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Paul-Émile Rioux
GEON Sphere_10

2023

$14,000
£10,646.38
€12,280.09
CA$19,611.44
A$21,949.07
CHF 11,460.84
MX$267,779.99
NOK 145,480.36
SEK 138,051.90
DKK 91,701.88
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About the Item

Medium: Archival pigment print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Signed by the artist. Edition of 5. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the GEON project in 2017. In Recognition by Components Theory ( Biederman 1987 ), Geons are the simple shapes, such as cones or spheres, which form the building blocks of object recognition. In the same way that language can be broken down into a set of basic sounds or phonemes, Recognition by Component Theory posits that in order to foster recognition, the brain breaks down all (or most) objects into a vocabulary of basic shapes. In this new work, Rioux experiments with shape. This represents a new series. Each work is a square, and inside the square a landscape with a shape of some sort floating above. In some the shape is a sphere, in others a kind of hollow cube and in others, something more complex and unnameable. These works continue a dialogue with landscape, which has been ongoing in his work, as well as form and meaning. Rioux imparts that landscapes must constantly be created and recreated by the act of viewing, observing. Landscape becomes a field of possibilities. Ways of seeing offer possibilities for reinvention, reframing… Rioux’s works confront the viewer with the consequences inherent in his or her interpretation. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery acrylic glass. The back is bounded on a coated Alu-Dibond photography mount panel with an aluminium/cleat hang system.
  • Creator:
    Paul-Émile Rioux (1953, Canadian)
  • Creation Year:
    2023
  • Dimensions:
    Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)Depth: 0.25 in (6.35 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Miami, FL
  • Reference Number:
    1stDibs: LU13613933252

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Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
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