1960s Art

Oil abstract comprising interconnected organic shapes in variegated shades of turquoise, vermilion, coral, and lime, outlined in deep ebony. Signed with monogram lower right, 'P.T.'...

Yoko Matsumoto Work 1, 1965 Signed and dated lower left; signed on reverse and inscribed extensively in Japanese Oil on canvas 36 x 35 3/4 inches Born in Tokyo, Japan in 1936. Mats...

Screenprint, from the posthumous edition of 50 printed in 1964 (first edition of 25 printed in 1951) With the blindstamp of the estate: “Estate of J. Pollock 1964” and “Strathmore us...

Work on canvas Flush frame in silver-colored metal 15,5 x 15,5 x 2,5 cm

Antique American oil painting. Oil on board. Signed. Framed. Measuring 17 by 21 inches overall and 11 by 16 painting alone.

1927 - 2017 Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the, now, San...

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

Poster Pranas is an original poster about an exhibition of Pranas pictures at La Voute Gallery in Parise (1960). The artwork is realized after a work by the Artist in china ink, pas...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Artist: Joan Miro Title: Plate 9 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 15...

Myril Adler Abstract in Blue and Orange c.1960s Mixed Media 5"x2.5" unframed Signed in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russ...

Joan Miro - I Work Like a Gardener - Original Handsigned Lithograph Year: 1964 Handsigned and numbered in pencil Edition: 2 / 30 Printer : Mourlot, Paris Dimensions: 22.5 x 23 cm Ref...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...

Giacomo Soffiantino (Turin 1929 - Turin, 2013) He taught at the artistic high school and at the Albertina Academy in Turin. He was a pupil of Francesco Menzio, Aldo Bertini and Mario...

MARK DI SUVERO Abstract Expressionist drawing with artist signed COA, ca. 1963 Pen and black ink and brush and black ink wash on paper. Hand signed on the front. Framed, with separa...

Antique American realist still life painting. Gouache on board. Signed Framed. Measuring 17 by 13 overall and 11 by 9 painting alone.

A bold & dynamic ca. 1965 Abstraction titled "October Landscape" by Valfred Thelin. Image size: 13 1/2" x 30". Framed size: 18" x 35". Painter Valfred Thelin was born in Waterbu...

Jean LURCAT (1892-1966) The Archer, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph cre...

Impressive early American modernist abstract cloudscape oil painting. Framed. Oil on canvas. Signed. Exhibition label verso. Image size, 16H by 18L.

Impressive early American modernist abstract painting by Alton S. Tobey (1914 - 2005). Oil on canvas. Framed. Signed. Image size, 24 by 66 inches.

Untitled is an original contemporary artwork realized by Gianni Dova in 1960. Mixed colored screen print. Artist's proof, not signed. Includes frame (112.5 x 83 cm). Good conditi...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery....

Medium: original lithograph. Printed in Paris in 1965 at the Mourlot Frères atelier and published by the Pierre Matisse Gallery in an edition of 1200 for the "Miro Cartones 1959-1965...

Large nicely painted impressionist seascape oil painting. Framed. Oil on canvas. Signed. Image size, 32H by 26L.

A captivating view from a town of Italy "Porto Santo Stefano". This scene is a seaport town on the west coast of Italy, in the municipality of Monte Arge...

Abstract watercolor fragment of a sunset over a field by Irene Pattinson (American, 20th Century). Tag on verso reads "Miller Fine Art / The Estate of Irene Pattinson". Unsigned. Acq...

Unrtitled is an artwork realized by Gustave Singier (1909-1984). Lithograph , cm 32,5x25. Signed and numbered (copy 44/200) in pencil on the front. Very Good condition. Gust...

Ray Parker Ray Parker at Molly Barnes: Rare vintage 1960s LA exhibition poster, 1968 Offset lithograph Printed by Contemporary Art Lithographers, Minneapolis, Minnesota 36 × 24 inche...

Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Josef Albers: 25 Years of Graphic Work (Midnight and Noon VII)" Year: 1968 Medium: Original Lithograph, Exhibition P...

Mid Century Modern Yellow, Blue, and Grey Abstract Striking mid century modern abstract with yellow, blue, grey and geometric patterns by Bay Area artist Americo D'Ambrosio (America...

Richard Proctor (1936-2022) was a prolific and versatile artist who produced various works, including written and pictorial experiments. He received a Bachelor of Science in Art Educ...

Vintage American modernist landscape painting. Oil on canvas. Framed.

Nicely painted mid century abstract expressionist oil painting. Great color and composition. Framed. Signed. Oil on canvas.

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Bold mid century modern abstracted pastel on paper still life of several terra cotta jugs and vessels distilled down to their most basic shapes and ar...

Paris, Tuileries Garden. 1961. Oil on canvas, 27x41 cm Andree Cottavoz (1922-2012) André Cottavoz is a painter and lithographer who belonged to the Sanzistes group and Paris School...

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x...

This very striking exhibited Scottish Abstract oil painting is by influential Scottish artist Jack Knox. Painted in 1964, it is a vivid mix of autumnal colours, textures and brushwork that work perfectly. A brilliant example of his work from the early sixties and which was exhibited at the Royal Scottish Academy in 1965. Titled and dated 21.2.64 lower right. Provenance. Exhibited Royal Scottish Academy, Exhibition 1965, Edinburgh. Condition. Oil on canvas, 51 inches by 36 inches unframed and in good condition. Housed in a gilt sixties surround frame, 53 inches by 38 inches framed and in good condition. Jack Knox RSA (1936-2015) was one of the most influential artists to work in Scotland in the second half of the twentieth century. Born John Knox to a family of tailors in Kirkintilloch, Knox studied at the Glasgow School of Art (1953-57) where his drawings were noted for their mature draughtsmanship. After graduating, Knox went to Paris to attend the atelier of Cubist artist, André L’Hȏte. During his time in Europe Knox digested the various art movements of the moment, including Surrealism, Tachisme, Colour Field and Pop Art. Visiting the great museums, he was particularly interested in Analytic Cubism and Georges Braque’s intimation, rather than description, of object. He also went to Brussels to visit the first major show of American Abstract Expressionism in Europe. He returned to Scotland eager to establish his own style, drawing on everything he had seen in Europe. In 1960 the Glasgow Herald presented an exhibition during the Edinburgh Festival of young artists from the west of Scotland. Knox was selected to show alongside George Devlin, Carole Gibbons, Anda Patterson, Douglas Abercrombie and Duncan...

Come, Lord Jesus, 1967 is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’s five volume Biblia Sacra Suite published in Rome by Rizzoli , 1...

Gouache on paper. Signed in pencil, lower right corner.

Beautiful blue, green, and yellow abstract mountain landscape by Herbert Mears circa 1960s. Signed by artist. Artist Biography: Born in ...

Signed lower left, 'Wood' for Virginia Wood (American, 1938-2019), additionally signed, verso, and dated 1968. Virginia Wood studied at the University o...

orange, green, sunset Dora Maar is the pseudonym of Henrietta Theodora Markovitch (Paris 1907 - 1997). Shrouded in the monumental shadow of Picasso, she has long been - and reductive...

Here is one of Paul Guiragossian's 1960s oil paintings on canvas. The artwork's size, without the frame, is 31 x 23 inches. The overall composition represents a family, with the figu...

An original oil and spray paint on paper by Denis Bowen who played an important role in the Post War British art movement. This simple yet stunning work dates to 1962. Signed and dated verso. Provenance. Northern collection. Condition. Oil and spray paint on paper. Image size 26 inches by 18 inches and in fine gallery condition. Housed in a simple black gallery frame in excellent condition, 28 inches by 20 inches. Denis Bowen (1921-2006) was a South African artist, gallery director and promoter of abstract and avant-garde art in Britain. He was founder of the New Vision Group and the New Vision Centre Gallery, both of which played an important role in the post-World War II British art scene. Denis Bowen was born on 5 April 1921 in Kimberley, South Africa. His father was Welsh and his mother English. After being orphaned at a young age, Bowen moved to England where he was raised by his aunt in Huddersfield. He enrolled at the Huddersfield School of Art in 1936. After serving in the Navy in World War II, Bowen resumed his art studies at the Royal College of Art in London in 1946. Between 1940 and 1986 Bowen taught art at numerous institutions including: the Kingston Institute of Art, Hammersmith School of Art, Birmingham School of Art, the Central School of Art and Design, the Royal College of Art and the University of British Columbia in Vancouver. In 1951 Bowen founded the New Vision Group, which initially emerged from meetings and displays that he organised with his students in 1951. In 1955, Bowen worked alongside Frank Avray Wilson and Halima Nalecz...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

"Night Reflections". Screen printing on paper, edited in 1968. Limited edition of 100 copies , numbered as 60/100 in lower left corner.
 Hand-signed by artist in pencil in the lower...

Diana Kurz Green Square #14 Gouache on paper 11 x 14 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to England...

Drawing on paper without frame Size A4

Mid Century Modern, American Abstract Expressionist Painting on Masonite. This wonderful work in exciting colors is housed in a contemporary white wood frame presentation.. The art...

Eiko Taniguchi Kahn (b. 1929) Untitled, c. 1960s Watercolor on board Each panel: 33 x 11 in. Framed: 45 1/2 x 32 x 1 in. Each panel signed bottom These stunning watercolor panels are beautifully mounted in a period frame. The frame needs some minor restoration but this would be a worthy repair, as it matches the artwork so nicely. Eiko Taniguchi Kahn was Japanese Artist who was born on January 24, 1929 in Fukuoka, Kyushu, Japan, to Tosuke Yamashita and Masano Taniguchi. She came to the United States in 1955, and was naturalized in 1958. She was the recipient of the President's award at the National Arts...

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

Original abstract oil painting on heavy card stock by the American artist Martin Rosenthal. Signed lower left and dated 1960. Condition is very good. Slight bow to board. Nicely pro...

Oil Painting on canvas Hand signed to lower right Lauro. Provenance: Eleonore Austerer Gallery, San Francisco, CA Work Size: 39.5 x 39.5 in. framed 44 X 44 inches. Roberto Lauro is a British-Swiss Post War & Contemporary artist who was born in 1932. Roberto Lauro was born in 1932 in Gorey Harbor on the island of Jersey (Great Britain) the son of a Swiss mother, Rosa Ramseier, from Oberdiessbach / Emmental, Switzerland, and and Italian father Innocenzo Roberto Lauro, born in Mondovi, Italy. In 1941 he moved to Switzerland with his mother. 1949-1953 he lived in Gunten (Switzerland) where he did an Apprenticeship as a lithograph and offset printer and graphic designer in Thun. There he was introduced to the color theory of Johannes Itten by Hermann Oberli at the Bern School of Applied Arts. From 1953 to 1955 he worked as a fine art printer in Norway where he was influenced by the color theory of Edvard Munch. These works bears the influence of Russian artist Andre Lanskoy, Tachisme and the Cobra artists Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret. In 1955-1956 he worked as an offset printer in Amsterdam (Netherlands). Visit to the Instituut voor Kunstnijverheidsonderwijs. In 1957 he returned to Gunten, Switzerland. Where he started working in printmaking and and oil painting. He resumed his studies at the Bern School of Applied Arts. He was greatly impacted and influenced by abstract art on the occasion of a large Paul KIee exhibition. In 1958 he moved to Zurich where he worked part-time work as an offset copyist; fulfilling graphic orders for advertising agencies. In 1962 he took his final examination as graphic designer at the Zurich School of Applied Arts. In 1980 he begins his development of three-dimensional picture objects, Sculpture, detachment from the canvas, using metal as a support and play space for light and color. By 1981 he has turned full time to fine art. He spends the next years growing and developing his considerable talent. Inspired by classical music, the rhythm, mood and lightness of which form the basis for the large swings and loops of his colorfully lacquered metal and blown glass sculptures. These are "pensieri", thought sketches that capture the emotions in countless versions. There is something dance-like about his rotating sculptures. Everything becomes music and the rhythm of colors. In 1988, after exhibitions in Europe, he has his first exhibitions in Atlanta and San Francisco (USA), In 1989 he does his first glass and metal sculptures at the Roberto Niederer glassworks, Hergiswil (Switzerland). In 1992 has a retrospective exhibition in the Tan Gallery, Zurich, and the Eleonore Austerer Gallery, San Francisco. They Publish a catalogue raisonne, Eine Retrospektive, covering a 45 year career. In 1993 he creates A Retrospective, a unique sculpture in a table top form that contains his catalogue raisonne and an original lithograph. 1993–1995 he begins work on a number of large scale public outdoor commissions, including Light Columns for a Bank building, and a commission of a sculpture-fountain in Oetwil am See. In 2001 he creates a wall sculpture entitled "Color Poems of the Yearly Cycle. A linen bound book enclosed in a unique plexi display with a one - of a - kind metal and glass sculpture,containing 12 linocuts each printed in colors and signed. Roberto Lauro's sculptural work work is spontaneous and loaded with energy. The furrows, rifts, cracks and scars in the metal allow light to enter; it is then reflected back by the glass. His work is a clear statement of our times, uniting the intellect and the heart in search of the spiritual. Like the interplay of light and shadow, his sculpture combines fragile, transparent glass with solid, heavy iron. These colorful and luminous sculptures convey a powerful presence and emit vibrant positive energy. With their jagged exteriors and translucent cores, the spectacular sculptures created by the synergy of metal and glass are powerful - yet fragile. Lauro has created and mastered his own idiom and proven that through the artist sheer will and vision, seemingly incompatible materials such as iron and glass can indeed be combined. In 2004 he has an anniversary exhibition Light and Color, Love of Life on the island of birth, Jersey. Ceramic works (raku with glass inclusions). Roberto Lauro's works have been shown in numerous exhibitions in Europe and the USA around the world, and he has also realized projects such as "KUNST AM BAU" in public spaces and for industry. He lives and works in Switzerland. Select Exhibitions Eleonore Austerer Gallery, Palm Desert ART IN THE FRAME FOUNDATION: The Harbour Gallery, Isle of Jersey Galerie fur Gegenwartskunst,, Bonstetten, Switzerland Galerie Annamarie Anderson, Zurich, Switzerland “Color and Light,” Austerer-Crider Gallery, Palm Springs, CA, USA “Color and Light: the art of Roberto Lauro,” Eleonore Austerer Gallery, San Francisco, CA, USA “Flower Power,” with Ed Baynard, Roberto Azank, Siegward Sprotte, and Daniel Phil...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966. Primarily working in the idioms of abstraction and semi-abstraction, Beth Ames Swarts's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural world-views, and incorporate both symbols and words in the vocabulary of their visual language. Beth's art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both a conscious and unconscious level. Swartz syncretizes a variety of spiritual traditions in her work in order to reveal their inherent commonality. Born in New York City, Beth grew up in Manhattan, and by her mid-teens, was studying at the Art Students League in New York in the late 1940s. Her education continued at NYC's High School of Music & Art followed by Cornell University where she graduated with a Bachelor of Science (1957), followed by a Master of Arts degree (1959) from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

Pierre MONTHEILLET (1923-2011) Composition in yellow Watercolor and gouache on paper Signed lower left Dimensions of the work: 50 x 65 cm Dimensions of the frame: 60 x 80 cm Pierre ...