Nine Francois

Monkey IV

2015

From Nine Francois' "Animalia" series, Zebra 1 is one of 48 available animal images. Nine produces close-up photographs of animals which are presented against a stark white backgroun...

Nine Francois produces close-up photographs of animals which are presented against a stark white background. Traveling to various animal preserves, the artist shoots up close – very ...

From Nine Francois' "Animalia" series, Porcupine is one of 48 available animal images. Nine produces close-up photographs of animals which are presented ...

From Nine Francois' "Animalia" series, Grizzly 2 is one of 48 available animal images. Nine produces close-up photographs of animals which are presented ...

Available Sizes: 30" x 45" Edition of 15 40" x 60" Edition of 10 48" x 72" Edition of 5 Amari: Compared to his brother, Amari was a bit more calm and relaxed on set. I thought it w...

Sarumawashi, literally "monkey dancing" evolved over a 1000-year history in Japan. Ancient Japanese chronicles refer to it as a form of religious ritual designed to protect the horse...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

Sepia-toned gelatin silver print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 35) 26 x 39 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...