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Barrie WentzellBob Dylan Contact Sheet Print1965
1965
$1,900
£1,444.52
€1,667.03
CA$2,659.49
A$2,977.92
CHF 1,553.73
MX$36,283.76
NOK 19,715.72
SEK 18,744.40
DKK 12,443.32
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About the Item
Contact sheet of Bob Dylan, taken at the BBC TV Studios, London 1965 by Barrie Wentzell
Barrie recalls : On the first of June, 1965, Bob came to the BBC Studios in London, to do a live concert. I went along to rehearsals but the studio was empty, so I headed off to the canteen bar where I ran into some musicians I knew from The Pretty Things. Sitting a few tables away were Bob Dylan and his chum Bobby Neuwirth. I sat and chatted with the Pretty Things, who later would be immortalized in a line in one of Bob’s songs, “The Sweet Pretty Things are in bed now, of course.
This Bob Dylan print is available in the following sizes.
16" x 20" - Edition 50
20" x 24" - Edition 50
30" x 40" - Edition 50
- Creator:Barrie Wentzell (1942, British)
- Creation Year:1965
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- More Editions & Sizes:20" x 24" - Edition 50Price: $2,50030" x 40" - Edition 50Price: $3,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Austin, TX
- Reference Number:1stDibs: LU181229789812
Barrie Wentzell
Born on May 25th, 1942 in Durham, northern England, Barrie was educated in Kent and London, attending Maidstone Art School in Kent in the late 1950’s. His first job at Manhattan Displays on Greek Street in London’s Soho occupied him from 1959 to 1961, during which time he became an avid scrabble player under the tuition of author, performer, wit and philosopher, Quentin Crisp. He continued on to work at Color Applications, a photo studio in the Belgravia area of London learning photography basics from 1961 to 1962. It was then, upon meeting his soon to become mentor, photojournalist Maurice Newcombe, that he would be inspired to pursue a photographic career of his own. During the early 1960’s, Barrie began diversifying into the worlds of fashion, music and advertising. In 1965 he had a chance encounter with the young Diana Ross. The image he made of this yet-to-be global super-star became a riveting front cover of The Melody Maker, England’s most renowned music publication, which caught the attention of Bob Houston, the assistant editor at the time. Houston was to contact Barrie and sign him on as exclusive chief photographer for the paper. Barrie went on to shoot for the Melody Maker from 1965 until 1975, one of the most important decades in the history of popular music, photographing many unknown musicians who would later become legends and household names.
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