Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Betty Hahn
Arrival or Departure Photographic Series (After Hitchcock) by Betty Hahn

1987

About the Item

Rare Photographic series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith, she started experimenting with the gum bichromate process. Smith convinced Hahn that photography was serious, potent stuff, and she eventually settled into the comfortable but exciting dialogue with photography which would characterize her career. Working under Smith, she met Robert Fichter, who became the subject of some of her early photographic projects. In 1966, after graduating with a Master of Fine Arts degree from Indiana University, she moved to Ithaca, New York. She was hired at Cornell University to make slides for the Art History Department slide library. After a year at Cornell she moved to Rochester. After spending some time at VSW, she began teaching photography and design to deaf students at the National Technical Institute for the Deaf. After one year she transferred to the School of Photographic Arts and Sciences at Rochester Institute of Technology where she taught until 1975. Hahn met Lee Witkin at a reception at the George Eastman House in Rochester, New York, in 1972. Her first one-person show, "Betty Hahn," opened in New York City at the Witkin Gallery in 1973. In 1974, she received a grant from the National Endowment for the Arts to be a visiting artist at Franconia College, New Hampshire, to continue projects in non-silver processes and mixed media. At the age of 36, Hahn was hired as a visiting professor to teach photography at the University of New Mexico in Albuquerque. In 1978 and 1983, she received grants from the National Endowment for the Arts for ongoing projects. During the spring semester in 1986, she became full professor of photography. She taught there until retirement in 1997. Among the museum collections that contain Hahn's work are the Art Institute of Chicago, the Museum of Modern Art, New York, the National Gallery, Ottawa, and the San Francisco Museum of Modern Art. Unsigned. 5 images. Each image, 17"H x 24"L, black aluminum frames included.
  • Creator:
    Betty Hahn (1940)
  • Creation Year:
    1987
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 25 in (63.5 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Excellent photograph condition, some bowing to one or two of the foam cores and edge impressions to print surface at frame margins.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: RJA40451stDibs: LU54216454742

More From This Seller

View All
Portrait of Imogen Cunningham - Black & White Photograph
By Robert Werling
Located in Soquel, CA
A stunning black and white photographic portrait of Imogen Cunningham (1883-1976) by California photographer, Robert Werling (b. 1946). Signed and dated by the artist on the mat, low...
Category

1970s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Mary Pickford Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph
Located in Soquel, CA
Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974). Provenance: Mary Pickford, Elizabeth (Bess) Huggins. Image 10.75"H x 13.75"W He was Mary Pickford's favorite cinematographer and a personal friend, shooting all of the films in which she starred from 1918 to 1927, before they had a falling out during production of Coquette (1929). He was the first cinematographer to receive an Academy Award, along with Karl Struss, for Sunrise: A Song of Two Humans (1927), and won again for The Yearling (1946), with Leonard Smith and Arthur Arling. He was also nominated four times. Walpi, pueblo (village), Navajo county, northeastern Arizona, U.S., on the edge of a high mesa in the Hopi Indian Reservation. It comprises a group of angular stone houses of two to three stories crowded on a narrow tip of the steep-walled mesa at an elevation of 6,225 feet (1,897 metres). The original pueblo (founded c. 1700) was on a lower part of the mesa, but following the Pueblo Rebellion, the inhabitants moved to the top as a defensive measure against Spanish retaliation. Walpi is known for an antelope ceremony and for snake dances, held during odd years in August and generally closed to non-Hopi spectators. Shitchumovi (Sichomivi) pueblo is adjacent and Hano is nearby. Pickford was the first Canadian to win an Oscar. She was also the second to win best actress and the first for a role in a film with sound. She was one of the founding members of the Academy of Motion Picture Arts and Sciences. In 1919 Pickford took the lead in organizing the United Artists Corporation with Griffith, Charlie Chaplin, and Douglas Fairbanks. In 1920, after the dissolution of her first marriage (1911–19) to actor Owen Moore, she married Fairbanks (divorced 1936). Pickford’s popularity continued unabated in Pollyanna (1920), Little Lord...
Category

1920s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Home of Colonel William H. Terrill Roanoke Virginia Original Photograph
Located in Soquel, CA
Home of Colonel William H. Terrill Roanoke Virginia Original Photograph Home of the Colonel William Terrill (CSA) Roanoke Virginia, original period s...
Category

1870s Realist Black and White Photography

Materials

Photographic Paper, Ink, Silver Gelatin

Portrait of a Woman with Teapot, 1970s Pittsburgh Black & White Photograph
Located in Soquel, CA
Compelling 1970s black and white photograph of a contemplative woman leaning on a table into her crossed arms, beside a small teapot that casts a long sha...
Category

1970s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Monsieur - Madame Paulhan Fly a Farman Airship 1910 Los Angeles Int. Air Show
By Roy Christian
Located in Soquel, CA
Reprint of a vintage photograph titled "Monsieur (Louis) and Madame Paulhan of France ready to fly a Farman model lll in Los Angeles - 1910 from an original photograph by an unknown ...
Category

Early 2000s Realist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Henry Miller And Eve Miller On Partington Ridge - 1954 Original Photograph
Located in Soquel, CA
"Henry And Eve Miller On Partington Ridge" - 1954 Original Photograph 1954 original black and white silver gelatin photograph of Henry and Eve Miller at their house on Partington Ridge in Big Sur, California by California photographer Jim Healy (American, 20th C.). Eve Miller sits behind a desk while Henry Miller leans against a bookshelf in their home office in Big Sur. Eve holds a cigarette in her hand, with Henry next to her, leaning his elbow against the bookshelf. Titled, stamped and dated on verso. "Henry and Eve Miller on Partington Ridge 1954 photo by Jim Healy" Stamped "Henry Miller Memorial Library, Big Sur California" Presented in a white mat. Mat: 20"H x 16"W Photo: 14"H x 11"W Image: 13 1/8"H x 10 5/8"W Henry Miller was born December 26, 1891 in New York, New York. In 1920 Miller began working for Western Union Telegraph service where his interest in writing began. He soon left for Europe in 1928 where he resided in Paris in 1930. He continued full time with his long and lucrative career as a writer of more than 36 creative and analytical works. Miller's entrance into the writer's circle began with Tropic of Cancer, which still proves to be Miller's most famous work. Tropic of Cancer and Tropic of Capricorn chronicle Miller's lives and loves as an expatriate in Paris. They were both originally published in France by Jack Kahane at Obelisk Press in the mid-thirties. Soon after the publishing of Tropic of Cancer and Tropic of Capricorn, Miller's other works to date were published in the United States. During this time it was said that "Miller became a legendary character, a kind of folk hero, the Paul Bunyan of literature, larger than life as exile, bohemian, and rebel, the great champion of freedom of expression and other lost causes...
Category

1950s Photorealist Black and White Photography

Materials

Ink, Photographic Paper, Silver Gelatin

You May Also Like

#19, 1970s Nightclubs of Chicago South Side - Rare Vintage Silver Gelatin Print
Located in London, GB
A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...
Category

1970s Contemporary Black and White Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Silver Gelatin

#114, 1970s Nightclubs of Chicago South Side - Rare Vintage Silver Gelatin Print
Located in London, GB
"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...
Category

1970s Contemporary Black and White Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Silver Gelatin

Bistro by RF, Paris, France, Cities, Black and White Art Photography
By Roberta Fineberg
Located in New york, NY
A black-and-white image shot on film by Roberta Fineberg becomes an abstract chiaroscuro portrait of a woman in elegant clothing -- a semi-sophis...
Category

1980s Contemporary Black and White Photography

Materials

Photographic Film, Archival Paper, Photographic Paper, Silver Gelatin

Photography - Boy on the donkey at mountains. 1979. 30x40 cm
Located in Riga, LV
Photography by Dmitry Zyubritsky Boy on the donkey at mountains. 1979. Size 30x40 cm
Category

1970s Realist Figurative Photography

Materials

Photographic Paper

Martha Graham & Erick Hawkins at Bennington College
Located in Wilton Manors, FL
Martha Graham and Erick Hawkins at Bennington College, 1940. Archival print on high gloss paper. Unsigned. Print is hinged, not glued down. Image measures 10.5 x 11.5 inches. ...
Category

1940s Realist Black and White Photography

Materials

Photographic Paper

Five Fireman 1940s Mid Century WPA Era Modern Baltimore Black & White Photograph
Located in New York, NY
Fine Fireman 1940s Mid Century WPA Era Modernism Baltimore Black & White Photograph. A. Aubrey Bodine (American, 1906-1970). Gelatin silver print, signed...
Category

1940s Realist Black and White Photography

Materials

Silver Gelatin

Recently Viewed

View All