18th Century and Earlier Art
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Item Ships From: USA
Period: 18th Century and Earlier
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Located in Soquel, CA
Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print
Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...
Category
Edo 18th Century and Earlier Art
Materials
Woodcut, Ink, Rice Paper
'Mary with Jesus and St. John the Baptist', 17th Century Milanese School Oil
Located in Santa Cruz, CA
A late 17th century, devotional oil showing the Virgin Mary with Jesus and St. John the Baptist. Displayed in a fine and period, hand-carved and gilt-wood frame.
The Virgin cradles...
Category
18th Century and Earlier Art
Materials
Gold Leaf
Canal With Large Boat And Bridge By Rembrandt Van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Canal with a Large Boat and a Bridge
Etching on paper
New Hollstein Dutch 252: second state of two
Signed and dated lower left: Rembrandt. f. 16...
Category
Old Masters 18th Century and Earlier Art
Materials
Paper, Etching
18th Century Antique Frame Antique Gilt Barbizon Frame
Located in Jacksonville, FL
18th Century Antique Frame Antique Gilt Barbizon Frame
Frame Size: Width: 31″ X Height: 43″
Thickness: 6.50″
Picture Size: Width: 18″ X Height: 30″
Bin Code 540
Category
18th Century and Earlier Art
Materials
Wood
Holy Family, by the bolgonese master.
By Giuseppe Maria Crespi, Lo Spagnuolo
Located in Brooklyn, NY
This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the
devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese
artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his
unique style and technique to the subjects he chose to portray. While his portraits and genre
paintings often displayed a light-hearted and even irreverent tone, his treatment of religious
themes resonated with deep emotion, even in its most inventive forms.
This recently uncovered work by Crespi is a typical representation, invoking the tender
connection between mother and child, and the Child's destiny, all within a compact and intimate
format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and
mastery of paint, especially evident in the expressive brushwork of the drapery.
The restrained and focused composition of the Holy Family allows for contemplation of the
figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze
knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph
appears in the background, emerging from the left side of the frame, gazing upward with folded
hands in prayer.
Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of
familiar elements into a vibrant composition. The artist's revisitation of designs throughout his
career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic
ties to other works and Crespi's increased production of smaller devotional pieces.
Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand,
this Holy Family painting...
Category
Baroque 18th Century and Earlier Art
Materials
Copper
Italian 17th Century Antique Gilt Frame
Located in Jacksonville, FL
Italian 17th Century Antique Gilt Frame
Frame Size: Width: 28.50″ X Height: 39.25″
Thickness: 4″
Picture Size: Width: 22.25″ X Height: 33.25″
Bin Code 518
Category
18th Century and Earlier Art
Materials
Wood
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving, Mezzotint
“The Drunk ” 17th Century Dutch Oil Painting On Panel
Located in Jacksonville, FL
The Drunk" is an oil on panel painting created by Dutch school student. This artwork provides viewers with a captivating glimpse into the past, offering a detailed and vivid portraya...
Category
Academic 18th Century and Earlier Art
Materials
Oil, Panel
Baroque Dutch fantastical landscape with figures and ruins
Located in Brooklyn, NY
Willem van Nieulandt the Younger, the son of Adriaen van Nieulandt the elder, was born to a family of artists from Antwerp. They moved to Amsterdam in 1589, after the Siege of Antwer...
Category
Baroque 18th Century and Earlier Art
Materials
Wood Panel, Oil
The Dance Large Antique Orientalist Oil Painting on Canvas, Signed, 19th Century
Located in Jacksonville, FL
The Painting is Signed
Description:
Fabbio Fabbi (1861-1946) was an Italian painter renowned for his Orientalist artworks and his ability to capture the beauty and allure of Eastern...
Category
Realist 18th Century and Earlier Art
Materials
Oil, Canvas
"Spring at Window" 18th Century Antique realism Watercolor painting on Paper
Located in Jacksonville, FL
The painting is signed and dated 1858
Felix Schlesinger (1833-1910) was a German painter known for his charming and detailed portrayals of domestic ...
Category
Realist 18th Century and Earlier Art
Materials
Watercolor, Paper
The Adoration of the Magi by Joseph van Bredael
Located in New Orleans, LA
Joseph van Bredael
1688-1739 Flemish
The Adoration of the Magi
Oil on copper
Painted on copper and exhibiting an exquisite luminosity, this exceptional painting...
Category
Old Masters 18th Century and Earlier Art
Materials
Copper
Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
Located in New Orleans, LA
Lucas Cranach the Elder and Studio
1472-1553 German
Moses and the Pillar of Cloud
Oil on panel
Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land.
In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation.
After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Category
Old Masters 18th Century and Earlier Art
Materials
Oil, Panel
Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants res...
Category
Academic 18th Century and Earlier Art
Materials
Engraving
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Old Masters 18th Century and Earlier Art
Materials
Etching
Perseus
Located in New Orleans, LA
The legendary Greek god Perseus is the subject of this elegant half-bust by Ubaldo Gandolfi, a major painter and sculptor from Bologna. The son of Zeus and Danaë, Perseus was the le...
Category
Other Art Style 18th Century and Earlier Art
Materials
Terracotta
Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508)
Portfolio: Histoire N...
Category
Naturalistic 18th Century and Earlier Art
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Virgin and Child with the Infant Saint John
By Domenico Puligo
Located in New Orleans, LA
A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others.
Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
Category
Mannerist 18th Century and Earlier Art
Materials
Oil, Panel
Saint Cosmas and Saint Damian
By Bonifacio Bembo
Located in New Orleans, LA
These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. It is believed, thanks to the research of art historians Marco Tanzi and Andrea de Marchi, that these represent the missing panels from the famed polyptych that was formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity.
The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino (the chapel’s namesake) and Saint George.
While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece.
According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats.
The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi...
Category
Renaissance 18th Century and Earlier Art
Materials
Panel, Tempera
Aloe Plant Engraving
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: N. 304 Caranna.[Palm Tree].
Mezzotint engraving printed in color and f...
Category
18th Century and Earlier Art
Materials
Laid Paper
Kabuki Actor in Blue Kimono - Original Woodblock Print
Located in Soquel, CA
Kabuki Actor in Blue Kimono - Original Woodblock Print
Original woodblock print depicting a Kabuki actor in a blue kimono by Suzuki Harunobu (Japanese, 1725-1770). The actor holds u...
Category
Edo 18th Century and Earlier Art
Materials
Ink, Rice Paper, Woodcut
Landscape with Farm Animals & Figures
Located in Milford, NH
A fine 18th century Continental School landscape oil painting with animals including cows, horses, dogs, and chickens in a farm setting. Oil on canvas, laid down on board, unsigned, ...
Category
Impressionist 18th Century and Earlier Art
Materials
Canvas, Oil, Board
Adam and Eve (B28), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Adam and Eve (B28), Year: Of Original 1638, Medium: Etching, Image Size: 6.5 x 4.5 inches, Size: 14 x 11 in. (35.56...
Category
18th Century and Earlier Art
Materials
Etching
The Flight into Egypt: Altered from Seghers, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Flight into Egypt: Altered from Seghers, Year: Of Original 1653, Medium: Etching, Image Size: 8.5 x 11 inches, S...
Category
18th Century and Earlier Art
Materials
Etching
Self-Portrait, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self-Portrait, Year: of Original: 1634, Medium: Etching, Image Size: 5.5 x 4.5 inches, Size: 14 x 11 in. (35.56 x ...
Category
18th Century and Earlier Art
Materials
Etching
The Hundred Guilder Print, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hundred Guilder Print, Year: Of original btw 1643-1649, Medium: Etching, Image Size: 11 x 15.5 inches, Size: 20 ...
Category
18th Century and Earlier Art
Materials
Etching
The Great Jewish Bride (B340), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Great Jewish Bride (B340), Year: of Original: 1635, Medium: Etching, Image Size: 9 x 6.5 inches, Size: 17 x 13....
Category
18th Century and Earlier Art
Materials
Etching
Samuel Menasseh ben Israel, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Samuel Menasseh ben Israel, Year: Of Original 1636, Medium: Etching, Image Size: 6 x 4.25 inches, Size: 14 x 11 in....
Category
18th Century and Earlier Art
Materials
Etching
Festival Procession Of A Daimyo - Original Woodblock Print
Located in Soquel, CA
Procession Of A Daimyo - Original Woodblock Print
Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...
Category
Edo 18th Century and Earlier Art
Materials
Ink, Wood Panel, Rice Paper
The Rat Poison Peddler, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Rat Poison Peddler, Year: Of Original 1632, Medium: Etching, Image Size: 5.5 x 5 inches, Size: 13 x 11 in. (33....
Category
18th Century and Earlier Art
Materials
Etching
Jacob Caressing Benjamin, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jacob Caressing Benjamin, Year: Of Original: 1637, Medium: Etching, Image Size: 4.5 x 3.5 inches, Size: 12.75 in. x ...
Category
18th Century and Earlier Art
Materials
Etching
The Flute Player (l'Espiegle), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Flute Player (l'Espiegle), Year: Of Original: 1642, Medium: Etching, Image Size: 4.5 x 6 inches, Size: 12 x 12....
Category
18th Century and Earlier Art
Materials
Etching
Banana Plants: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...
Category
Naturalistic 18th Century and Earlier Art
Materials
Engraving, Mezzotint
Bearded Man in a Furred Oriental Cap and Robe, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Bearded Man in a Furred Oriental Cap and Robe, Year: Of Original 1631, Medium: Etching, Image Size: 6 x 5 inches, Si...
Category
18th Century and Earlier Art
Materials
Etching
Beggars receiving Alms at the Door of a House, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Beggars receiving Alms at the Door of a House, Year: of Original: 1648, Medium: Etching, Image Size: 7.5 x 5.5 inche...
Category
18th Century and Earlier Art
Materials
Etching
Christ Appearing to the Apostles, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Christ Appearing to the Apostles, Year: Of Original 1656, Medium: Etching, Image Size: 6.5 x 8.25 inches, Size: 14 ...
Category
18th Century and Earlier Art
Materials
Etching
Jan Six, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Six, Year: of Original: 1647, Medium: Etching, Image Size: 9.5 x 7.5 inches, Size: 18 x 15 in. (45.72 x 38.1 c...
Category
18th Century and Earlier Art
Materials
Etching
Self Portrait in a Velvet Cap with Plume, Etching on Somerset paper
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Self Portrait in a Velvet Cap with Plume, Year: Of Original 1638, Medium: Etching on Somerset paper, Image Size: 5 x...
Category
18th Century and Earlier Art
Materials
Etching
The Windmill, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Windmill, Year: Of Original 1641, Medium: Etching, Image Size: 6 x 8 inches, Size: 13 x 14 in. (33.02 x 35.56 ...
Category
18th Century and Earlier Art
Materials
Etching
Three Heads of Women, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Three Heads of Women, Year: of original: 1637, Medium: Etching, Size: 12 in. x 10 in. (30.48 cm x 25.4 cm), Printer:...
Category
18th Century and Earlier Art
Materials
Etching
Les Musiciens Ambulants (B119), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Les Musiciens Ambulants (B119), Year: 1878 (of original 1635), Medium: Heliogravure, Size: 5.5 x 4.75 in. (13.97 x...
Category
18th Century and Earlier Art
Materials
Etching
The Jewish Bride, Fig B 341, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Jewish Bride, Fig B 341, Year: of Original: 1635, Medium: Etching, Size: 13 in. x 10 in. (33.02 cm x 25.4 cm), P...
Category
18th Century and Earlier Art
Materials
Etching
Bust of an Old Man w/ Flowing Beard & White Sleeve Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Bust of an Old Man with Flowing Beard and White Sleeve, Year: Of Original 1631, Medium: Etching, Image Size: 3.5 x 3...
Category
18th Century and Earlier Art
Materials
Etching
St. Jerome beside a pollard willow, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - St. Jerome beside a pollard willow, Year: Of Original 1648, Medium: Etching, Image Size: 8 x 6 inches, Size: 13 x 1...
Category
18th Century and Earlier Art
Materials
Etching
The Musicians, Serigraph on Canvas, Embellished w/ Marker by Anatole Krasnyansky
Located in Long Island City, NY
Anatole Krasnyansky, Ukrainian/American (1930 - ) - The Musicians, Medium: Serigraph on Canvas, Embellished with Marker, Edition: 21/21, Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)
Category
18th Century and Earlier Art
Materials
Screen
Christ presented to the people, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Christ presented to the people, Year: of Original 1655, Medium: Etching, Image Size: 15.5 x 18 inches, Size: 22 x 2...
Category
18th Century and Earlier Art
Materials
Etching
Death Appearing to a Married Couple from an open Grave by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Death Appearing to a Married Couple from an open Grave, Year: Of Original 1639, Medium: Etching, Size: 10.5 in. x 8....
Category
18th Century and Earlier Art
Materials
Etching
Cottages Beside a Canal, B228, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Cottages Beside a Canal, B228, Year: Of Original 1645, Medium: Etching, Image Size: 5.5 x 8.25 inches, Size: 13.75 ...
Category
18th Century and Earlier Art
Materials
Etching
Jan Uytenbogaert (1606-84; The Goldweigher), Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Uytenbogaert (1606-84; The Goldweigher), Year: Of Original 1639, Medium: Etching, Image Size: 9.5 x 8 inches, Si...
Category
18th Century and Earlier Art
Materials
Etching
The Hog, Etching on Rives by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Hog, Year: Of Original 1643, Medium: Etching on Rives, Image Size: 6 x 7.25 inches, Size: 12 x 13 in. (30.48 x...
Category
18th Century and Earlier Art
Materials
Etching
Man at a Desk Wearing a Cross and Chain, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Man at a Desk Wearing a Cross and Chain, Year: Of Original 1641, Medium: Etching, Image Size: 6.25 x 4 inches, Size:...
Category
18th Century and Earlier Art
Materials
Etching
The Goldweigher's Field, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Goldweigher's Field, Year: Of Original 1651, Medium: Etching, Image Size: 5 x 12.5 inches, Size: 13 x 19.5 in. ...
Category
18th Century and Earlier Art
Materials
Etching
Jacob Caressing Benjamin, Etching by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jacob Caressing Benjamin, Year: of Original: 1637, Medium: Etching, Image Size: 4.5 x 3.5 inches, Size: 12 x 10 in....
Category
18th Century and Earlier Art
Materials
Etching
Le Paysage au Bateau (B236), Heliogravure on Laid Paper by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Paysage au Bateau (B236), Year: 1878 (of original 1650), Medium: Heliogravure on Laid Paper, Size: 3.5 x 4.25 in...
Category
18th Century and Earlier Art
Materials
Etching
La Jeune Femme de Rembrandt Coiffer en Cheveux (B347), Heliogravure
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Jeune Femme de Rembrandt Coiffer en Cheveux (B347), Year: 1878 (of original 1634), Medium: Heliogravure, Size: 3....
Category
18th Century and Earlier Art
Materials
Etching
Le Paysage a la Vache qui sa Breuve (B237), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Paysage a la Vache qui sa Breuve (B237), Year: 1878 (of original 1650), Medium: Heliogravure, Size: 4.25 x 5 in....
Category
18th Century and Earlier Art
Materials
Etching
The Artist's Mother (B343), Heliogravure by Rembrandt van Rijn
Located in Long Island City, NY
Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Artist's Mother (B343), Year: 1878 (of original 1631), Medium: Heliogravure, Size: 5.75 x 5 in. (14.61 x 12.7...
Category
18th Century and Earlier Art
Materials
Etching
Old Towers of Rostov Kremlin, Serigraph, signed and numbered in pencil
Located in Long Island City, NY
Anatole Krasnyansky, Ukrainian/American (1930 - ) - Old Towers of Kyiv, Medium: Screenprint, signed and numbered in pencil, Edition: 55/350, Image Size: 10.25 x 9.25 inches, Size: 1...
Category
18th Century and Earlier Art
Materials
Screen
