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Lora Webb NicholsSweet Peas, 19071907
1907
$2,000
£1,518.37
€1,736.69
CA$2,794.29
A$3,107.86
CHF 1,622.83
MX$37,819.36
NOK 20,725.99
SEK 19,437.32
DKK 12,961.56
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About the Item
Listing includes framing with UV plexiglas, free shipping and a 14 day return policy.
Lora Webb Nichols
Sweet Peas, 1907
15 x 12 inch gelatin silver print
Image Size: 14 x 8.5 inches
Frame size: 22.5 x 17.5 x 2
Edition of 15
Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us.
At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti noted in one of his “This is Not a Fashion Photograph” essays “Nichols didn’t just take a picture, she really saw people, especially women, and especially other adventurous, unconventional women and girls.”
The work might have been overlooked forever were it not for the efforts of photographer and professor Nicole Jean Hill who came across Nichols’ photographs in 2013 at the Grand Encampment Museum while on an artist in residence program nearby. Although there were only a few pictures on display, when Hill learned of the depth of the archive she spent the next 7 years exploring the work. Ultimately this led to the 2021 publication of the book “Encampment, Wyoming: Selections from the Lora Webb Nichols Archive. 1899 – 1948” edited by Hill and published by the Dutch publishers FW Books. Since the release of the book Nichols’ work has been effusively praised by Alec Soth, Sally Mann, and Vince Aletti among many others, and written about in publications worldwide from Italian VOGUE to The New Yorker.
- Creator:Lora Webb Nichols (1883 - 1962, American)
- Creation Year:1907
- Dimensions:Height: 22.5 in (57.15 cm)Width: 17.5 in (44.45 cm)Depth: 2 in (5.08 cm)
- Medium:
- Period:1900-1909
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1559211406252
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Located in New York, NY
Listing includes framing with UV plexiglas, free shipping and a 14 day return policy.
Lora Webb Nichols
Mary and Maude Platt, 1912
15 x 15 inch gelatin silver print
Image Size: 10.75 x 11 inches
frame size 18 x 18 x 2 inches
Edition of 15
Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us.
At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
Category
1910s Other Art Style Black and White Photography
Materials
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Located in New York, NY
Listing includes framing with UV plexiglas, free shipping and a 14 day return policy.
Lizzie Nichols and Perkins, 1913
15 x 15 inch gelatin silver print Image
Size: 10.75 x 11 inches
Frame size: 18 x 18 x 2 inches
Edition of 15
Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us.
At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
Category
1910s Other Art Style Black and White Photography
Materials
Silver Gelatin
Bert Oldham Jr., 1911
Located in New York, NY
Listing includes framing with UV plexiglas, free shipping and a 14 day return policy.
Lora Webb Nichols
15 x 12 inch gelatin silver print
Image Size: 14 x 8.5 inches
frame size: 22.5 x 17.5 x 2 inches
Edition of 15
Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us.
At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...
Category
1910s Other Art Style Black and White Photography
Materials
Silver Gelatin
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By Yuji Obata
Located in New York, NY
Listing includes framing, free shipping and 14-day returns.
Yuji Obata
Homage to Wilson A. Bentley #4, 2005 - 2006
19 x 13 inch archival pigment print
Edition 3 of 10
Signed and editioned on verso
Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami.
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Homage to Wilson A. Bentley #4
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Located in New York, NY
Listing includes framing, free shipping and 14-day returns.
Yuji Obata
Homage to Wilson A. Bentley #4, 2005 - 2006
19 x 13 inch archival pigment print
Edition 3 of 10
Signed and editioned on verso
*Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location.
Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami.
In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes.
Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today.
Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow.
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