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Josh AzzarellaUntitled #289 (No. Just immortality.) Photography by Josh Azzarella, 20192019
2019
$5,000
£3,790.13
€4,425.36
CA$7,003.58
A$7,883.75
CHF 4,170.80
MX$97,788.28
NOK 51,534.70
SEK 49,288.39
DKK 33,015.36
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About the Item
Untitled #289 (No. Just immortality.) Photography by Josh Azzarella, 2019
“Time exists somewhere between memory and anticipation” – Carlo Rovelli
Ones first impulse is to think of time as a large expanse. However, time is also that slim moment between what has just happened and what we anticipate will happen next. In cinema, this moment materializes in the unimaged space between two frames of film – 1/24th of a second.
This body of work collects pieces of film that have been screened in cinemas throughout the world, and which portray moments of transition in the narrative. One image or understanding is leaving the frame, and another is about to appear; the black space in between is for a moment the liminal space between these realities. These fragments are scanned and enlarged (including their scratches, blemishes, and detritus gained from use) and reproduced at large scale.
Further, the mechanics of the projector and the lens system in the theater have been undone. When a film is viewed using a projector, the film is fed through the projector upside down and backwards and the mechanics of the lens corrects the image so it is oriented properly. Undoing the corrections creates images that are upside down and backwards, both of which complicate our understanding of images with which we may be familiar.
Additional information:
Medium: Dye sublimation metal print
Condition: Excellent
Editions 1-3 of 3 + 1AP
Dimensions: 48 × 55 in 121.9 × 139.7 cm
About artist: Born in Ohio and now based in New York City, photographer and videographer Josh Azzarella creates historically minded works that force unsettling questions. His photographs of Iraqi prisoners of war, for instance, are edited so that the scene’s animating activity or feature—a gun, a body—are removed. What’s left is a disquieting and boldly incomplete image. Clocking in at 120 hours, Azzarella’s 2011 film based on a small clip from The Wizard of Oz is one of the longest experimental films ever made. He has exhibited across the country, and has works in the permanent collections of the San Francisco Museum of Modern Art and the Los Angeles County Museum of Art.
- Creator:
- Creation Year:2019
- Dimensions:Height: 48 in (121.92 cm)Width: 55 in (139.7 cm)
- Period:
- Condition:
- Gallery Location:Orange, CA
- Reference Number:1stDibs: LU2793216108452
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