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Paola DavilaSet of 4 Cyanotype photograhs. From the series Mareas.2022
2022
About the Item
Set of 4 Cyanotype photograhs, 2022 by Paola Davila
From the series Mareas
Cyanotype on 300 gr cotton paper
Overall size:
Frame size: 204 cm H x 162.4 cm W x 5 cm D
Image size: 123 cm H x 112 cm W
unique
Individual size:
1. Algas 45-V, 2022
Image size: 45 cm Dm
Frame size: 78.7 H x 78.7 W x 5 D cm.
2. 28° 14' 20.922'' N, 114° 6' 9.395'' W-8, 2022
Frame size: 72.3 H x 81.2 W x 5 D cm.
Image size: 38 H x 56 W cm.
3. 28° 14' 34.127’’N, 114° 6' 44.679’’W-12
Frame size: 72.3 H x 81.2 W x 5 D cm.
Image size: 38 H x 56 W cm.
4. 28° 14' 34.127’’N, 114° 6' 44.679’’W-14, 2022
Image size: 40 H x 76 W cm
Frame size: 53 H x 88.9 W x 2.2 D cm.
White wood frame
The title of each piece corresponds to the geographical coordinates of the place where the pieces were made. The last number indicates the number of waves the paper received. The piece is protected in an acid-free PH-neutral glassine paper envelope, archival quality.
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For several years the artist Paola Davila has generated various visual statements from photography. Beyond the self-imposed limits in thematic terms (the house, for example), this exercise has allowed him to articulate concerns and situate spaces: inside, outside, and the limits between one and the other. From there, with the landscape as support: as an extension of situations contained in intimacy or in the object, it has insisted on making its way within other thematic and media fields to different complexities of the idea of also inhabiting the public and finding a voice own in the contemporary photographic narrative.
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant operator of the image, water reveals, unveils, performs. The landscape is recorded by direct contact with the paper and the sensitive emulsion, and in this case, organic matter and the vestige of living organisms inhabit it. That is, there is no representation, but rather its direct presence as part of the work. It is almost dramaturgy, a high-sounding discussion with the visual arts, the history of Landscaping is overturned.
- Creator:Paola Davila (1980, Mexican)
- Creation Year:2022
- Dimensions:Height: 80.32 in (204 cm)Width: 63.94 in (162.4 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU453315320832
Paola Davila
Paola Davila, was born in Oaxaca, Mexico, on October 26, 1980. She studied Visual Arts at the National School of Plastic Arts of Mexico, where she attended the contemporary painting seminar taught by maestro Ignacio Salazar. In addition to taking various theory and photography workshops. In 2002, he received the National Photography Prize of the Yucatan Visual Arts Biennial, the Acquisition Prize of the Fourth Art Freedom Contest, and the Young Creators FOECA state scholarship by the state of Oaxaca. It has nine individual exhibitions and more than 30 collective exhibitions both in Mexico and abroad. In 2010, he received the Tierney Grant awarded by the Tierney Foundation of New York by the Manuel Álvarez Bravo Photographic Center to carry out the Temporary Interiors project. She has been a beneficiary of the Young Creators Program, FONCA in 2003, 2006, and 2011. In 2014 she received the Scholarship for Artistic Exchanges and Residencies, FONCA-Land Salzburg of Austria, thanks to which she developed the Schrebergarten project. In 2017 the City of Oaxaca awarded her the degree of Distinguished Citizen, in recognition of her artistic career. In 2019 he obtained a Master's degree in Visual Arts from UNAM with an honorable mention. In 2021 he obtains the acquisition prize at the XIX National Photography Biennial, organized by the Image Center. Since 2020 he is a member of the National System of Art Creators, FONCA, CONACULTA.
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