George Rodger

George Rodger - The Via Dolorosa, Photography 1952, Printed After

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" Silver Gelatin 30" x 30” Silver Gelatin 45" x 45” Digit...

Actress Audrey Hepburn relaxing by a pool during filming for Stanley Donen’s 1967 ‘Two for the Road’ in St Tropez. Signed and Numbered Lifetime Edition Gelatin Silver Print from the...

Series: Historical Fiction Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 16" 30" x 24" 40" x 32" 60" x 48" 72" x 57" 84" x 67" Editions ...

The Beatles filming concert scenes for ‘A Hard Day’s Night’ at the Scala theatre in London, March 1964. Signed and Numbered Lifetime Terry O’Neill fine-art prints from the Terry O’N...

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...