Digital Abstract Photography

A worker using industrial paint to repair street asphalt inadvertently creates street art. It wasn't his intention to make an artistic statement as he painted 4 yellow rectangles of...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Carrara I...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 114 Black Circles and Orange Circle with Pink, 2020 Analogue film, ink print in Artist Frame Sheet 164 x 131 cm (64 5/8 x 51 5/8 in.)...

Mitchell Funk employs a unique camera angle to turn a busy San Francisco Street into a minimalist artistic statement. This main urban thoroughfare normally crammed with traffic is d...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Street Art Made by the Rich. It's organic. The Biltmore Hotel area of Coral Gables defines old Florida charm and elegance. Hedge Fun...

Man painting vintage motel sign in Las Vegas, Nevada. Signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 107 Composition with 4 Negatives, 2020 Analogue film, ink print in Artist Frame Sheet 80 x 62 cm (31 1/2 x 24 3/8 in.) Edition of 6, ...

It's a dance performed by man and nature. Both gesture in unison as a pair. Defined by their dark expressive outlines, these shadows are revealing the true nature of the objects t...

Man painting vintage motel sign in Las Vegas, Nevada. Signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Street Art created by the Rich with the help of Landscapers and Gardeners. This type of street art...

Monet never painted Central Park but if he did... what would it look like? Signed dated and numbered 3/15 lower right recto, other sizes available, unframed Can a street photograph b...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.  Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Old cars parked in front of vintage Wigwam Motel off U.S. Route 66 in Holbrook, Arizona. This archival color photograph by fine art photographer Mitche...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Street Art from the rich is to be found on every corner in Naples. It's a city with perhaps more flo...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Street Art from the rich is to be found on every corner in Naples. It's a city with perhaps more flo...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 101 Landscape with Composition, 2020 Analogue film, ink print in Artist Frame Sheet 164 x 221 cm (64 5/8 x 87 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 Framed print...

Fluidity 2-Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by...

Wallscape II by Frank Schott from a series of photographic observances capturing urban textures and color palettes 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches...

This aged Tommy's Joynt Sandwiches Cocktails sign may not excite one's appetite for food but certaintly satisfies one's artistic needs. Signed, dated, n...

Closeup view of neon top of Colony Hotel at night on South Beach, Miami Beach. This archival color photograph by fine art photographer Mitchell Funk is s...

Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...

This piece is a collaboration between Sarah Phyllis Smith and Douglas Degges. Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT w...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 111 Esoteric Composition, 2020 Analogue film, ink print in Artist Frame Sheet 105 x 85 cm (41 3/8 x 33 1/2 in.) Edition of 5, plus 2 ...

A striking photographic study of a baby Cycad, aka King Sago Palm. Often called ”living fossils”, Cycads have changed very little in the last 200 million yea...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 104 Aranzazu, 2020 2 Ink prints in Artist Frame Sheet 104 x 129 cm (41 x 50 3/4 in.) Edition of 4, plus 2 AP; Ed. no. 1/4 Framed prin...

This aged Tommy's Joynt Sandwiches Cocktails sign may not excite one's appetite for food but certaintly satisfies one's artistic needs. Signed, dated, n...

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 2 Armenian Palace (converted to Mosque 1072 AD), 2020 Analogue film, ink print in Artist Frame Sheet 158 x 203 cm (62 1/4 x 79 7/8 ...

Architecture becomes an abstract design statement as seen thru the lens of Mithcell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He bring...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Sometimes the simplest images are the most complex. Peacock Displaying Blue and Green Plumage is more than a bird portrait. It's a portrait of a bird as a living work of abstract ar...

Concrete by Frank Schott monochromatic details of architecture 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival fine ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow II by C...

The photographer preserves this fleeting and idyllic marine scene with a simple and graphic composition. This image is signed, dated and numbered 3/15 lower right recto. Other size...

Statue coming out trees in winter with beautiful light, New York City Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later - Printed on Ha...

A stunning magical moment where a flock of birds participates in nature's celebration of beauty. The shape of the flock echos the arch of colors formed in the sky. The photographe...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 105 Circles and a bulb, 2020 Analogue film, ink print in Artist Frame Sheet 135 x 135 cm (53 1/8 x 53 1/8 in.) Edition of 4, plus 2 A...

Fluidity 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editi...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 5 Maria de Padilla, 2020 Analogue film, ink print in Artist Frame Sheet 29 x 37 cm (11 3/8 x 14 5/8 in.) Edition of 6, plus 2 AP; E...

Billboard fragments of breasts, cropped heads of people, helter-skelter pedestrians, heroic bronze statues and tourist bus riders form a neo-cubist composition where disparate elemen...

People on rooftops in New York City snow blizzard. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other ...

Shipping should be around $100. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later Can a street photograph be a grab shot and precisely ...

Rows of houses on the Upper West Side of Manhattan. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Othe...

Upward view of American Flags against deep blue sky with Empire State Building in the background. This archival color photograph by fine art photographer Mitchell Funk is signed, dat...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Other sizes are available and the fine art photograph is...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 105 Circles and a bulb, 2020 Analogue film, ink print in Artist Frame Sheet 135 x 135 cm (53 1/8 x 53 1/8 in.) Edition of 4, plus 2 A...

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 3 Landscape in broken Negative, 2020 Analogue film, ink print in Artist Frame Sheet 155 x 128 cm (61 x 50 3/8 in.) Edition of 6, pl...

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 30 x 30 inches, edition ...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

Supertall luxury skyscrapers in New York City run along the southern end of Central Park. Billionaires' Row has redefined the image of New York City. Now New York has a new and bre...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

First light skims across the pavement of a Manhattan basketball court. The intense gaze of a dog at attention punctuates a complex interplay of shadows and surface detail of lines ...

Boat 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ar...

Man painting vintage motel sign in Las Vegas, Nevada. Signed, dated and numbered 2/15 lower right recto. Other sizes are available. The work is unframed...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Duomo di Milano, the lauded Gothic masterpiece. Indeed, this particular view of the Duomo recall...

"The Barbican Centre of London photomontages by Hsu show no longer a space of unity and yet, we get lost in it. The carved self-portraits of Hsu are split up. Why do they have multip...