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Sandra SalamonováGIFT Photography print signed limited2023
2023
About the Item
Abstract photography, signed by the author, limited 5.
- Creator:Sandra Salamonová (1965, Slovak)
- Creation Year:2023
- Dimensions:Height: 35.44 in (90 cm)Width: 27.56 in (70 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Slovak Republic, SK
- Reference Number:1stDibs: LU1334111649432
Sandra Salamonová
Sandra Salamonová, coming from an artistic family and milieu. She likes to make photographs and react to objects of our everyday life. In 2012 she earned a Certificate from the Sothebys Institute of Art, exhibitions mainly in Bratislava e.g. Jewish Museum.
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“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
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