19th Century Art
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Period: 19th Century
Recognized Seller Listings
Group of Carnations from Temple of Flora
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
19th Century Art
Materials
Paper
Woman in a Field
By Henry Bacon
Located in Fairlawn, OH
Woman in a Field
Oil on canvas, 1894
Signed and dated 1894, lower right corner
Unframed
A major exhibition work by this American Expatriate painter.
From the linear descendants of th...
Category
Barbizon School 19th Century Art
Materials
Oil
The Great Pylon at Edfou, Upper Egypt
Located in Fairlawn, OH
The Great Pylon at Edfou, Upper Egypt
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, ...
Category
Romantic 19th Century Art
Materials
Photographic Paper
BETENDES MADCHEN
Located in Portland, ME
Kollwitz, Kathe. BETENDES MADCHEN. Klipstein 11, Knesebecke 14. Softground, drypoint and aquatint, 1892. The third state of four, with "Original Rad von Kathe Kollwitz" in the plate,...
Category
19th Century Art
Materials
Drypoint, Etching, Aquatint
Sheffield Island Light off Norwalk, Conn.
Located in New York, NY
“Sheffield Island Light off Norwalk, Conn.“ This pencil drawing is on a 5.50 x 9 inch sheet of laid paper. It is initialed and dated (June 30, 1887) in ...
Category
Naturalistic 19th Century Art
Materials
Graphite
PAYSAGE D’ ITALIE
Located in Santa Monica, CA
JEAN-BAPTISTE CAMILLE COROT (1876 - 1875)
PAYSAGE D’ ITALIE 1866 (Melot 7 iii/iii)
Etching, plate 6 ¼ x 9 inches, Third state after the removal of the text but before the random scr...
Category
Romantic 19th Century Art
Materials
Etching
A Sunset in Ireland.
Located in Storrs, CT
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category
Modern 19th Century Art
Materials
Drypoint, Etching
Brown Pelican.
Located in New York, NY
Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 423 Philadelphia, J.T. Bowen, ca. 1839-44.
Category
19th Century Art
Materials
Paper
The Beach at Long Branch
Located in Fairlawn, OH
The Beach at Long Branch
Woodengraving, 1869
Signed in the block lower right "WH" ( see photo )
Published in Appleton’s Journal of Literature, Science and Art, August 21, 1869
Condition: Double page illustration, with centerfold. Tipped in binding. Very good condition. Displayed in a bird’s eye maple frame with French matting.
Image size: 15 1/2 x 21 7/16 inches
Frame size: 25 x 31
Reference: Goodrich 43
Beam 158
Kushner, Gallati & Ferber 65
Provenance: Donaldson, Lufkin & Jenerette Americana Collection
Credit Suisse...
Category
American Realist 19th Century Art
Materials
Engraving
Girl with the Golden Curls
Located in Fairlawn, OH
Girl with the Golden Curls
Watercolor, c. 1895
Unsigned
Provenance: Davis Galleries, New York (see photo of label on reverse)
Condition: Mounted to support by the artist
A few imperfections (bubbles) in the mounting
Original frame
Image size: 6 3/4 x 4 1/2 inches
Frame size: 13-1/2 x 11-1/4 x 3/4 inches
A charming pre Ashcan work by the artist. Done while he was making his living as a commercial illustrator for advertsing and magazines.
Everett Shinn (1876-1953)
In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...
Category
American Impressionist 19th Century Art
Materials
Watercolor
Dangerous: The Appearance of a Contemporary Geisha of the Meiji Era
Located in Fairlawn, OH
Dangerous: The Appearance of a Contemporary Geisha of the Meiji Era
Color woodcut, 1888
Plate 28 from the series "Thirty-two Aspects of Customs and Manners" (Fuzoku Sanjuniso)
Format...
Category
19th Century Art
Materials
Woodcut
Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge
Pen and ink drawing, c. 1890
Signed lower left (see photo)
A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous cabaret located in the old wind mill building in the right distance of this image. It was the center of fin de siecle culture in Paris.
Condition: Slight yellowing to the sheet from age.
Sight size: 9 x 5 3/4 inches
Frame size: 14-1/8 x 10-3/4 x 1/2"
Provenance: Eric G. Carlson (1940-2016), art historian and noted art dealer
François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875).
“Somm is above all a painter and his watercolors are much sought after; he has the painter’s eye to the highest degree imaginable.” Louis Morin, Somm’s fellow artist revealed in 1893 that while his training as an academic painter forged his draughsmanship and an acute eye for colors, Somm preferred and excelled in the graphic realm. Particularly prolific, he produced a very extensive corpus of 7,500 drawings and prints, many of which were widely reproduced in journals and magazines.
In 1867, Somm’s career reached a turning point with the discovery of Japanese culture through his friendship with French collector and critic Philippe Burty and a visit to the Paris International Exhibition. More generally, Japanese art and especially Japanese woodblock prints exerted a heavy influence on French artists at the time, and especially on the Impressionists, who were particularly inspired by the subject matter, as well as the innovative use of perspective, composition and color. Although technically not an Impressionist by pure definition, Somm’s interest in the effect of atmospheric light on shadow and color prompted Edgar Degas to invite him to participate in their 4th exhibition in 1879. However, Somm did not exhibit again with the Impressionists, and was never considered a member of the group. Rather, his work intersects between Impressionism, Symbolism and Japonism. In fact, while his drypoints and etchings reflect a more literal borrowing of Japanese elements than the work of Whistler or Monet, they also clearly anticipate the future work of Henri de Toulouse-Lautrec.
Although Somm was 20 years older than Toulouse-Lautrec, both artists developed a friendship, as habitués of the Chat noir, a cabaret founded by Rodolphe Salis and located 84 boulevard de Rochechouart in Montmartre. More than a cabaret, the Chat noir also became an important gathering place for writers, poets, composers, musicians, and artists living in Montmartre. For Somm, a founding member of this artistic circle, it also served as a unique environment, where he could express his limitless imagination as active participant to the events – notably the literary soirées organized by the hydropathic group – and illustrator of the Chat noir journal.
In 1886, Somm, in collaboration with Georges Auriol, initiated the Chat noir’s first puppet show, which subsequently evolved into shadow theater. Somm’s Japonism and sense of humor appealed to Toulouse-Lautrec, and this influence is echoed in Lautrec posters advertising two other Montmartre nightspots, namely Le Mirliton and Le Divan Japonais...
Category
French School 19th Century Art
Materials
Ink
Apparition des Premiers Habitants by Lucien Pissarro
Located in London, GB
Apparition des Premiers Habitants by Lucien Pissarro
Watercolour on paper
23 x 26.5 cm (9 x 10 ⅜ inches)
Signed with monogram, lower right
Executed mid 1880s – 1890
This work is ac...
Category
19th Century Art
Materials
Watercolor, Paper
Travelers Boat at Ibrim
Located in Fairlawn, OH
Travelers Boat at Ibrim
Original gold toned albumin photograph, c. 1862
From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates)
Published by William Mackenzie, London, Glasgow & ...
Category
Romantic 19th Century Art
Materials
Photographic Paper
Title Page-An Encampment in Ethiopia
Located in Fairlawn, OH
Title Page-An Encampment in Ethiopia
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates)
Published by Wil...
Category
Romantic 19th Century Art
Materials
Photographic Paper
Old Mill Sketch
Located in New York, NY
Henry Prellwitz was a leading artist of the Peconic artists’ colony on Long Island’s North Fork; he is known for his figurative paintings and landscapes.
Category
American Impressionist 19th Century Art
Materials
Oil
Doorway in the Temple of Kalabshe, Nubia
Located in Fairlawn, OH
Doorway in the Temple of Kalabshe, Nubia
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates)
Published by...
Category
Romantic 19th Century Art
Materials
Photographic Paper
Granite Pylon, Karnac
Located in Fairlawn, OH
Granite Pylon, Karnac
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates)
Published by William Mackenzie,...
Category
Romantic 19th Century Art
Materials
Photographic Paper
'Horse Attacked by Tiger' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault (after), 'Tigre dévorant un cheval' (Tiger Devouring a Horse), lithograph, 3rd state of 3, Clement 97, c. 1820. Lettered 'Volmar ...
Category
Romantic 19th Century Art
Materials
Lithograph
L'Infante Marguerite (D'Après Velasquez)
Located in Fairlawn, OH
L'Infante Marguerite (D'Après Velasquez)
after a Manet painting in the collection of the Louvre, Paris (see photo)
Etching, 1862-1864
Unsigned (as usual)
A posthumous impression from...
Category
Impressionist 19th Century Art
Materials
Etching
Landscape Silhouette at Twilight
Located in New York, NY
Signed illegibly lower right
Category
Hudson River School 19th Century Art
Materials
Oil
Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS")
Located in Fairlawn, OH
Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS")
Oil on canvas, c. 1875-1925
Unsigned
Provenance: Found in Ohio
A charming American naive no...
Category
Outsider Art 19th Century Art
Materials
Oil
SUNSET IN IRELAND (undescribed state?)
Located in Santa Monica, CA
SIR FRANCIS SEYMOUR HADEN (British 1818 -1910)
SUNSET IN IRELAND 1863 (Schneiderman 47 - Appears to be an undescribed state between XI and XII)
Etching and drypoint, signed in penci...
Category
Impressionist 19th Century Art
Materials
Drypoint
Original Japanese Watercolor and Woodblock Print of a Lark, Barley and Beans
Located in Burbank, CA
Barley, broad beans and a lark (Omugi, soramame, hibari). Original preparatory watercolor next to the finished original Japanese woodblock print. This is a highly finished preparator...
Category
Art Deco 19th Century Art
Materials
Watercolor, Woodcut
Orientale
Located in New York, NY
Signed, lower right: Fantin
Provenance:
Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son:
Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...
Category
Romantic 19th Century Art
Materials
Canvas, Paper, Oil
The Forge
Located in Fairlawn, OH
The Forge
Drypoint, 1861
Signed in the plate lower right (see photo)
Published as part of the Thames Set, 1871
Printed between 1894 and 1896 when the plate was canceled. This impress...
Category
Impressionist 19th Century Art
Materials
Drypoint
UNDER THE BROOKLYN BRIDGE, EAST RIVER.
Located in Portland, ME
Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...
Category
19th Century Art
Materials
Etching
Night Glow
Located in New York, NY
Ralph Albert Blakelock was a romanticist American painter known primarily for his landscape paintings related to the Tonalism movement.
Category
Hudson River School 19th Century Art
Materials
Oil
19th century landscape of rome daily life by fine print master Sir Muirhead Bone
Located in Milan, IT
Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson "Etchings and drypoints by Muirhead Bone", Print Collector's Quarterly, 1922, IX, p. 173-200; Mackenzie, British Prints, p. 57; 400 x 278 mm
Superb test with signs particularly rich in beards, a characteristic typical only of the first tests: the pictorial effect is very effective. Small uneven margins. In perfect state of conservation.
Rich of burr drypoint, 1916, printed on cream paper. Good margins all around. In good condition.
Sir Muirhead Bone (23 March 1876 - 21 October 1953) was a Scottish etcher and watercolorist who became known for his depiction of industrial and architectural subjects and his work as a war artist in both the First and Second World Wars. Bone was an active member of both the British War Memorials Committee in the First World War and the War Artists...
Category
English School 19th Century Art
Materials
Etching
Ocelot by Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category
19th Century Art
Materials
Paper
Keying Up - The Court Jester
Located in Fairlawn, OH
Keying Up - The Court Jester
Etching with drypoint, 1879
Signed in the plate lower left corner (see photos)
Proof before engraved title and engraved n...
Category
American Impressionist 19th Century Art
Materials
Etching
Funeral by Ludovic-Rodo Pissarro - Watercolour
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Funeral by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and ink on paper
17.6 x 21.2 cm (6 ⁷/₈ x 8 ³/₈ inches)
S...
Category
19th Century Art
Materials
Paper, Ink, Watercolor
Barges, Dordrecht
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
Impressionist 19th Century Art
Materials
Etching
A Sketch of Derwentwater
Located in New York, NY
Estate stamp on verso; on stretcher bar: SEP 9th 1855
Category
Hudson River School 19th Century Art
Materials
Oil
Fall Landscape
Located in New York, NY
Signed lower left: Blakelock
Category
Hudson River School 19th Century Art
Materials
Oil
Feminist Writers - I am the Author of This Remarkable Play!!
Located in Santa Monica, CA
HONORE DAUMIER (1808 – 1871)
LES BAS-BLEUS - THE BLUE STOCKINGS, 1844 (Daumier Register; Delteil, 1227 ii/ii)
Lithograph as published in "Le Charivari" March 17, 1844. Plate 17 from the series Les Bas Bleus on thin wove paper with text on verso. 7.36 x 8.62 inches. LES BAS-BLEUS is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844.
The usual centerfold from the folded publication. A sheet of acid free black paper placed behind to minimize the text from the verso
Provenance: The Richard Vogler Collection. Vogler's Collection of the caricatures of George Cruikshank, now at UCLA, was the largest private collections of his work in America.
From the "Daumier Register" website:
TRANSLATION (The audience at the Odeon Theatre.) - Author... Author!.... Author!
- Gentlemen, your impatience is about to be rewarded.... You want to know the author of this remarkable play that has just obtained such a great, and I must say, justified success.... that author... is MEEEEE....!
LES BAS-BLEUS (The bluestockings) is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844.
ALBUM LES BAS-BLEUS. The series (“Les Bas-Bleus”) proved to be of such a success with the public, that apart from the Charivari edition a separate edition was published on single white sheets and sold at an up-market price to collectors. Apart from that, an album LES BAS-BLEUS was published in the same year (1844).
ABOUT THIS PRINT. The Odéon theatre in Paris opened in 1797 and merged in 1946 with the Comédie Française. It reopened again in 1959 as an independent theatre under the name Théatre de France. This print shows an enthusiastic public applauding the author at the opening night. It seems that the female author had hidden behind a male name. The applause stops when the audience fully realizes the deception. This print can be seen in reference to George Sand's play "Cosima", which also had been rejected by the public under similar circumstances.
BLUESTOCKINGS. The expression "Bluestocking” (or suffragette) dates back to 18th century England. At that time, angry young gentlemen of society met in London at the Montague House to discuss literary and political questions of their time. As a sign of protest against the establishment they wore blue wool-socks instead of black silk stockings. The expression was taken over by 19th century France to ridicule the new movement carried by Jeanne Désirée (1832), Cécile Fourmel, Suzanne Vailquin, and Claire Demar. George Sand and Flora Tristan joined the group later. Leclerc de Buffon (1707-1788), famous writer and scientist, as well as Madame de Staël...
Category
Realist 19th Century Art
Materials
Lithograph
Japanese Beauty Admiring Kirifuri Waterfall
Located in Burbank, CA
A beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...
Category
Edo 19th Century Art
Materials
Woodcut, Handmade Paper, Mulberry Paper
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro
Located in London, GB
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944)
Watercolour on paper
22.5 x 26 cm (8 ⅞ x 10 ¼ inches)
Signed lower left with monogram
This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford.
Provenance
Mr Ian Robertson
Exhibition
London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession)
Artist biography
Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family.
Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist.
Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group.
Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour.
Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.”
It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...
Category
Post-Impressionist 19th Century Art
Materials
Paper, Watercolor
The Little Putney
Located in New York, NY
James Whistler, The Little Putney, 1879, etching and drypoint, signed with the large butterfly lower right (also with the butterfly in the plate). Glasgow 187, third state (of 3). 12...
Category
Impressionist 19th Century Art
Materials
Drypoint, Etching
Landscape with Trees by Félix Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Landscape with Trees by Félix Pissarro (1874-1897)
Pencil on paper
29 x 22.5 cm (1...
Category
Post-Impressionist 19th Century Art
Materials
Pencil, Paper
Road-Side View (View in Wisconsin)
By Seth Eastman
Located in New York, NY
Label on stretcher bar: No. 175. / AMERICAN ART-UNION. /Road-Side View / Painted by / Seth Eastman / Distributed December 20, 1850.
Category
Hudson River School 19th Century Art
Materials
Oil
Pompeian Still Life Gouache
Located in New York, NY
Original gouache by an unknown Neapolitan artist, circa 1840. Upper right panel after a fresco in Casa dei Dioscuri, Pompeii.
Category
19th Century Art
Materials
Paper, Gouache
Newport Beach
Located in New York, NY
Signed and dated lower right: WM. T. Richards - 1873.
Category
Hudson River School 19th Century Art
Materials
Oil
'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres Nature), etching, 1858, edition 61, 4th state of 4, Kenn...
Category
Impressionist 19th Century Art
Materials
Etching
Map of Palestine or Judea, Illustrating the History of the New Testament
By Rev. Nathan B. Rogers
Located in New York, NY
Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars
Signed and dated lower right: “Drawn by N. B. Rogers August. 1843”
Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass.
Provenance:
Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871
This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.”
An inset map of “Jerusalem...
Category
19th Century Art
Materials
Canvas, Paper, Ink, Pen
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Located in Fairlawn, OH
April: Otsuyu of Yanagibashi in Wisteria Arbor at Kameido
Color woodcut, 1880
From the series: "Pride of Tokyo's Twelve Months" (Tokyo jiman juni kagetsu)
Signed and sealed lower rig...
Category
Other Art Style 19th Century Art
Materials
Woodcut
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters 19th Century Art
Materials
Mezzotint
Battle of Auerstaedt, October 14th 1806
Located in Paris, FR
Georges HYON (1840 - 1909)
Battle of Auerstaedt, October 14th 1806
Oil on canvas
Signed and dated lower right
Dimensions : 59 x 78 3/4 inches
(Dimensions : 150 x 200 cm)
Framed : 66 7/8 x 86 5/8 inches
(Framed : 170 x 220 cm)
Provenance :
-Private collection
Exhibition:
-French Salon of 1891; exhibited under number 849
Formed in multiple squares, the French infantry resisted the assaults of the Prussian cavalry which broke on these impassable walls bristling with thousands of rifle bayonets...
Category
French School 19th Century Art
Materials
Oil
'Yvette Guilbert, SCALA' — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone.
A superb, richl...
Category
Art Nouveau 19th Century Art
Materials
Lithograph
Summer Hills, Hunter Mountain
Located in New York, NY
Dated lower right: Sept. 67
Category
Hudson River School 19th Century Art
Materials
Oil
Fall Landscape, Catskills, with Hikers
Located in New York, NY
Signed lower left: Blakelock
Category
Hudson River School 19th Century Art
Materials
Oil
Poster for the Saxon Trade and Art Exhibition, Dresden 1896
Located in Fairlawn, OH
Poster for the Saxon Trade and Art Exhibition, Dresden 1896
Color lithograph poster mounted on heavy linen, 1896
Signed in the stone lower left corner (see photo)
Proof before additi...
Category
Jugendstil 19th Century Art
Materials
Lithograph
Le Matin (Morning)
Located in Fairlawn, OH
Le Matin (Morning)
Mezzotint, 1886
Signed and dated in the plate (see photos)
Edition: at least 650 impressions in both states
Reference: Wentworth 82 ii/II
P...
Category
French School 19th Century Art
Materials
Mezzotint
Union Square, Winter (Washington Monument)
By Theodore Robinson
Located in New York, NY
As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.
Category
American Impressionist 19th Century Art
Materials
Oil
ACADEMIC MALE NUDE FIGURE STUDIES
Located in Portland, ME
Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...
Category
Academic 19th Century Art
Materials
Charcoal
Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category
19th Century Art
Materials
Paper
The Little Charmer
Located in Belgravia, London, London
Oil on canvas
Canvas size: 18.75 x 25 inches
Framed size: 29.5 x 35.5 inches
Signed and dated 1890 lower left
Category
19th Century Art
Materials
Canvas, Oil
The Mountain Lake
Located in New York, NY
Signed and dated lower right in arrowhead: R. A. Blakelock / 1876
Category
Hudson River School 19th Century Art
Materials
Oil