Gered Mankowitz

Gered Mankowitz - Marianne Faithfull Salisbury pub in London 1964, Printed After

1964

Terry O’Neill captured the essence of London’s Swinging Sixties with this dual portrait of model Jean Shrimpton and actor Terence Stamp. Shrimpton defined the look of the ‘posh’ girls of the day and Stamp was fresh from his award-winning performance in the British classic Billy Budd. Taken in London in 1963, the couple was regarded as the ‘faces of the 60s’ by Vogue magazine. Terry O'Neill came to prominence in the 1960s with the new generation of photographers including David Bailey and Brian Duffy who rejected the static formality of the posed photographs of the 1950s and went instead for spontaneity and unusual settings. Jean Rosemary Shrimpton is an English model and actress. She was an icon of Swinging London and is considered to be one of the world's first supermodels. She appeared on numerous magazine covers including Vogue, Harper's Bazaar and Vanity Fair. In 1960, Jean Shrimpton brought the fashion world to a halt. Unlike the more voluptuous models of the 1950’s like Suzy Parker or Audrey Hepburn, that came packaged with stiff aristocratic poses, this leggy British brunette broke the modelling mould entirely with her super slender frame. Shrimpton paved the way for fellow free-spirited waifs such as Twiggy and Penelope Tree...

All Fine Art Photographs are limited edition, signed and numbered. Co-Signed by Terry O'Neill and Marianne Faithfull. 20" x 24" - Edition of 50 + 10 Art...

Limited Edition Silver Gelatin Print Signed and Numbered by Terry O'Neill Available Sizes: 30" x 30" Co-Signed by Terry O'Neill and Kate Moss This photograph will be printed once payment has been received and will ship directly from the printer the artist works with. Your certificate of authenticity will be shipped separately from your print and in most cases will ship directly from the gallery. Since this item will be shipped directly from the publisher, the seller can only provide specific edition information to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase. Katherine Ann Moss is one of the most recognizable, most photographed and most influential British supermodels. With her incredibly thin body, she created quite a stir in the modeling world, launching what became known as the waif look/model. She was discovered in 1988 at age 14 by Sarah Doukas, founder of Storm Model Management, at JFK Airport in New York City. Arriving at the end of the "supermodel era", Moss rose to fame in the mid 1990s as part of the heroin chic...

Singer David Bowie poses with a large barking dog for publicity shots for his 1974 album Diamond Dogs in London. Conceived during a period of uncertainty over where his career was he...

A young woman at a popular cafe-bar, Le Pick-Clops, in the Marais in Paris is the subject of Heartbreak, 1990 by Roberta Fineberg. Drawn to street photography for her early work, R...

A black-and-white image of a French woman a Parisian captured on film by Roberta Fineberg. The subject of the photograph is lost in thought en route on a bus winding through the maze...

New York Python, Coney Island, 1991 by Roberta Fineberg is a 14” x 11” gelatin silver print - offered in 2025 to celebrate the Year of the Snake…. In the words of the artist: "I sho...

In the Country, 1988 is by Roberta Fineberg. A black-and-white documentary-style portrait of a French woman in the countryside - from northeast France, the Haute-Marne, the subject is photographed against a backdrop of fresh-cut hay. Far from Paris the French maintain deep connections with the land - owning often an ancestral house in the countryside, often rustic, a nation equally rooted in the agrarian. An 11" x 14" gelatin silver print (analog/film) in an edition of 5, the photograph is signed and editioned on recto (in margin) by the artist. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...