as a gamekeeper. In 1946, at the age of 17, Booth won a scholarship to study at Leeds College of Art. However, his studies were put on hold during two years of National Service, which he spent largely with the RAF in Egypt, guarding the Suez Canal. He returned to Leeds College in 1949, graduating in 1953. While at Leeds College, he had frustrated his teachers and fellow students by insisting on working in a more traditional, precise style, and rejecting the more Modernist principles that were being promoted. As a result, his teachers convinced him that he was unlikely to earn a living as an artist, and encouraged him instead to study for a teaching diploma. Shortly after graduation however, he was diagnosed as suffering from tuberculosis, a consequence of his time in Egypt, and was admitted to a sanatorium, where he would stay for the next six months. Years later, Booth would joke ‘I am one of the few people who can say, “Thank God for TB”’ (The Times obituary, 9 September 2015), as his months of recuperation gave him countless hours to develop his skills as a botanical artist. This enforced focus on his work gave him the confidence to submit a number of his drawings to a botanical art exhibition in London organised by the Royal Horticultural Society. These works attracted the attention of a number of prominent horticulturalists, including Dr Harold Fletcher, the director of the RHS’s gardens at Wisley, Sir George Taylor...

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado, fechado del año 2000 y titulado Se presenta enmarcada la pintura El estado de la...

Morning Light 20.0 x 26.0 x 1.0, 2.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Estuaries are one of my favorite landscapes to paint. This one was c...

The Barbizon Forest circle of Jean-Baptiste Camille Corot (French 19th century bears signature, oil on wood panel (cradled), unframed panel: 30 x 19 inches provenance: private collec...

Allen Tucker (1866-1939) Towards the Hills, 1923 Oil on canvas 28 1/2 x 34 1/2 inches 72.4 x 87.6 cm Signed lower left: Allen Tucker / 1923 Provenance Arthur Harrow, New York; By de...

A classic Amy Florence still life with broad impressionist strokes creating an inviting space that makes you want to enter into her world. Framed Dimensions: 33.6 x 41.4 inches Artist Bio: Amy Florence is a London born artist working out of her studio in Florence, Italy. She trained at the Charles H...

Title: Mid-20th Century Post-Impressionist Ink Drawing of Tree and Garden Pavilion by Anne Marie Migette Perard (French 1902-1977) Medium: In...

A serene 1940s Vermont Landscape, depicting evergreen trees and a lake by artist Harold Haydon. Image size: 16" x 20". Framed size: 20" x 24". In a rustic brown wood frame. Es...

A six panel Japanese Byobu in gold and green, paint on paper and wood by an unknown artist from the Meigi or Taisho peiord. The artwork is unsigned. Provenance: Private Collection Heather James Fine Art...

"Ranunculus and Roses" is a bright contemporary impressionist flower still life. A quintessential springtime image of freshly cut flowers shimmering in the warm light of Tuscany that...

In crafting this oil painting, I immersed myself in the beauty of a tranquil river scene, capturing the soft interplay of light and shadow. My aim was to convey the serene atmosphere...

A wonderful depiction of mountain lake landscape in the country side. For this beautiful depiction of the mountains, we find distinct elements that are unique to the earlier works of Marie Berger. Among other things, Marie Berger's art is notable for its surrealist elements. In Still Life with Figure in a Desert Landscape, for example, she combines the seemingly incongruous images of a foreground still life composition with the almost infinite lines of perspective of the desert environment. The final result is one of provoking imagery and emotion. With joyful colors, this piece is filled with bold brushstrokes and impressive marks. Comes housed in a gold tone wood frame decorated with finely carved botanical elements and it is ready to hang with wire on verso. Art measures 16 x 20 inches Framed measures 19 x 23 inches A native of Fort Worth, Marie Friedman Berger was born March 9, 1913, the daughter of Will and Minnie Cohen Friedman. She was a graduate of Central High School, now R. L. Paschal, and attended Washington University, St. Louis School of Art. Marie married Jack Henry Berger on June 21, 1939, in Dallas; a marriage that lasted nearly 61 years. Mr. Berger died in 2000. Marie was an internationally renowned artist. Her works have been published by the Metropolitan Art Gallery of New York and shown as one of America's only artists in Italian art galleries. She was a recipient of the annual Benedictine Art Award. For many years she worked along side her late husband operating the Fashion Furniture Gallery on Camp Bowie Blvd. Marie Berger was a longtime member of Beth-El Congregation and she was also a full member of the Texas Fine Arts Association (Regional Director) and the Texas Watercolor Society. Among the awards presented to her for her art were the Benedictine Award, New York, and the Texas Fine Arts Jurors Award. She also owned and managed the Marie Berger Gallery, Fort Worth, which promoted the works of many rising American and Mexican artists during the 1950's and 1960's. She studied at Texas Christian University, and then at the St. Louis School of Fine Art and at Washington University, Missouri, which was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis. Her most common media is the use of oil, acrylic, watercolor, etching, lithograph, collagraph. During her successful career, she exhibited internationally at such institutions as the Bateau Lavar Gallery, Rome, the Rassagna permanente d'arte contemporanea, Veterbo, Italy, the Laguna Gloria, Austin, Texas, the Oklahoma Art...

Gold and Diamanté Star and Leaf Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left design...

"Woods at Chickamauga" is a large oil on canvas featuring vibrant hues of bright yellow, green, blue, orange and red. Born in 1944, Kellogg developed his early artistic interests st...

One of a kind, original oil painting on board by Scott Yeager. Signed lower right. Framed Dimensions: 23.25 X 21.25

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

'The Bay of Fort-de-France, Martinique', oil on canvas, by Robert Humblot (1959). A delightfully panoramic view of one of the most beautiful bays in the...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Where the sun sets, dandelions blossom like scattered sunbeams. Blooming apple trees stand as one of the clearest symbols of new life — the pure essence of spring’s awakening. For me...

Welcome to "Blossom Bonanza" , a vibrant explosion of color and joy where flowers seem to leap out of their vase with giddy abandon! Each blossom is a burst of personality, dancing a...

Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministry of Arts and Cul...

Contemporary oil still life painting by classically-trained English painter Amy Florence. A blue jug takes center stage in this dynamic still life of pink and white flowers. The composition exudes a sense of homeyness, with a book supporting one of the vases and an empty vase filled with water, waiting to be adorned with more flower cuttings. White roses and anenomes, arranged with pink roese, tulips, rununculus and gladiolus stand proud in their vessels amidst bright green stems and leafy bases. Framed Dimensions: 38 x 43.9 inches Painting dimensions: 33.5 x 39.5 inches Artist Bio: Amy Florence is a London born artist working out of her studio in Florence, Italy. She trained at the Charles H...

Southern California native Courtney Simone seamlessly blends her passion for abstract art with the exploration of everyday beauty, resulting in exuberantly inspired abstract figurati...

Autumn Skies – With splatters of paint to create texture and pattern, it is an beautiful landscape inspired by one of Rachaels many dog walks around the Norfolk countryside near whe...

In the forest in winter, when the cold sets in and snow falls, everything turns into fairy-tale lace. The snow always falls on the branches differently as you enter the forest. Somet...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Movement –...

Medium: Oil on Canvas Signature: Unsigned This is a study for the very large Howard Pyle mural now in the historic County Courthouse in Hudson County, New Jersey. It was commissione...

H.E Smethurst, British 20th centiry signed oil on canvas, framed framed: 26 x 28 inches canvas: 20 x 23.5 inches provenance: private collection, UK condition: very good and sound con...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintings that speak to the en...

French contemporary artist Natalya Mougenot invites us into her world of expressive simplicity in "Apples and Roses". In this radiant acrylic painting, a vase filled with red bloomi...

In many ways Ernest Lawson bridges the work of the American Impressionists and the Realists of Robert Henri’s circle. Although he is often thought of as a painter of pure landscapes, who’s primary interests were light and atmospheric effects, after settling in Washington Heights...

Title: Tree Flowers Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Stunning large palm tree watercolor on silk pasted onto Japanese paper by French artist, La Roche Laffitte. A rare signed watercolor pasted onto ...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Movement –...

View from the hill to the field, which is already overgrown with young trees. The trees lined up, with even rare rhythms of more intense green spots on the patchwork ocher blanket of...

Oil on board Image size: 15 3/4 x 11 1/2 inches (40 x 29 cm) Framed Provenance By descent from the estate of the artist Emma Fordyce MacRae Emma Fordyce MacRae was an American representational painter. She was a member of the Philadelphia Ten, a group of women artists who worked and exhibited together. Her work — including still lifes and paintings of women — shows the influence of Asian flower paintings and of Seurat. MacRae grew up in New York City, where she attended Miss Chapin's School and the Brearley School. She enrolled at the Art Students League in 1911, studying first with Frank DuMond and Kenneth Hayes Miller, and beginning in 1915, with Luis Mora, Ernest Blumenschein, and John French Sloan. She also attended one of Robert Reid's summer courses. MacRae's painting, "Green Jade," was shown at the Anderson Galleries in 1928, at an exhibit of artist members of the American Woman's Association. Many exhibitions and gallery showings followed. In 1937, MacRae's painting "A Persian Girl," was listed as deserving of special mention by The New York Times critic Edward Alden Jewell. In the 1940s, MacRae was chairman of the awards jury of the National Association of Women Artists. Galleries rediscovered MacRae's art in the 1980s; the Richard York Gallery in New York exhibited thirty of her paintings in December 1983. In 1987, her painting of a Venetian cafe was part of "American Women Artists, 1830-1930," an exhibition displayed at the National Museum of Women in the Arts in Washington, D.C. and in four other museums. MacRae had studios in New York City and in Gloucester, Massachusetts. Where MacRae painted her New England landscapes form the Cape Ann Landscapes...

"Random Thought," a captivating creation by artist John Ali, invites viewers into the enigmatic realm of introspection. The artwork features a young man, his head covered with nylon, adorned by an intricate African bead necklace...

The Green River Valley signed by Regine David (female French artist, 1910-2018) dated 1952 oil painting on board, unframed measures: 13 x 16 inches condition: the painting is in very...

In Katharina Husslein’s latest collection, richly textured table scenes come to life through her signature impasto technique and expressive brushwork. Moving beyond her earlier flora...

Immersing himself in majestic surroundings is part of Jim Lamb’s daily routine, whether it’s Washington’s Cascade Mountains or California’s pacific Coast beaches. Capturing the beauty of the natural world is his every day reality. Lamb is an award-winning participant in the selective Northwest Rendezvous group of painters. He is also a regular participant in a number of well known California shows, including the Laguna Beach plein air painting...

Sunflower is a symbol of the sun, warmth, light, it is always a reminder of summer and childhood.

Ties that Bind (Three) by Pam Burnley-Schol is a oil painting depicting three purple scallions ties together with string, on top of a gold leaf background. Oil and distressed 23k go...

Signed lower right: L.W.Prentice.

Signed and dated (at lower left): J. STONE ROBERTS. /2019/20.