Large Abstract Photography

Edition of 10. All items are shipped as a print only and come unframed. Judith Lyons is a photographic artist living and working in London. A graduate of Central Saint Martin’s and...

Edition of 10. All items are shipped as a print only and come unframed. Judith Lyons is a photographic artist living and working in London. A graduate of Central Saint Martin’s and...

On the edge of nothingness / n°51 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 24 x 36" External Dimension( with white border) : Height: 25.6 in.( 65.02 cm) Wi...

No. 42499 (Abstract Photography) Archival ink print on Hahnemühle Photo Rag - Unframed. Artwork is exclusive to IdeelArt. Image size: 80 x 60 cm/31.4 x 23.6 inches Available on request - 2 weeks turnaround. Print can be mounted to 4mm Dibond, price on request. Larger sizes are available on request. The photographic artworks of Sebastiaan Knot...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"White Sands" In this award-winning image, the delicate contours and the organic shapes of two sand dunes are featured. The print series Dunes: Landscapes Evolving documents the ...

' Istan Petal ' Oversize Archival Pigment print Framed in white A Bougenvillia petal floats on the surface of a swimming pool. (photo Stuart Möller) Archival Pigment Print sign...

Mute # 201705 (Abstract Photography) This work is framed 8mm face and 65mm depth. Available on request 5-6 week turnaround. Chromogenic print face-mounted 8 mm plexiglass. Backed ...

Photography, printed as fine art print, limited edition of 15, signed by the author.

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Katie Hallam Retro Wave Limited Edition Digital Photograph Edition of 75 Size of Work: H 90cm x W 90cm x D 1cm Sold Unframed Ready to Hang – Please note tha...

' Yellow Leaf II ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous Archival pigment print on Hahanemühle art pape...

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...

In Fidel Santos' photograph, Saint Martin I, the artist looks towards a representation of a worn but otherwise stoic figure. The composition focuses exclusively on the saint's head a...

Artwork sold in perfect condition - Off-Print # 3 (Roma 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony awaits us. To attempt an iconoclastic reference, it would be Shawn Levy's funny and crazy film, "Night at the Museum", rather than the wise alignment of a statuary at the British Museum. Whether they are warriors, scholars or politicians, these statuettes speak for themselves, speak to each other, and speak to us about ourselves: the polyphony is complete. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Roma (Coffret Prestige # 4) This image was captured on film (1977) The selected negative was printed on Baryta ...

Monoprint on canvas. Hand painted by artist 39 x 26 inches 100 x 66 cm Born in Venice in 1955, Marco Nereo Rotelli lives and works in Milan and Paris. He holds an MBA in Architectu...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

This is a series curated by gallery in Los Angeles. The subject matter of the work is a series of abstract photography of smoky swirls of light play, against a deep inky velvet hue o...

In Alex Sher’s “Salsa” we are entranced in the spiraling movements of the topless dancer encased in vibrant reds and electric blues. The nude woman clutches the fabric to her body as...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

Bright star 9 - Limited edition pigment print. - Limited Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber ba...

Bling 13 - Limited edition pigment print - Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber based paper ( Hah...

A one of a kind 39x39 Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neal. A certificate of authenticity will be provided upon its purchase or delivery....

This is a series curated by gallery in Los Angeles. The subject matter of the work is a series of abstract photography of smoke rings and swirls of light play, against a deep inky ve...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the towering historic structure of the Milwaukee City Hall. She often turns her camera to views of s...

Exhibited: Chronos Chrysalis at the Kenneth Paul Lesko Gallery, Cleveland, OH. 2013. Signed by the artist lower right. Edition: 1/5 Lower Left

This listing is for an unframed print, edition of 10. Additional sizes are available. Atlanta-based photographer and master printer John Dean’s “Cool Clear Hydrosphere,” describes ...

This textured collaged work features two great blue herons in blue, purple and orange colors. The white frame measures 35 by 45 inches. Jennifer McKinnon Richman is an Atlanta-based...

"Construction Site, Social Circle, GA , 2023" is a drone photograph featuring orange, yellow, purple and blue colors. This listing is for an unframed photograph. This photograph is ...

"Construction Site, Pendergrass, GA, 2024" is a drone photograph featuring orange, yellow and blue colors. This listing is for an unframed photograph. This photograph is available i...

"Construction Site, Lilburn, GA, 2017" is a drone photograph featuring colors of orange, yellow and grey. This listing is for an unframed photograph. This photograph is available in...

"Construction Site, Atlanta, GA #3, 2023" is a drone photograph featuring colors of red and yellow. This listing is for an unframed photograph. This photograph is available in addit...

"Construction Site, Atlanta, GA #2, 2021" is a drone photograph featuring colors of red and yellow. This listing is for an unframed photograph. This photograph is available in addit...

Abstract landscape photography for a snow filled creek bed during winter Archival digital print 36 x 32 inches, edition of 30 Additional sizes available This contemporary, archival ...

An edited underwater photograph of two naked young women wrapped in tulle. This photograph is a part of the series ‘Four Seasons’. We offer 20% discount for buyers purchasing all ...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of the elements - wind, clouds, water - on...

"Construction Site, Doraville, Georgia #1, 2019" is a drone photograph featuring hues of purple, yellow, blue, grey and tan. Edition of 5. This photograph may be available in additio...

This textured composite landscape, beachscape, seascape features hues of blue and white. This listing is for an unframed print. Jennifer McKinnon Ri...

In this holographic collage the artist, and inventor Thomas Cvetkovich uses a method of recording an object image of a first hologram as a second hologram is provided. This holographic method is known as compact holographic human interface, and was invented by him. Reconstructed images of holograms, in this case a fish, a banyan leaf and flora and fauna abstract forms, generally become visible when illuminated by a source of light having an angle of reconstruction. Thse are created with laser and computer technology. An artile in Life magazine was all it took it took to influence Tom Cvetkovich's career path, one that has brought his Youngstown company, Chromagem, an international clientele. It focused on new technology that linked the use of lasers in producing holograms, three-dimensional and free-standing images. Reminiscing on Chromagem's past work, Cvetkovich said, One of the things we're most proud of is a series of U.S. postage stamps, achievement in space. We did three stamps for that. We've done postage stamps for Canada, the German government. We've also done work for Moet & Chandon, the champagne; Estee Lauder; and the cover of the 'Star Trek Generations' box set. Over the past two Christmases, Chromagem created a special variety of Reynolds Wrap that features snowflake holograms stamped on the entire roll. Cvetkovich created his first hologram when he was a student at Kent State University in 1974. He took science and art classes to gain the knowledge on how to make the creations running through his head and onto a sketchpad into a fully realized form. "I'm coming at it, primarily, from an art background, but with some science background." He continued his studies at Lake Forest College. It was the first place in the world to offer a workshop in holography. I was there for their third year. Combining art, science Next, he earned a master's degree from the Art Institute of Chicago. The Art Institute was just starting a holography lab. Actually, I had to build my own because theirs wasn't ready. When I was going to college, I would do a math class and then make art. I could tell I was using different parts of my brain. Over the years, Cvetkovich has developed a mental truce between the creative and scientific sides of his brain. At this point, it's more of a craft, he said. I don't rely on a lot of math or science at all. I try to keep abreast at what's being invented, what new...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

"Construction Site, Snellville, Georgia #4, 2019" is a drone photograph featuring hues of orange, red, white and green. Edition of 5. This photograph may be available in additional s...

Artist Statement: My work focuses on the surface tension within reflective surfaces exploring diverse and abstract forms. The imagery is fluid, caught in the instant between space an...

The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...

"Echoes 5" Abstract Photography 40" x 40" inch Edition 3/20 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist This artwork printe...

Alessandro Puccinelli Chaosmos #44, 2018 40 x 60 inches Edition of 5 Archival Pigment Print Framed

Untitled #101d (SYNW) Cibachrome by Josh Azzarella, 2009 Additional information: Medium: Cibachrome Edition of 5/5 + 1 AP Dimension: 19 3/4 x 35 inches (50.2 × 88.9 cm) About artis...

Untitled #101c (SYNW) Cibachrome by Josh Azzarella, 2009 Additional information: Medium: Cibachrome Edition of 5 + 1 AP Dimension: 19 3/4 x 35 inches (50.2 × 88.9 cm) About artist:...

"Construction Site, Decatur, Georgia #4, 2017" is a drone photograph featuring hues of mauve, red and brown. Edition of 5. This photograph may be available in additional sizes. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, and David Hockney. Peter Essick is a photographer, author, speaker, instructor, and drone pilot who specializes in nature and environmental themes. Named one of the 40 most influential nature photographers in the world by Outdoor Photography MagazineUK, Essick has been influenced by many noted American landscape photographers from Carleton Watkins to Robert Adams. His goal is to make photographs that move beyond mere documentation to reveal in careful compositions the human impact of development as well as the enduring power of the land. Essick is the author of two books of his photographs, "The Ansel Adams Wilderness," and "Our Beautiful, Fragile World." He has had solo exhibitions of his work at the Booth Western Art Museum, Yoho National Park: A Canadian Gem, and at Lumière Gallery, Compositions in Nature. Essick has photographed stories for National Geographicon many environmental issues including climate change, high-tech trash, nuclear waste and freshwater. Other work has been published in international magazines. Essick's photographs are in public and private collections. Currently, Essick is working on a book of his photographs about Fernbank Forest, an urban old-growth forest in Atlanta, and will be published by Fall Line Press...

This is a new series of photography of landscapes depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lan...

"Emma Roberts Out in LA, 11/14/16" features hues of pink, purple, green and magenta. Spencer Sloan is inspired by the work of Hieronymus Bosch, Richard D...

Dynamic Sink Pulse One One One One, 2009 digital chromogenic print, aluminum back mount, acrylic face mount  36 x 36 inches / 914 x 914 mm edition of 3 plus AP available print edition 2/3 Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

This photograph features hues of blue, orange and green. This listing is for a framed print, measuring 28 by 39 inches framed. Simple white box frame behind museum glass. Thad Lee...

Daisuke YOKOTA (*1983, Japan) Untitled #3, 2012 Inkjet print 72.5 x 98.5 cm (28 1/2 x 38 3/4 in.) Edition of 5; Ed. no. 4/5 (from a sold out edition) Pr...

FINCH , Hudson, NY ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage...

"Tag Yourself" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 3...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...