Horizontal Color Photography

Dahlia 8 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Gatwar...

'Nomad, New York', artwork by Richard Heeps featuring a time-lapse of the iconic art deco Empire State building in the mist. Photographed in New York City in 2017, he executed this i...

Hillview Motel (Stranger than Paradise) - triptych, 2003 Edition of 10, plus 2 Artist Proofs. 20x66cm installed, 20x20cm each. 3 archival C-Prints, based on the 3 original Polar...

Down To Earth Duchess circa 1990 by Christopher Simon Sykes Deborah Cavendish, nee Mitford, the Duchess of Devonshire, feeds the chickens at Chatsworth House, Derbyshire, 1990 Thi...

Chance is a photograph by French contemporary artist Camille Brasselet. It is a pigment print on Fine Art paper technique. This photograph is sold unframed as a print only. It is a...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

Mint Condition Hand printed by artist. Signed and numbered by artist. Cibachrome paper. Framed in off white metal.

Nassau, 1967: In 'Sea Drive,' a genuine Slim Aarons estate edition photograph, film producer Kevin McClory, his wife, Bobo Sigrist, and their family enjoy a leisurely drive in a vibrant red vintage Amphicar across the scenic turquoise Nassau harbour. This idyllic 1967 scene embodies Slim Aarons signature style, mixing casual glamour and vintage cool; the unique midcentury charm of this iconic landscape is completed with a pink parasol. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964, printed later Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. Kevin O'Donovan McClory (8 June 1924[1] – 20 November 2006) was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball, popular in the 60s and 70s. Internal: The location for Slim Aarons midcentury photograph, Sea Drive, is Vintage Nassau, which fits curated collections for Vintage Yachting, Vintage Boating, modern graphic, midcentury modern, Vintage Slim Aarons, Vintage Sport Photography...

Springtime (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 18251. Not mounted. Thi...

Dahlia 7 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Gatwar...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Friends board a riva boat in Monte Carlo, Monaco, 1975. Gorgeous print measuring 30 x 40" inches / ca 76.2 x 101.6 cm’s paper size. Estate Stamped Collection Edition to 150 Phot...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

In October 1968 as seen from the Apollo 7 spacecraft during its 91st revolution of the earth from an altitude of 99 nautical miles, photographed is Hurricane Gladys in the Gulf of Mexico...

Listing includes framing with UV Plexiglas, free shipping, and a 14 day return policy. Also available for local pick up in New York City. The Opium Smoker...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 1/15 *Should you wish the photograph to be printed ...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

All That Glitters is Golden, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal...

Archival Color Pigment Print Edition of 13 + 2AP From the series “ The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is continuing ...

Andrew had produced a beautiful colour print here of a beach bathed in the soft light after the sunset. The picture was taken with a slow shutter speed which has given a wonderful et...

Harlem Rain by Alain Le Garsmeur A rainy day on the streets of Harlem, New York City, USA, April 1978. Paper size 30 x 40 inches / 76 x 101 cm Printed in 2022 Archival Pigment Print signed limited edition signature and numbering on front edition of 5 only this size FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Galerie Prints is proud to share with you this extraordinary body of Alain Le Garsmeur's insightful and beautifully captured photographic work, from the late 1970s and early 80s. Alain Le Garsmeur (1943 - ) is an award-winning editorial documentary photographer for publications which included Figaro Magazine,
The Independent, Newsweek, and The Observer
as well as The Sunday Times. Born in France, he later moved to London where he studied at The Ealing College of Art Photography School. He soon became an assistant to great photographers such as Helmut Newton, Guy Bourdin, and Donald Silverstein...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly positive person and this positivity often reflects in my work delivering images with a strong message on personal growth, self-love, and empowerment. I want my images to give hope and teach people to appreciate themselves, to love, dream, and believe that everything is possible if we believe it is. My images often feature simple backgrounds, saturated colors, and characteristic props like flowers, plants, origami, or balloons. creating dreamlike images both rich aesthetically and in meaning." - Fares Micue...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Ignited, 2017-2108 Archival Color Pigment Print Medium size: 30 H x 54 W inches. Edition of 10 + 2AP Unframed From the series “The Alignment” which is materialized from video foota...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red and mint green umbrellas shelte...

ABOUT THIS PIECE: A Year Older is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting cropp...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Nymph - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1059. Not mounted...

Sophia Loren Pouring Champagne in Glasses by Globe Photos A classic 1962 image featuring legendary Italian film actress Sophia Loren pouring champagne into fancy glasses on New Yea...

Tram, photograph from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featuring at the Affordable Art Fair Mil...

REVERENCE, No. 2. Paris. France, 2017 From the REVERENCE Series C-print archival Size: 40 H x 60 W in. Edition 2/10 + 1AP Unframed Photographer Victoria Cohen was granted unpreced...

'Schwarzenegger Is My Idol 12' Limited Edition Hahnemühle Rag Baryta print Edition size 10 only. Large 40 x 30" inches paper size. by Sergey Melnitchenko 2012-2013 “Schwarzenegger Is My Idol” is the story about the young guys from Nikolayev (Ukraine) who are united by one thing – it’s a goal to become the best of the best and they will do everything possible to achieve it. The photos show the young people who engage in athletics, acrobatics, fitness, and bodybuilding. I asked one of the boys to tell me what role his hobby plays in his life. Here’s what he told me: “For me, my sport is what I live for. Daily control and hard work – that leads me to success. Sport disciplines a man, enables him to understand the value of labor, the value of choice. I always wanted to be something more than an ordinary man in the street, more colossal than an ordinary representative of the society, so in my sport I do all the best I can, because I want to reach the top”. Why are my 'models' naked on photos? I think it adds them a kind of courage and naturalness. Of course it also looks funny and ironic. About Sergey Melnitchenko : SERGEY MELNITCHENKO Born in 1991 in Mykolayiv, Ukraine. Member of UPHA – Ukrainian Photographic Alternative. Started photography in 2009 and for less than 10 years participated in more than 70 solo and group exhibitions around the world. Winner of Ukrainian and International competitions, including the “Photographer of the year” 2012, 2013 and 2016 (Kiev, Ukraine), “Golden Camera 2012” (Kyiv, Ukraine), one of 10 finalists of the Showoff section within the month of photography in Krakow 2013, shortlist of “Pinchuk Art Center Prize 2015”. “Leica Oskar Barnack...

Laurel Forest Study 3, Portugal - no. 21275 Archival pigment ink print - edition of 8. Prints are made to order on Hahnemuehle Photo Rag Baryta. Each print is stamped on the back and...

Shot from a helicopter in Tel Aviv, Israel. Abstract feel. Soft colors. Mounted on Plexiglass. About the Artist Dinesh Boaz creates a dynamic juxtapositi...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye catching artwork. The pool was f...

TOM BLACHFORD Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on C...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

FLORA lI by Christian Stoll from a series of colorful floral explosions, flower power and liquid clouds captured in water 48 x 71.5 inches (122 x 182cm) signed edition of 7 27 x 40...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

40 x 60 inches ed. of 10 $5,000 50 x 75 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

'Hula Doll', part of Richard Heeps 'Man's Ruin' Series, captured at Viva Las Vegas. This fun artwork has a cool kitsch vibe, the photograph itself has a lo-fi effect. This artwork i...

'Compliments of the May Morning' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________...

Blue House (29 Palms, CA) - 1999 20x20cm each, 20x68cm installed with gaps, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on the 3 original Polaroids. Signature...

Sükan created the series as he was working for international magazines such as L'Uomo Vogue (Italy), A Magazine (France), Crash (France), Faces (Switzerland), and Muse Magazine (Ital...

Palm Springs, 1970: This coveted photograph, captured by society photographer Slim Aarons, features midcentury socialites in front of the turquoise swimming pool of the iconic Kaufma...

Giclée Fine Art Print limited edition 4/10 Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is numbered and signed by the artist...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Lounging in Verbier - Apres Ski at Verbier in Snowy Swiss Alpine Mountain Range by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Set of 2 Photographs Aventure d'une libertine, 2015 From The Secret Album Series Overall Frame size: 20.5 H x 28.5 W x 1 D in. Overall Sheet size: 17.7 H x 24 W in. Individual size: ...

"Drift 9" Landscape Photography 30" x 40" Edition 1/5 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of th...

Paris I Love You I Love You ! BATIK signed limited edition POP ART print Paper Size 30 x 20" inches / 76 x 51 cm Signed & numbered by artist on front Archival Pigment print Limited to 25 only Pop art of the now infamous mugshot arrest photo of socialite and famous hotel heiress Paris Hilton...

Bill HENSON (*1955, Australia) Untitled #17 - NH SH83 N19, 2007/2008; printed 2010 Archival Inkjet Pigment Print Sheet 127 x 180 cm (50 x 70 7/8 in.) Frame...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39"- Edition of 10 48" X 59"- Edition of 7 Diamond Dust Collection Diamond Dust is a ...

"Shannon", Edition 1/10, 20x30cm, 2017, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Mon...

Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...

Erik at Fifteen - 2019 - 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not...

The bodegones are a pictorial interpretation based on a research project of the famous chef Juan Carlos Franco, on old food recipes of different periods in history. The photographer ...