Gene Wright

Ship at the Dock - 1960's San Francisco Maritime Black & White Photograph

1962

Black and white photo of a cat on a gravel road by Peter McArthur (American, b. 1947). In the top portion of the composition, a cat sits in the shadows of a gravel road. The exposure of the photograph perfectly captures the texture of the gravel, the delicate highlights on the cat, and the deep shadows in the background. Signed "Peter McArthur" in the lower right corner. Presented in a white mat. Image size: 9.25"H x 6.25"W Mat size: 16"H x 13"W Peter McArthur (American, b. 1947) is a long time Carmel Valley resident specializing in Black and white landscape photography. He is also one of very few artists in the country that hand make frames for his work from scratch. McArthur has been photographing in black and white since...

"Lighthouse & Bicycle", black and white photograph on Fujicolor professional paper of the Santa Cruz Yacht Harbor Breakwater Lighthouse by Richard Francis Singer (American, 20th Cent...

Behold nature's stunning beauty in this black & white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curvatur...

Elegant hand signed black & white photo highlighting the sharp contrast between the Yosemite mountain range of Mt. Lyell and the beautiful clouds above by Charles Cramer (American, b...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

"Pyramid & Palms" is a black & white framed silver gelatin print (photograph) of a stone monument in landscape w/ trees from artist Jenny Lynn's "Little Rit...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart.” Black and White Ship Photography...