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Brian DuffyDuffy - Aladdin Sane - David Bowie - original negative re-work edition1972
1972
$11,925
£8,871.23
€10,400.83
CA$16,678.63
A$18,622.17
CHF 9,770.85
MX$229,830.55
NOK 122,820.92
SEK 114,920.75
DKK 77,591.93
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About the Item
ALADDIN SANE REMASTERED BLACK & WHITE NEGATIVE 2011
Very large exquisite archival pigment print
40x40 in / 101 x 101 cm paper size
unframed
Limited edition Estate Stamped 25 only this size
other sizes available are :
18 x 18 in
24 x24 in
shipped tracked and securely
ALADDIN SANE REMASTERED BLACK & WHITE NEGATIVE – 2011
Taken by Duffy during the second of Five Sessions with David Bowie – Duffy’s most famous photograph dates from the 1973 and is the iconic and revolutionary cover of David Bowie’s album Aladdin Sane, a shot that became the defining look of Bowie’s long career, and has been referred to as the “Mona Lisa of pop.” This Black & White negative remaster of the iconic David Bowie Aladdin Sane album cover image was produced by Chris Duffy in 2010. It is the Archives only print on matte finish paper.
More About Duffy :
AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’
HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’
‘A man who thrived on risks and challenges, who lived to create.’
In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials.
Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris.
Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio.
In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show.
During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition.
This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map.
In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian.
The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work.
bowie pop icon fashion ziggy stardust spiders mars cool exclusive graphic stark stunning
- Creator:Brian Duffy (1934-2010, British)
- Creation Year:1972
- Dimensions:Height: 40 in (101.6 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:18 x 18Price: $4,18524 x 24 Price: $4,975
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU44934587092
Brian Duffy
Photographer Brian Duffy had an eight-year working relationship with David Bowie shooting five key sessions over this period, providing the creative concept as well as the photographic image for three album covers. First came the iconic 1973 shoot for the cover of Aladdin Sane, often nicknamed 'the Mona Lisa of pop', when Duffy interpreted Bowie's original title of 'A Lad Insane’ as “Aladdin Sane”. Duffy the went on to shot the cover for 'Lodger' in 1979 and in 1980, the cover for Scary Monsters (and Super Creeps). Duffy's input had a significant influence on the creation of Bowie's chameleon-like public persona and his continual pioneering reinvention.
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