18th Century and Earlier Art
to
1
10
6
10
3
11
2
Overall Height
to
Overall Width
to
9
12
4
3
2
2
2
2
2
1
1
1
1
1
1
1
16
1
20
168
128
97
93
14
1
1
1
1
Period: 18th Century and Earlier
Artist: Jacques Callot
La distribution des récompenses - Etching by Jacques Callot - 1633
Located in Roma, IT
Signed on plate “Callot fecit, Frad excudit” lower right. Very good condition except some light discoloration. Wonderful artist proof, on antique laid paper. Second state of three, d...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Les martyrs du Japon.
Located in PARIS, FR
Jacques CALLOT
Nancy 1592 † 1635
Les martyrs du Japon.
Eau-forte originale. H167xL112mm. Coupée à la limite du trait carré à droite, au sujet en haut et à gauche, sous la lettre en ...
Category
18th Century and Earlier Art
Materials
Etching
Jacques Callot ( 1592-1635 ) - Travelling Gypsies - Etching France
Located in Meinisberg, CH
Jacques Callot
(French, 1592-1635)
‘ Ne voila pas de braves messagers qui vont errants par pays étrangers ? / Are these not fine messengers, straying through foreign lands ? ‘
• A...
Category
Baroque 18th Century and Earlier Art
Materials
Ink, Laid Paper
La Vie de la Vierge - Etching By Jacques Callot - 1633
Located in Roma, IT
La Vie de la Vierge is an original Etching realized by Jacques Callot in 1633. Frontispiece of the series of thirteen prints. P.a. of first edition. Dedicated to the Abbot Maugis, Chaplain of Maria de...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Supplicium sceleri Fraenum - Etching by Jacques Callot - 1624/34
Located in Roma, IT
Supplicium sceleri Fraenum (Les Supplices) is an original Etching realized by Jacques Callot in 1624/34.
Lettered with name of etcher (bottom right), title and four columns of French verses: 'Voy, lecteur, comme la Justice... Des effectz de la forfaicture'.
Good condition included a cream colored cardboard passpartout (40x60 cm).
Jacques Callot (1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
The Feast, from the suite les Bohemiens
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: The Feast, from the suite, les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of image: 4.65 x 9.15 inches
Signature: S...
Category
Realist 18th Century and Earlier Art
Materials
Etching
Noble Coats of Arms- Etching By Jacques Callot - 17th Century
Located in Roma, IT
Noble Coats of Arms is an original etching, interesting impression in the late edition of noble coats of arms, engraved by Jacques Callot and publis...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Pasquariello Truonno, Meo Squaquara
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Pasquariello Truonno, Meo Squaquara
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 2.35 x 3.95 inches
Condition: Very g...
Category
Realist 18th Century and Earlier Art
Materials
Etching
Nous Voila Pas de Braves., from the suite les Bohemiens
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Nous Voila Pas de Braves., from the suite les Bohemiens
Year: 1620
Medium: Etching
Paper: Laid paper
Size of paper: 4.85 x 9 inches
...
Category
Realist 18th Century and Earlier Art
Materials
Etching
The Bohemians
Located in New York, NY
Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Cap. Cerimonia, Sig. Lauinia
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635)
Title: Cap. Cerimonia, Sig. Lauinia
Year: 1622
Medium: Etching
Paper: Laid paper
Size of paper: 3.15 x 3.85 inches
Condition: Very good con...
Category
Realist 18th Century and Earlier Art
Materials
Etching
Portrait du Prince de Phalsbourg
Located in Chicago, IL
Watermark:
Lion and Star (Lieure 38)
References:
Lieure No. 505
Notes:
An early impression of the only state of this major work.
According to Lieure (Jacques Callot: Catalogue de l...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Mysteries of the Passion
Located in New York, NY
Jacques Callot (1592-1635), Mysteries of the Passion (Variae Tum Passionis Christi, Tum Vitiae Beatae Mariae Virginis), complete set of 20 etchings plus the frontispiece by Abraham Bosse (Reference Meaume 31). c. 1631. Reference: Lieure 679-698, second state (of 2). In very good condition, archival mounting.
A fine set of these small etchings, printed on 5 plates/sheets of laid paper, with margins, 3 of the plates with partial Crown watermarks (possibly Lieure 45).
The set of 20 etchings includes 7 in circular format, with a diameter of 1 1/4 inches; 7 larger ovals with a length of 1 7/8 inches, and 6 smaller ovals with a length of 1 1/2 inches. These are on 5 plates, with margins outside of the etchings of about 5/8 inches. The frontispiece is 3 1/2 x 3, the sheet 4 1/2 x 4 3/4 inches.
The 20 etchings of the series include:
Plate with 6 Scenes (Lieure 685-690): Ovals: Adoration of the Shepherds, Visitation, Adoration of the Magi; Circles: Descent into Limbo, Descent of the Holy Spirit, Entombment
2 Plate with 4 Scenes Each (Lieure 691-698): Ovals: Annunciation, Christ Among Teachers, Circumcision, Presentation; Circles: Resurrection, Crucifixion, Descent from the Cross, Transfiguration
2 Plates with 3 Oval Scenes Each (Lieure 679-684): Carrying of the Cross, Presentation to the People, Crowning with Thorns, Flagellation, Christ Before Pilate...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Les Grandes Miseres de la Guerre
Located in New York, NY
Jacques Callot (1592-1635), Les Grandes Miseres de la Guerre, etchings, 1633, the complete set of 18. Lieure 1339-56, the frontispiece third state (of 3), th...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Le Defile a Pied (Parade on Foot)
Located in New York, NY
Jacques Callot (1592-1635), Le Defile a Pied (Parade on Foot), etching, 1627, from the Combat a la Barriere (Combat at the Barriere). Lieure 583, probably first state of 2. In very g...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Défaite de la cavalerie Turque (1st State)
Located in Chicago, IL
Defeat of the Turkish Cavalry (1st State)
From: The Life of Ferdinando de'Medici
Engraving
224 x 300 mm.; 8 7/8 x 11 7/8 inches
Reference:
Lieure No. 154
Meaume No. 541
Ru...
Category
Baroque 18th Century and Earlier Art
Materials
Engraving
Related Items
Column of Antoninus Pius, Rome Italy. Jacobs Lauro 17th century engraving
Located in Melbourne, Victoria
Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below.
180mm by 240mm (plate mark)...
Category
Old Masters 18th Century and Earlier Art
Materials
Engraving, Etching
H 9.45 in W 13.59 in
Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category
Old Masters 18th Century and Earlier Art
Materials
Watercolor, Laid Paper, Engraving, Etching
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce
Located in Fairlawn, OH
XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero,
Etching, 1756
Signed in the plate (see photo)
From: Le Antichità Roma...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Venus Lamenting over the Death of Adonis
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category
Old Masters 18th Century and Earlier Art
Materials
Handmade Paper, Engraving, Etching
Memorial Bridge, Springfield, Mass
By Wolf Kahn
Located in New York, NY
Wolf Kahn
Untitled, 1982
Original Etching
10 × 15 inches
Edition AP (aside from the regular edition of 90)
pencil signed, dated and inscribed to Cynthia
Frame included: Ships framed...
Category
Realist 18th Century and Earlier Art
Materials
Etching
"Conception" - Portrait of a Native American on a Vision Quest
Located in Soquel, CA
"Conception" - Portrait of a Native American on a Vision Quest
Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...
Category
Realist 18th Century and Earlier Art
Materials
Laid Paper, Screen
H 56.75 in W 42.75 in D 1.5 in
The Column of Trajan in Rome, 19th Century Framed Etching by Luigi Rossini
Located in Alamo, CA
Early 19th century etching entitled "Veduta dello scavo del Foro Trajano" from Luigi Rossini's "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst broken ancient Roman columns that lie around it. The column in Trajan's Forum commemorates Roman emperor Trajan's victory in the Dacian Wars. Buildings in the background represent two libraries and the Basilica Ulpia. There are people in the foreground; some walking through the square, some standing observing the scene and others in discussion.
The etching is presented in a silver-colored wood frame with an off-white double mat with a black inner mat. It is in very good condition. See item # LU117324669702 for another Rossini etching...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
H 29.5 in W 30.88 in D 1.5 in
Breaking up of the Agamemnon, No 1
Located in Storrs, CT
Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
Category
Old Masters 18th Century and Earlier Art
Materials
Drypoint, Etching
H 7.74 in W 16.38 in D 0.5 in
Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching, Engraving, Drypoint
H 24.38 in W 31.75 in D 0.75 in
Venetian School: Neoclassical banquet scene with angels and putti.
Located in Middletown, NY
Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...
Category
Old Masters 18th Century and Earlier Art
Materials
Ink, Handmade Paper, Laid Paper
Abstract print by Joan Miró from "Fusées" portfolio, blue, black, beige
By Joan Miró
Located in Köln, DE
from "Fusées" - Joan Miró, one artwork out of "Fusées" portfolio
Wonderful exemplar form the portfolio "Fusées".
Aquatint etching from 1959
32 x 50 cm. Edition of 100
Category
Abstract 18th Century and Earlier Art
Materials
Aquatint
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Previously Available Items
Les Gueux, 1622 (complete series), Jacques Callot Etchings On Paper
Located in Milan, IT
Etchings. This is the complete series of 25 engravings on paper of the "Beggars" (Les Gueux), made by the French engraver in Nancy, and widely reproduced for the popularity it obtain...
Category
Other Art Style 18th Century and Earlier Art
Materials
Other Medium
H 14.57 in W 11.82 in D 0.79 in
17th Century Renaissance Etching, Les Gueux #9
Located in Saint Augustine, FL
Artist: Jacques Callot, French (1592 - 1635)
Title: Les Gueux (The Beggars) #9 / 25 in Series
Medium: Etching, Second State of (2)
Year: Circa 1622
Dimensions: Unframed 5.5 x 3.63" Framed 11.5 x 8.63"
Signature: Signed in Plate Bottom Left
Artist Bio
One of the leading artists of the School of Lorraine, centred at the ducal court at Nancy during the first half of the 17th century, Jacques Callot may have studied with Jacques Bellange, but was only sixteen when he left France for Rome, where he completed his training with the engraver Philippe Thomassin.
In 1611 Callot settled in Florence, where he spent ten productive years, gaining the patronage of Christine of Lorraine, the widow of the Grand Duke Ferdinando I de’ Medici, and her son Cosimo II de’ Medici, Grand Duke of Tuscany.
Working for the Medici court and other important local patrons, Callot produced a large number of prints and drawings, including religious and allegorical subjects, landscapes, designs for stage sets and festivals and scenes of daily Tuscan life, of which his masterpiece was the large etching* of The Fair at Impruneta, published in 1620.
After the death of Cosimo II in 1621, Callot returned to his native Nancy, where he worked for the rest of his career, apart from brief visits to Paris and the Netherlands. He continued to produce the type of etching that had made his reputation in Florence, often reworking ideas and compositions first developed in Italy. He also found a new patron in Henri II, Duke of Lorraine, for whom he produced prints of notable events at the court.
The brutal French...
Category
Renaissance 18th Century and Earlier Art
Materials
Etching
17th Century Etching, Les Gueux Series, #22
Located in Saint Augustine, FL
Artist: Jacques Callot, French (1592 - 1635)
Title: Les Gueux (The Beggars) #22 / 25 in Series
Medium: Etching, Second State of (2)
Year: Circa 1622
Dimensions: Unframed 5.5 x 3.63" Framed 11.5 x 8.63"
Signature: Signed in Plate Bottom Left
Artist Bio
One of the leading artists of the School of Lorraine, centred at the ducal court at Nancy during the first half of the 17th century, Jacques Callot may have studied with Jacques Bellange, but was only sixteen when he left France for Rome, where he completed his training with the engraver Philippe Thomassin.
In 1611 Callot settled in Florence, where he spent ten productive years, gaining the patronage of Christine of Lorraine, the widow of the Grand Duke Ferdinando I de’ Medici, and her son Cosimo II de’ Medici, Grand Duke of Tuscany.
Working for the Medici court and other important local patrons, Callot produced a large number of prints and drawings, including religious and allegorical subjects, landscapes, designs for stage sets and festivals and scenes of daily Tuscan life, of which his masterpiece was the large etching* of The Fair at Impruneta, published in 1620.
After the death of Cosimo II in 1621, Callot returned to his native Nancy, where he worked for the rest of his career, apart from brief visits to Paris and the Netherlands. He continued to produce the type of etching that had made his reputation in Florence, often reworking ideas and compositions first developed in Italy. He also found a new patron in Henri II, Duke of Lorraine, for whom he produced prints of notable events at the court.
The brutal French invasion of Lorraine in 1633 had a significant effect on the artist, resulting in a series of powerful etchings known as Les Grandes Misères de la Guerre. It may also have influenced the gruesome subject matter of what is arguably his most famous etching...
Category
Renaissance 18th Century and Earlier Art
Materials
Etching
Life of the Prodigal Son - Original Etchings by J. Callot - 1635
Located in Roma, IT
Life of the Prodigal Son is an original suite of etchings on paper realized by Jacques Callot. Complete series of 11 etchings.
Not signed. Each work with description, telling the li...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
H 19.69 in W 27.56 in D 0.04 in
The Actor - Le Captain Ou L'Amoureux - The Captain of the Lover
Located in Santa Monica, CA
JACQUES CALLOT (French 1592 - 1635)
LE CAPTAIN OU L'AMOUREUX from LES TROIS PANTALONS pieces appelees Trois Acteurs (The Three Pants also called the Three Actors) , 1618-20 (Lieur...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Original Etching by Jacques Callot Italian Bronze & Stone Renaissance Frame
Located in Atlanta, GA
Rare original etching by Jacques Callot (1592-1635), France, circa 1621, compliments with an original Italian Renaissance frame. Featuring Pi...
Category
Renaissance 18th Century and Earlier Art
Materials
Etching, Ink, Laid Paper
H 10.24 in W 11.82 in D 1.97 in
The Slave Market (Le Marche de Esclaves)
Located in New York, NY
Jacques Callot (1592-1635), The Slave Market (Le Marche de Esclaves), etching, 1629. Reference: Lieure 369. An impression of the First State (of 6) and another of the 5th state. Both...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching