Larry Clark

Boy in a car (from series "Tulsa"), 1963, gelatin silver print by Larry Clark

1963

Artist: Daido Moriyama b.1938 Artwork: Eros or Something Other Than Eros Medium: Silkscreen print on canvas Edition 5 5 Size: 120 .2 × 80 cm. 47 3/8 × 31 1/2 in.( 1 25 × 85 cm. 49 1/...

Mother and Child Gelatin Silver Print Image: 15.4×22.8 cm Sheet: 20.2×25.2 cm Unspecified standalone photograph used in the manuscript for Mashima Publishing's "The Book of Rural Li...

"First Flight of The Airship Super Dry" Gelatin Silver Print Image: 15.0×22.4 cm Sheet: 20.2×25.1 cm Photographed in 1987 at a shipbuilding company in Mülheim, Germany; Printed in 1...

Keiichi Tahara (1951-2017) IN-BETWEEN (Complete portfolio with 18 platinum prints) 2014 Publisher: Amana Salto 20.3 x 25.4 cm This complete portfolio, "IN-BETWEEN," represents a mas...

Signed, titled, and dated in pencil, verso Gelatin silver print 10 x 8 inches, sheet 8.5 x 6 inches, image Contact gallery for price. This work is offered by ClampArt in New York...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

This is a very rare signed photograph by the Late Barry Feinstein. Roughly 50 of this photograph exist in the world that are signed. Slight crease in bottom right corner. Not in t...

First Arrival, Elvis sings a gospel song waiting for Steve Allen and his entourage to arrive for the Steve Allen show rehearsal, New York, June 29th, 1956 Gelatin silver print 16 x 2...