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Spencer SloanEmma Roberts - getting coffee in Wilmington, NC, August 22, 20122015
2015
$4,200
£3,190
€3,685.51
CA$5,886.45
A$6,588.05
CHF 3,438.45
MX$80,340.21
NOK 44,007.53
SEK 41,658.76
DKK 27,504.46
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About the Item
All photographs are an edition 1 of 1 + 1 Artist Proof.
Spencer Sloan is a mixed-media artist whose recent work is a beautifully bold and abstracted paparazzi photograph of actress, Emma Roberts.
Sloan digitally manipulates found paparazzi photos into abstraction using a series of image-corrupting applications, stems from his years spent as a pop-culture blogger. In his words, "My work explores the obsession with celebrity culture, the invasion of privacy and the complex issues of ownership of image, appropriation and copyright. I do this by digitally manipulating hi-res paparazzi photographs into pure abstraction with a series of image-corrupting applications—using a ubiquitous modern device (iPhone), turning the voyeuristic into the inviolable, creating a post-modern commentary on societal values in relation to contemporary pop culture." Sloan lives and works in Atlanta, Georgia.
- Creator:Spencer Sloan (1975, American)
- Creation Year:2015
- Dimensions:Height: 59 in (149.86 cm)Width: 41.5 in (105.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Dimensions include the frame.
- Gallery Location:Atlanta, GA
- Reference Number:1stDibs: LU15521335833
Spencer Sloan
Spencer Sloan is a mixed-media artist working in Atlanta. Sloan’s work explores the obsession with celebrity culture, the invasion of privacy and the complex issues of ownership of image, appropriation and copyright. Sloan does this by digitally manipulating high-resolution paparazzi photographs into pure abstraction with a series of image-corrupting applications and using a ubiquitous modern device, an iPhone. Sloan’s work turns voyeuristic into the inviolable and creates a post-modern commentary on societal values about contemporary pop culture. Spencer Sloan is inspired by the work of Hieronymus Bosch, Richard Diebenkorn and Ralph Steadman.
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