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Period: Late 18th Century
Ancient Roman Fresco Herculaneum - Etching Carlo Nolli - 18th Century
By Carlo Nolli
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Nolli in the 18th Century.
Signed on the plate.
Good conditions ex...
Category
Old Masters Late 18th Century Art
Materials
Etching
Vaso antico di marmo adornato di finissimi intagli ed arabeschi - Etching 1778
Located in Roma, IT
Marble vase with frieze of arabesques.
Artist proof, printed on contemporary laid paper, wide margins, representing “an antique marble vase frieze of arab...
Category
Late 18th Century Art
Materials
Etching
Animals's Anatomy - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Animals's Anatomy is an etching realized by Jean Charles Baquoy in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...
Category
Modern Late 18th Century Art
Materials
Etching
Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954)
Portfolio: Histoire Naturelle Des...
Category
Realist Late 18th Century Art
Materials
Engraving, Watercolor, Laid Paper, Intaglio
Différentes Especes de Buffets et Leurs Developments, French design engraving
Located in Melbourne, Victoria
'Différentes Especes de Buffets et Leurs Developments'
(Different types of buffet and their formation)
French copper-line engraving by PL Cor after Andre Jacob Roubo (1739–1791). 18...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Monumento antico ritrovato fra le rovine di un Sepolcro sulla Via Appia - 1778
Located in Roma, IT
Antique monument found in a tomb on the Via Appia
Artist proof, printed on contemporary laid paper, wide margins, representing an “antique monument found in ...
Category
Late 18th Century Art
Materials
Etching
Johann Jakob Scheuchzer, mezzotint portrait print
Located in Melbourne, Victoria
Johann Jakob Scheuchzer (1672 - 1733) was a Swiss traveller naturalist and geologist. His best known scientific works are his paleontological 'Lithographia Helvetica' (1726) and his 'Physica Sacra...
Category
Naturalistic Late 18th Century Art
Materials
Engraving, Mezzotint, Etching
Bidet Shaving and Night Tables, Hepplewhite Georgian furniture design engraving
Located in Melbourne, Victoria
'Bidet Shaving Table and Night Table'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These en...
Category
English School Late 18th Century Art
Materials
Engraving
Queen's College, Cambridge, engraving by Richard Bankes Harraden
Located in London, GB
Richard Bankes Harraden
Queen's College, Cambridge
Engraving
40 x 54 cm
Inscribed to the bottom: 'Published June 16th 1798 by R. Harraden.'
A late eighteenth-century view of Queens'...
Category
Late 18th Century Art
Materials
Engraving
View of Blackfriars Bridge from Somerset Place, C18th English aquatint
Located in Melbourne, Victoria
View of Blackfriars Bridge from Somerset Place'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Al Conde Palatino from "Los Caprichos”- Etching by F. Goya - 1799
Located in Roma, IT
Al conde Palatino from "Los Caprichos" is an original artwork realized by the artist Francisco Goya and published in 1799.
Etching and aquatint on paper.
The etching is part of the...
Category
Modern Late 18th Century Art
Materials
Etching, Aquatint
Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Si...
Category
Old Masters Late 18th Century Art
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions exc...
Category
Old Masters Late 18th Century Art
Materials
Etching
Chien Turc Metis ( A dog breed) - Etching by Jean Gullaume Moitte - 1771
Located in Roma, IT
Chien Turc Metis ( Dog breed) is an etching realized by Pierre Francois Tardieu in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description d...
Category
Modern Late 18th Century Art
Materials
Etching
FEOLI. Vedute del Museo Pio-Clementino
Located in London, GB
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa.
The Pio-Clementino museum, n...
Category
Naturalistic Late 18th Century Art
Materials
Color, Engraving
Le Pigeon - Polonois - Etching by Carl Guttenber - 1771
Located in Roma, IT
Le Pigeon - Polonois is an etching realized by Carl Guttenberg in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec...
Category
Modern Late 18th Century Art
Materials
Etching
Sacra Famiglia - Etching - Late 18th century
Located in Roma, IT
Sacra Famiglia is a print artwork on paper in the late 18th century by an Anonymous Artist.
Etching on paper
Good conditions with slight foxing and age margins
Category
Modern Late 18th Century Art
Materials
Etching
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Giovanni Piranesi Marble Urns and Vases and Lamps Etching C.1770
Located in San Francisco, CA
G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770
Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778)
Loose translation of the text: Knight Gio. Bat...
Category
Old Masters Late 18th Century Art
Materials
Etching
Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category
Old Masters Late 18th Century Art
Materials
Etching
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Victorian Late 18th Century Art
Materials
Engraving
Antiquities of Herculaneum - Letter of the Alphabet C - Etching - 18th Century
By Carlo Nolli
Located in Roma, IT
Antiquities of Herculaneum - Letter of the Alphabet C, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century.
...
Category
Old Masters Late 18th Century Art
Materials
Etching
Letter B - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter B is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Art
Materials
Etching
Zebra - Etching by Jean Charles Baquoy - 1771
Located in Roma, IT
Zebra is an etching realized by Jean Charles Baquoy in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is en...
Category
Modern Late 18th Century Art
Materials
Etching
Lesser White Throat, bird and nest engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with water...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
The Arrival of the Angels - Original Etching by J.B. Huet - 18th Century
Located in Roma, IT
The Arrival of the Angels is an original artwork realized by Jean-Baptiste Huet (1745-1811) in the Late 19th Century.
Etching print.
Signed on plate.
Good conditions.
The artwork...
Category
Old Masters Late 18th Century Art
Materials
Etching
Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die S...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
1.ere Vue d'un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard'
French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated', ...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Victorian Late 18th Century Art
Materials
Engraving
Esper Antique 18th century Moth engraving with original hand-colouring
Located in Melbourne, Victoria
A German copper-line engraving with original hand-colouring of a moth, caterpillars and chrysalis. Printed on hand made laid paper. Engraved by JC Bock.
From Eugenius Esper's "Die S...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
English School Late 18th Century Art
Materials
Engraving
The Holy Sepulchre at Heckington in Lincoln (1795), engraving by James Basire
Located in London, GB
James Basire & Robert Blemmell Schnebbelie
The Holy Sepulchre at Heckington in Lincoln
Engraving
45 x 30 cm
This engraving was originally published by the Society of Antiquaries ...
Category
Realist Late 18th Century Art
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Naturalistic Late 18th Century Art
Materials
Engraving, Etching, Aquatint
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Art
Materials
Etching
Le Compliment & Les Bouquets, pair French aquatints by Debucourt , 1787 and 1788
Located in Melbourne, Victoria
'Le Compliment ou La Matinee du Jour de L'an, Dediee aux Peres de Famille' (The Compliment, or New Year's Morning, Dedicated to the Fathers of the Family) and it's pair 'Les Bouquets...
Category
Romantic Late 18th Century Art
Materials
Aquatint
Rape of the Sabines - Sanguine Drawing End of 18th Century
Located in Roma, IT
Rat of Sabinesis an original sanguine drawing on thick cream-colored paper, realized by an anonymous French artist of the end of XVIII century.
A superb original drawing with skille...
Category
Late 18th Century Art
Materials
Pastel
Ancient Roman Fresco Herculaneum - Original Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good...
Category
Old Masters Late 18th Century Art
Materials
Etching
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Italian School Late 18th Century Art
Materials
Archival Pigment
$267 Sale Price
79% Off
Ancient Roman Statues - Original Etching by Francesco Cepparoli - 1700s
Located in Roma, IT
Ancient Roman statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparoli in the 18th century.
Signed on the plate, on the ...
Category
Old Masters Late 18th Century Art
Materials
Etching
Still Life - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs to ...
Category
Old Masters Late 18th Century Art
Materials
Etching
Letter R - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters Late 18th Century Art
Materials
Etching
Two Soldiers - Etching by G.B. Tiepolo - 1785
Located in Roma, IT
Two soldiers is an etching realized by Giambattista Tiepolo, in 1785.
Sheet 23 x 30 cm.
Good impressions on paper, with wide margins.
Referenc...
Category
Old Masters Late 18th Century Art
Materials
Etching
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Late 18th Century Art
Materials
Engraving
Chiesa e Monastero delle Vergini - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good condition...
Category
Old Masters Late 18th Century Art
Materials
Etching
Ancient Roman Fresco Herculaneum - Etching G. Morghen - 18th Century
Located in Roma, IT
Ancient Roman Statues from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions ex...
Category
Old Masters Late 18th Century Art
Materials
Etching
Side Board, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Side Board'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the only evidence of Hepplewhite's style ...
Category
English School Late 18th Century Art
Materials
Engraving
Letter Q - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter Q is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters Late 18th Century Art
Materials
Etching
Vue de la Ville et du Lac de Geneve, Switzerland, copper-line engraving, c1780
Located in Melbourne, Victoria
French copper-line engraving depicting the Town and Lake of Geneva, Switzerland.
Claude-Louis Chatelet was a distinguished French painter, draftsman an...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Piedfu'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Naturalistic Late 18th Century Art
Materials
Engraving, Etching, Aquatint
Dressing Glasses, Hepplewhite English Georgian furniture design engraving
Located in Melbourne, Victoria
'Dressing Glasses'
From George Hepplewhite's 'Cabinet-Maker and Upholsterer's Guide', published by I. and J. Taylor in 1788. These engravings are the o...
Category
English School Late 18th Century Art
Materials
Engraving
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'L'Agaric Glutineux'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Vue d'un pont sur le Tesin dans le Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'Vue d'un pont sur le Tesin, dans le Mont St Gothard'
French copper-line engraving by Maillet after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland ...
Category
Naturalistic Late 18th Century Art
Materials
Engraving
Allegory of the four seasons. Four engravings on two framed sheets.
Located in Paris, FR
Allegory of the four seasons. A pair of engravings.
These engravings are framed in white gold covered french frames.
From the publication published in Milan in 1782.
"Different ornam...
Category
Late 18th Century Art
Materials
Engraving
Ancient Roman Frescoes - Etching Vanni Delin - 18th Century
Located in Roma, IT
Ancient Roman Frescoes is an etching on paper hand watercolored, realized by Niccolò Vanni the 18th Century.
Signed on the plate.
Good conditions
The etching belongs to the p...
Category
Old Masters Late 18th Century Art
Materials
Etching
Roman Temple Fresco - Etching by Isidoro Frezza - 18th Century
Located in Roma, IT
Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Isidoro Frezza in the 18th Century.
Signed on the plate.
Good conditions with some folding...
Category
Old Masters Late 18th Century Art
Materials
Etching
Letter L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter L is an Etching realized by Luigi Vanvitelli in 18th century.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Er...
Category
Old Masters Late 18th Century Art
Materials
Etching
Palazzo Pio - Etching by Giuseppe Vasi - 18th Century
Located in Roma, IT
Palazzo Pio is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins with some foxing...
Category
Old Masters Late 18th Century Art
Materials
Etching
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Victorian Late 18th Century Art
Materials
Engraving
