Digital Abstract Photography

In this image, Jessie Spiess applies her signature multiple-exposure technique to the towering historic structure of the Milwaukee City Hall. She often turns her camera to views of s...

Ibirapuera Auditorium, Sao Paolo, 2012 Chromogenic Lambda print Edition of 5 120 x 150 cm The photographer is based in Florence, and is fascinated how hi...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his years spent as a pop-culture blogger. Sloan received his BFA in Painting from the University of Georgia and studied graphic design at The Creative Circus. In 2015, Sloan was commissioned by Dolby to create a piece for their San Francisco headquarters which was featured in Fast Company magazine. Sloan lives and works in Atlanta, Georgia. Archival pigment print. Edition 1 of 1 Spencer Sloan is inspired by the work of Hieronymus Bosch, Richard Diebenkorn, Ralph Steadman.

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"UNTITLED (Zig)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials directl...

"Frozen Faces Series: Fish Face" is a fine art photograph from 35 mm film giclee printed on watercolor paper. The artist signed the piece lower right. It is ...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 2A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Circulation (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7....

Passing Through 3 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides ...

Junction 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Junction 1 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

A striking photographic study of a baby Cycad, aka King Sago Palm. Often called ”living fossils”, Cycads have changed very little in the last 200 million yea...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

"Emulsion 12" (FRAMED) Photography 40" x 40" inch Edition 2/20 by Giuliano Bekor Title: Emulsion EM12 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch E...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

"Emulsion 13" (FRAMED) Photography 40" x 40" in Edition of 20 by Giuliano Bekor Title: Emulsion EM13 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch Ed...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Street scene and architecture in the North Beach district of San Francisco. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, ...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

In the is photograph "Chrysler Building Top Art Deco Architecture Blue And Silver", the photographer makes a statement about new and old architectural forms. Signed dated and number...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

It's a dance performed by man and nature. Both gesture in unison as a pair. Defined by their dark expressive outlines, these shadows are revealing the true nature of the objects t...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 102 Siena dark Red, 2020 Analogue film, ink print in Artist Frame Sheet 173 x 137 cm (68 1/8 x 53 7/8 in.) Edition of 6, plus 2 AP; Ed. no. 2/6 Framed print About Back to Square Black: In his new series 'Back to Square Black', Ola Kolehmainen examines both art history and his own personal timeline. The multi-layered nature of history is the connecting thread that runs through his latest works, which take their cue from The Black Square, the iconic 1915...

THis cassic view of beautiful painted Victorian architecture in San Francisco was inspired during Queen Victoria's reign. The print is signed, Dated, number Lower left 4/15 recto, u...

"Proxima" Photography 45" x 30" inch Edition 1/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Not framed. Ships in tube. Shot wit...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

Katie Hallam Blossom Limited Edition Digital photograph Edition of 25 Image Size: H 50cm x W 40cm x D 1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Katie Hallam Connect Limited Edition Digital Photograph Edition of 25 Size: H 63cm x W 53cm X D 0.5cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

First light skims across the pavement of a Manhattan basketball court. The intense gaze of a dog at attention punctuates a complex interplay of shadows and surface detail of lines ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Simmering silver water underpins a group of sailboats punctuated by a small boat in the foreground. The image takes on the look of traditional Asian art with its simplicity and per...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2016 Lambda print Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Frame 122.5 x 182.6 x 4.5 cm (48 1/4 x 71 7/8 x 1 3/4 in.) ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Type-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns his lens ...

Lambda digital-c print on Fujiflex Archival Super Gloss. Signed and numbered 1/4 on verso. Artist Andrew George is based in Los Angeles. He recently premiered his latest series of ...

Crowds of people in blurred motions on Fifth Avenue in New York City. This archival color photograph by fine art photographer Mitchell Funk is signed, dated, and numbered 2/15, lower...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2017 Lambda print Sheet 50 x 75 cm (19 5/8 x 29 1/2 in.) Edition of 3 (#1/3) Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Signature: Signed and dated on lower right, numbered on verso, 315, Unframed, printed later other size available, Printed on Hahnemühle Fine Art paper Mitchell Funk brings the compo...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiered his latest series of photographic murals entitled Analogies & Metaphors in New York City. Andrew’s work has been in 20 international exhibitions, most recently in Japan and Korea (where accompanying books of his work were published) and Germany. Andrew’s internationally acclaimed photography and interview project, Right, before I die, traveled abroad 7 times and attracted more than half a million visitors at its various venues. Andrew has won numerous awards for his photography and has appeared in The Huffington Post, Vanity Fair, CBS News...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/8 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Windswept azur sea is puncuated by two anchored sailboats that form an abstract pattern. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, printed lat...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 3/3 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Flowered Umbrella by Denny Haskew Figurative Photographic Print 26x16" Framed in Black A woman photographed behind a waterwall taken during one of the artist's travels. ABOUT THE ...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.  Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Embracing a need to innovate in color photography in 1975, Mitchell Funk, takes a new approach to the interpreting the New York skyline. In "Chrysler Building Manhattan Blur" Funk depicts the vibrant emotion of the city rather than a straight forward document of it. The blur technique and subject matter are a perfect fit for the city that never sleeps. Signed and dated on lower right, numbered on verso. Edition: 2/15 Unframed, other size available printed later, Printed on Hahnemühle Fine Art paper Beginning in the late 1960’s, Mitchell Funk has spanned 5 decades of photo innovation. He’s a 10 trick pony...

Born 1959, Geneva, Switzerland Vanna Karamaounas aka Iseult Labote – Lives and works in Geneva and Berlin. Born in Geneva of mixed Greek and Swiss heritage, Labote studied art his...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...