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S.Martino Church - B/W Photograph - Early 20th Century

Early 20th Century

St Mark's Cathedral is a b/w photographic print on Cardboard. The artwork represents part of the Cathedral of s.Marco of Venice. The stamp Osvaldo Bohm on the rear.

Vintage Photo Detail of Church of St. Marco, Venice is an original photograph taken in Venice, Italy, realized by Osvaldo Böhm, production of Naya Venezia. Titled on the lower, wit...

St. Giovanni Church- Vintage Photo is a black and white photograph of the early 20th century realized by Anderson. Information is written on the lower in Italian. Good conditions, ...

Caorle Cathedral is a b/w photographic print on Cardboard. The artwork represents The Byzantine Capital. The stamp Osvaldo Bohm on the rear. O.Bohm Venezia 3636 Written at the bot...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirties, Karl Heinrich Lämmel produced several photographic reports of cities, including Munich and Cologne. Photographs that have yet to be seen and appreciated. Lämmel's pictures show a different view of Germany. His documentation is an unparalleled and intriguing insight into the working and everyday life of the time. Impressive images of cities and their architecture before the destruction of WWII . The print is new, a Premium-FineArt-Print ( Hahnemühle 308g ), it comes in a secure role without passpartout and frame to reduce shipping cost. This sizes are limited to 25 copies per size. Description: Roman Catholic...

Bodegón de la Candelaria, Cartagena, Col. is a black and white photograph of an interior space, with two rocking chairs resting on a checkered tile floor. Selenium toned gelatin sil...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are displayed in several museums, for example in the Civil War Museum in Salamanca, Spain, the Olympic Museum in Lausanne, Switzerland, the Industrial Museum in Oberhausen, Germany. Andres was a contributor for Edward Steichens Exhibition "The family of man" at the Museum of Modern Art in New York in 1951. All works of Andres offered here on 1stdibs are originals, printed and annotated by the photographer himself. Description: Basilica, Venice, Church, Black and White, Italy 1950s, 23,1 x 17 cm...

Signed, titled and dated by Mario Algaze Paper size: 16 x 20 in., Image size: 8 3/4 x 18 3/4 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American...