1790s Art

¿De qué mal morirá? from the first edition of Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the First Edition of "Los Caprichos" published by the Calcografia Nacional for the Real Academia of Madrid. Plate N. 40. Numbered on the upper right corner, with very fresh inking and sheet in good condition. Titled on the lower central margin " ¿De qué mal morirá? " (What's going to happen?). Good conditions. Dimensions of plate: 2 x 3.4 cm. Assez bonnes marges. A scene that makes us reflect upon the condition of poor people during the Spanish court...

Donde va Mama from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aqua...

Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...

James Basire & Robert Blemmel Schnebbelie The Holy Sepulchre at Northwold in the county of Norfolk Engraving 45 x 60 cm This engraving was originally published by the Society of ...

James Basire & Robert Blemmell Schnebbelie The Holy Sepulchre at Heckington in Lincoln Engraving 45 x 30 cm This engraving was originally published by the Society of Antiquaries ...

James Basire, after James Johnson and John Carter The Chancel of Chatham Church, Kent Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of...

James Basire & Robert Blemmell Schnebbelie Wainflete School, Lincolnshire Engraving 50 x 32 cm This engraving was originally published by the Society of Antiquaries of London, an...

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Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Lincolnshire Sheep" (Plate 9) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...

French School, late 18th century, circle of Jean-Baptiste Greuze (1725–1805) Young Girl with a Basket of Fruit Oil on canvas, preparatory work, 39 x 31 cm Provenance: Private colle...

James Gillray (13 August 1756 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London. Description: Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is a yokel no longer bewildered. He stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right) wears a high cocked hat...

Artist: William Augustus Osbaldiston (English, Active: Late 18th Century) Title: "Wild Fowl Shooting" (Plate 2) Portfolio: The British Sportsman, or, Nobleman, Gentleman, and Farmer'...

Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Title : 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20th and following day between the Earl's of Winchelsea and darnley for 1000 Guineas.' Publication line ...

Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. The etching is part of the...

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Correcion from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatint on paper. The etching is pa...

General Washington is an Original Etching hand Watercolored realized by Thomas Holloway in 1794. The artwork is in good condition except for some s...

Adieu! is an original watercolored etching realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 1832). The artwork is the pla...

Esto si que es léer is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching on paper. The etching is pa...

Qual la descañona from Los Caprichos is an original artwork realized by the artist Francisco Goya and published in 1799. Etching and aquatint on paper. ...

“Statua incognita di qualche Greco illustre” (Tav. X, Tom. I) Im. Dim: cm 48 x 33, Dim: cm 59 x 44. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Bernardino Nocchi...

Satyr on Horseback is an original etching realized in 1795/1796 by Carl Wilhelm Kolbe the Elder (1759-1835). Good Conditions except for being aged....

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published in 1799. Etching on paper. The etching is part of the rare First Edition of "Los Ca...

Artist: (after) Pierre-Jacques Volaire (French, 1729-1799) Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9) *Issued unsigned, though signed by Richter in the plate (printed s...

James Basire & William Turner Davey A chimney piece in the Bishop's Palace at Exeter Engraving 45 x 60 cm This engraving was originally published by the Society of Antiquaries of...

RICHARD WESTALL, RA (1765-1836) Cupid Sleeping; from a poem of Mrs Robinson - The Duchess of Devonshire Discovers the Sleeping Cupid Watercolour on paper, oval 36 by 44.5 cm., 14 ¼ by 18 in. (frame size 55 by 66 cm., 21 ¾ by 26 in.) Exhibited: London, Royal Academy, 1792, no.448. Richard Westall was bon in Reepham, near Norwich. Initially apprenticed to a London silver engraving he began studying at the Royal Academy Schools from 1785 and exhibited regularly at the Royal Academy between 1784 and 1836. Westall became an Associate member of the Royal Academy in 1792 and a full member in 1794. Westall painted in both oil and watercolour, his works being romantic and neoclassical in style. He contributing to both Boydell’s Shakespeare Gallery and Fuseli’s Milton Gallery and was also a prolific book illustrator of both fiction and poetry including works by Sir Walter Scott and Byron, whose portrait he also painted. For a time he was also art master to the young Princess Victoria. This is probably Westall’s 1792 Royal Academy exhibit (no.448). The subject was inspired by the poem Cupid Sleeping by the poetess-actress Mary Darby Robinson, which had been published in the previous year. The poem was dedicated to Georgiana, Duchess of Devonshire and the picture show the Duchess discovering the sleeping cupid who she then relieves of his bow and arrows. Mrs Robinson was not only the Duchess’s protégée but also the first public mistress of the Prince of Wales. William Nutter’s engraving of Westall’s picture was also dedicated to the Duchess of Devonshire. Close in a woodbine's tangled shade, The blooming god asleep was laid; His brows with mossy roses crown'd; His golden darts lay scatter'd round; To shade his auburn, curled head, A purple canopy was spread, Which gently with the breezes play'd, And shed around a soften'd shade. Upon his downy smiling cheek, Adorned with many a "dimple sleek," Beam'd glowing health and tender blisses, His coral lip...

Esta usted… pues.. eh!como digo… cuidado from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquati...

James Basire & Henry Emlyn Plan and Elevation of the Rood Loft in St George's Chapel at Windsor Engraving 47 x 55 cm This engraving was originally published by the Society of Ant...

James Basire & John Carter Stalls in Tiltey Church Essex & Stalls in the Choir of Rochester Cathedral Engraving 50 x 32 cm This engraving was originally published by the Society ...

James Basire & Robert Blemmell Schnebbelie Monument of King Edward IV in St George's Chapel at Windsor Engraving 50 x 32 cm This engraving was originally published by the Societ...

James Basire & Robert Blemmell Schnebbelie The Chancel of Chatham Church, Kent Engraving 48 x 33 cm This engraving was originally published by the Society of Antiquaries of Londo...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

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Ruins is a original b/w etching on laid paper, realized around 1790s by an Italian old master, after Giuseppe Contenti. Image Dimensions: 11.2 x 14 ...

Artist: (after) George Morland (English, 1763-1804) Title: "A Rustic Family" Portfolio: Original Sketches from Nature by Various Masters *Signed by Morland in the plate (printed sign...

Image dimensions: 38.2 x 45.7 cm. Girl and Pigs is an original etching, hand-colored, d'après George Morland. Interesting artist's proof by William Ward ...

Calcography on frontispiece, 20 engraved sanguine tables and 20 text pages in Dutch, French and English with some minor ancient restoration. Tables in excellent conditions. Half leat...

Battle Scene is an original artwork realized in 1799 (after an original artwork realized in 1515) by Hans Burgkmair. Original lithograph on paper. The a...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...

The deposition is an original etching on ivory-colored paper realized in 1791 by Thomas Holloway d'apres Heinrich Fuseli Signed on the plate on the lower. Titled on the lower cente...

"Iron arm, musing over the body of Meduna" is an original etching on ivory-colored paper realized in 1791 by Thomas Holloway d'apres Heinrich Fuseli Signed on the plate on the lowe...

Minister of Sacrifices (Original Title: “Ministro de’ Sagrifizi”) is an original etching realized in 1794. Image Dim: cm 48 x 33, Dim: cm 59 x 44. Wonderful B/W Etching on copper. Designed by Agostino Tofanelli and engraved by Alessandro Mochetti...

Map of Europe printed on two separate sheets from A New Universal Atlas by Thomas Kitchin. Published in London by Laurie & Whittle, 1798. Original engravings hand-colored at publicat...

Vue de Tivoli is an original watercolored etching realized in 1799, as the plate n.159, or the illustration for the Journal des Dames et des Modes...

Cornette de Crêpe, à Longues Pointes is an original watercolored print, realized in 1799 by an anonymous French engraver. This artwork is the original illustration n. 145, of the F...

Pacte Fédératif Français is an original artwork realized by Abraham Girardet in 1790. Original etching on paper. Passepartout included (cm 32 x 40.5). Good conditions. This artw...

Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Presented in a mount, size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

James Basire (engraver) after W Davey (illustrator) Chimneypiece in the Bishop's Palace, Exeter 50x33cm (to plate mark) Engraving Published by the Society of Antiquaries 23rd April 1...

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Toad-flax Clammy, Antirrhinum viscosum Plate 368 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches