1990s Abstract Photography

Pink Hole (Abstract Photography) C-print — Unframed. Edition: 4/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life into ...

Combination Blue No.1 (Abstract Photography) C-print — Unframed. Edition: 5/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breath...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Orange Flask (Abstract Photography) C-print — Unframed. Edition: 4/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Untitled 110/3 (Abstract Photography) C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his p...

Genre: Contemporary Subject: People Medium: Digital, Print Surface: Metal Country: United States This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Fellowships and Grants Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International. Select Solo Exhibitions Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others. Select Group Exhibitions Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. This work is edition 7/15. ...

Five toned silver gelatin prints shot on 20" x 24" polaroid view camera 1 of 1 The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of ...

Untitled 109 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

Untitled 111 (Abstract Photography) C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

Untitled 110/7 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his p...

C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupper...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Wisdom by Margaret Hicks presents an abstract scene, a corroded metal object attached to a wooden dock. The detailed textures of the rusted metal, worn wood, and aged rope are emphasized, creating something often overlooked into a beautiful abstract image. Wisdom is a 14 x 11 inch C-Print, mounted onto a 16 x 20 inch black board. This photograph is signed and dated on mount recto in pencil by artist. Dr. Margaret Katharine Hicks-Havins danced "magnificently into the mystic...

This close-up of the Chrysler Building Spire in gold light was taken from the roof of a building on 38th Street. Its position gave Photographer Mitchell Funk a perfect line of sight ...

For over 50 years, Mitchell Funk has been renowned for creating images with hyper-lighting and compositional exactitude. The present image, "Wherever You Look, You See The Chrysler B...

Pink Flamingos are social animals. They gather in large groups and chat it up. Their gregarious natures is a benefit for photographers. Individually the bird is a living sculpture. A...

Untitled #59 (Abstract Photography) C-print — Unframed. Edition: 2/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life in...

Combination Red (Abstract Photography) C-print — Unframed. Edition of 5 + 2 AP, next 1/2 AP This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to ...

Combination White/Cream (Abstract Photography) C-print — Unframed. Edition: 4/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to brea...

Photographer Mitchell Funk looks up at the Met Life and Chrysler Buildings from Grand Central Station. He perfectly designs dark and light areas with golds set against blues. A silh...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Deep Runners, Hand signed, dated,and numbered from limited edition. This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend. Eve Sonneman (born in Chica...

Untitled 109 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

Untitled 70 (Abstract photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his pho...

Untitled 110/5 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his p...

The Chrysler Building Spire is zoomed by Photographer Mitchell Funk. The concept is to take one of the most photographed icons in the world and present it visually different but stil...

C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupperw...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

The Chrysler Building may be one of the most photographed buildings in the world, yet Mitchell Funk imagines it unlike any tourist snapshot. This colorful kaleidoscope-like image was...

Architecture becomes an abstract design statement as seen thru the lens of Mithcell Funk Striking graphic design with found elements is a signature style of Mitchell Funk. He brings ...

Late light skims off the brick facade of a historic red brick building in Manhattan. Street Photographer Mitchell Funk creates an image that is both a realistic document of an urban...

Through Mitchell Funk's lens, a field of colorful flowers in bloom turns into a Monet-like Post-Impressionist painting. A lone redhead child punctuates the composition as she prance...

Moonrise over Metropolis by Fernando Natalici Shot Queens, NY, 1995 on a very cloudy day. A black balloon against the sky, amidst a very cloudy day combines to create a surre...

The stunning natural beauty of East Hampton's Louse Point is artistically recorded by photographer Mitchell Funk in a chorus of golden browns and warm ochers. The picture is ar...

Signature: signed and dated on lower right, numbered on verso, 3 /15 printed later, unframed, other size available . The genesis of color photography starts with color. Bright, bold...

Mondrian came to New York City in the 1940s, and the city's real-world grid-like street design inspired him to create his famous Broadway Boogie-Woogie series, composed of primary co...

This aged Tommy's Joynt Sandwiches Cocktails sign may not excite one's appetite for food but certaintly satisfies one's artistic needs. Signed, dated, n...

This aged Tommy's Joynt Sandwiches Cocktails sign may not excite one's appetite for food but certaintly satisfies one's artistic needs. Signed, dated, n...

Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . ...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. This piece is completely sold out and now av...

Signed on the front. Made in the darkroom by Jerry Uelsmann using up to seven enlarger. Contact gallery for prices and available sizes as our inventory is subject to change.

While all photography arrests motion, it is only the X-ray that allows us to climb inside a particular moment and subject and parse the structure of its beauty from within. Miller’s ...