Digital Abstract Photography

On the edge of nothingness / n°7 / Photograph Creator: Hatice Besun Creation year: 2024 Dimension: 28 x 50 / External Dimension( with white border) : Height: 28.8 in. Width : 50.7 ...

Subligraphy (CHROMALUX) on aluminium 120 x 80 cm - 47,2 x 31,5 in = $2800 Ed.1/15 Possibility of frame with additional costs

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 2 Armenian Palace (converted to Mosque 1072 AD), 2020 Analogue film, ink print in Artist Frame Sheet 158 x 203 cm (62 1/4 x 79 7/8 ...

Subligraphy (CHROMALUX) on aluminium 80 x 80 cm - 31,5 x 31,5 in = $1,800 Ed.1/15 Possibility of frame with additional costs

Subligraphy (CHROMALUX) on aluminium Ed.1/15 Possibility of frame with additional costs

Subligraphy (CHROMALUX) on aluminium 65 x 63 cm - 25,5 x 24,8 in = $1,600 Ed.1/15 Possibility of frame with additional costs

Ibirapuera Auditorium, Sao Paolo, 2012 Chromogenic Lambda print Edition of 5 120 x 150 cm The photographer is based in Florence, and is fascinated how hi...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the towering historic structure of the Milwaukee City Hall. She often turns her camera to views of s...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

A photograph on fine art Baryta paper mounted to Dibond and floated in a black wood frame with a UV 70 Glass. A limited edition of 10 in total plus artist proofs. About the Artist:...

"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 2A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Circulation (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7....

Junction 1 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Passing Through 1A (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides...

Passing Through 1B (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the side...

Junction 2 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides and 7.6...

Passing Through 3 (Abstract Photography) Giclee Archival inkjet prints on Hahnemuhl paper. Unframed. "Image size 81.2 x 81.2 cm / 32 x 32 in with a 5 cm / 2 in border on the sides ...

Rinko Kawauchi Untitled, from the series 'M/E', 2020 C-print Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Edition of 3 (#1/3) Signed Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

William Eggleston (American, born 1939) Untitled (Mayfield, Kentucky), 2002 Medium: Transparency in aluminum light frame with electrical fittings (light box) Dimensions: 45.8 x 60.4 ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

Untitled #49 (Christian Rath) Photography by Josh Azzarella, 2008 Additional information: Medium: Digital silver gelatin print Edition of 3 +1 AP Dimension: 22 x 17.5 inches (55.9 ×...

Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...

Manhattanhenge is a unique moment where the sun aligns with the east to west grid structure of the street. This was done on 72nd Street in ManhattanSigned, dated lower and numbered ...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2017 Lambda print Sheet 50 x 75 cm (19 5/8 x 29 1/2 in.) Edition of 3 (#1/3) Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"Starburst" Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot wit...

"Emulsion 12" (FRAMED) Photography 40" x 40" inch Edition 2/20 by Giuliano Bekor Title: Emulsion EM12 Year: 2018 Print size: 40" x 40" Inch Artwork finished size: 42" x 42" Inch E...

Muralla – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2016] limited_edition and hand signed by the artist Photograph printed on 310gsm Hahnemuhele Germa...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his years spent as a pop-culture blogger. Sloan received his BFA in Painting from the University of Georgia and studied graphic design at The Creative Circus. In 2015, Sloan was commissioned by Dolby to create a piece for their San Francisco headquarters which was featured in Fast Company magazine. Sloan lives and works in Atlanta, Georgia. Archival pigment print. Edition 1 of 1 Spencer Sloan is inspired by the work of Hieronymus Bosch, Richard Diebenkorn, Ralph Steadman.

Urban Graffiti Art Wall Painting photograph on New York Street has an onlooker who looks like the art he's looking at. The image is a synthesis of art and viewer. The yellow abstract pattern on the viewer's shirt echos the yellow patterns on the buildings. The photograph celebrates the Graffiti Artists of New York. Late golden light enhances all-over abstract patterns and integrates the old architecture with the new street art...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Katie Hallam Blossom Limited Edition Digital photograph Edition of 25 Image Size: H 50cm x W 40cm x D 1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Katie Hallam Connect Limited Edition Digital Photograph Edition of 25 Size: H 63cm x W 53cm X D 0.5cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Katie Hallam Gears Digital photograph Limited Edition Photograph on Alluminium Size: H 60cm x W 95cm x D 1cm Sold Unframed For all the sport enthusiasts out there, this high-en...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Street Art by the Rich. Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Large blue boxwood balls stand next to a long teal blue boxwood hedge Beautiful landscaping greets visitors as they approach sophisticated residences along Miami's fabled Collins Avenue. Hedge Fun...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.  Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

Type-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns his lens ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiered his latest series of photographic murals entitled Analogies & Metaphors in New York City. Andrew’s work has been in 20 international exhibitions, most recently in Japan and Korea (where accompanying books of his work were published) and Germany. Andrew’s internationally acclaimed photography and interview project, Right, before I die, traveled abroad 7 times and attracted more than half a million visitors at its various venues. Andrew has won numerous awards for his photography and has appeared in The Huffington Post, Vanity Fair, CBS News...

Type-c print on Ilford Ilfoflex Semimatte, 2003. Signed, dated, and numbered 1/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns his lens towards chance coll...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently premiered his latest ser...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, titled, dated, and numbered 8/12 on verso. Artist Andrew George is based in Los Angeles. He recently premier...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Lambda digital-c print on Fujiflex Archival Super Gloss. Signed and numbered 1/4 on verso. Artist Andrew George is based in Los Angeles. He recently premiered his latest series of ...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

Diasec on aluminium from the Euphoria series, last edition available from a series of 5