C Print Color Photography

New York Picnic (1959) Limited Estate Stamped (Photo By Slim Aarons) A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 Additional Info...

Horses on Mosquito Coast, Honduras, Central America 1980's. (photograph Alain Le Garsmeur) A gorgeously evocative shot taken in the early 1980's by prolific documentary and well kn...

Twiggy – at David Steen’s Home, Surrey, Lesley Lawson (born 19 September 1949) is an English model, actress, and singer widely known by the nickname Twiggy. She was a British cultu...

Slim Aarons - Poolside Friendship - NEW Archive discovery - Limited Estate Print A brand new release from the Slim Aarons Estate & Archive - this...

The Rolling Stones are photographed outside the Tin Pan Alley Club in London in 1963. From left to right, Mick Jagger, Keith Richards, Bill Wyman, Brian Jones (1942 – 1969) and Charl...

Cavallo Coast - View of Yachts in Turquoise Waters between Corsica and Sardinia by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto Terrelli dining al fresco on a terrace overlooking the wa...

Laguna Beach Surfers (Slim Aarons Estate Edition) Three surfers with their boards at sunset, Laguna Beach, California, January 1970. (Photo by Slim Aarons) This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'beautiful people in beautiful places, doing beautiful things'. A beautiful authentic LIMITED EDITION Slim Aarons Estate Stamped Edition - limited to 150 only. Numbered in ink & emboss stamped on front. Gorgeous print measuring a very large 60 x 40" inches / ca 151 x 101 cm's. Produced utilising the original transparency held at archive source. Slim Aarons Archive authorized. Supplied with certificate of authenticity. We ship regularly using crating...

© Michael Putland Bryan Ferry Bryan Ferry of Roxy Music with the “Roxettes” London 1975 Bryan Ferry is a British singer-songwriter and frontman of the band Roxy Music, renowned fo...

A view from the umbrella boxes towards the tennis court at Newport Casino, Newport, Rhode Island, USA, 1953. Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and ...

Portofino Villa, 1977 - Aerial View Italian Landscape Countryside Swimming Pool by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Slim Aarons Snowmass Gathering 1968 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Two women, wearing brightly-coloured skiwea...

Blue Seas, 1984 - Cavallo Island Corsica, Mediterranean Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Blue Seas, 1...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Lucky Luciano, 1950s - American Italian Mafia Mafioso Black and White Portrait by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Leisure In Antibes 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A woman sunbathing in a motorboat as it tows a ...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

Mat measures 20 X 26 sight measures 13 X 19.5 Mark Abrahamson is an American Postwar & Contemporary artist who was born in 1944. Mark completed a BA at Whitman College in Walla Wa...

Hotel du Cap Pool, Eden Roc - Cap d'Antibes French Riviera Hotel Views Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Slim Aarons Kaufmann Desert House 1977. (printed later) C print 40 x 60 inches Estate stamped and numbered edition of 150 with Certificate of authenticity August 1977: Actor Georg...

Hotel Sports Limited Edition Estate Stamped Print (edition size 150 only). 1958: Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. France (Photo by Slim Aarons) 6...

'Beverly Hills Hotel' by Slim Aarons Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. Typically 'Slim' this photograph ...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

Los Leones, St Barts - Saint Barthelemy Architecture Al Fresco Dining Views by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Lo...

DINNER AT EIGHT, Jean Harlow, 1933/ Everett Collection. stunning and vivid photograph of the first sex symbol, Jean Harlow. 12x16 inches Archival Pigment...

Norman Parkinson captures French model Katherine Pastrie for Queen Magazine, 1960. Katherine Pastrie, Queen Magazine 1960 printed later C print Estate stamped and numbered edition o...

Susanna Boylston Bolton 1965 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: A view from the umbrella boxes towards t...

'Live And Let Die' 1973 Roger Moore and cast On set of the movie 'Live and Let Die' with Roger Moore as 007 James Bond, with Yaphet Kotto playing Che...

Sunbathing Antibes, 1976 - Hotel du Cap Eden Roc French Riviera Nude by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Sunbathin...

Barbados Bliss - Ava Marshall American Socialite Barbados Portrait Bougainvillea by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later...

British-American actress Elizabeth Taylor wearing a wig designed by Michael Rasser to match her Shih Tzu dog, Mariposa. Cover story for ‘Woman’ magazine on December 9, 1972. Elizabe...

'Catch Up by the Pool' 1970 Slim Aarons Limited Estate Edition Print Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph L...

Slim Aarons Pool At Las Brisas, 1972 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Guests in the pool at the Las Brisas Hotel, Acapulco, Mexi...

Donald Leas (1968) Limited Estate Stamped (Photo By Slim Aarons) Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum Palm Beach, Florida ...

Apollonia van Ravenstein at the Crane Beach Hotel in Barbados wearing a Jane Cattlin swimsuit with a Charles Batten hat, chiffon scarf from Liberty and Saint Laurent Rive Gauche sand...

Spectators standing next to polo mallets and riding helmets during a polo match in Palm Beach, Florida, 1968. Slim Aarons Palm Beach Polo 1964 C-Print Estate signature stamped and ...

Il Pellicano Pool - Porto Ercole Hotel Il Pellicano Swimming Pool Sea Views by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Il...

Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. Slim Aarons Positano Beach 1979 (printed later) C print Estate st...

'Ladies Of Lyford Cay' 1974 Slim Aarons Limited Estate Edition Print Grace, Mrs Dauphinot, Marina Posson and Baroness Meriel de Posson in Lyford Cay, New Providence Island, April 1...

Slim Aarons Desert House Party, 1970. (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party at a desert house, desig...

Elton John and his Airplane, Los Angeles, CA 1975 (printed latter) C-print Posthumous estate signature stamped edition of 50 with certificate of authenticity Wearing a custom LA Do...

Women of Palm Beach wearing designs by Lilly Pulitzer for a fashion shoot at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Pulitzer is seen back row, third from left, Wendy Vande...

'Jack And GeeGee Entz' 1983 Slim Aarons Limited Estate Edition Print Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance...

Slim Aarons - Walking Up Cortina d'Ampezzo - Estate Stamped Edition Limited to 150 only Skiers walk up a mountain in Cortina d’Ampezzo, a ski resort in northern Italy, 1962 (Photo...

Poolside Dreams, 1970 - Poolside Gossip Poolside Glamor Palm Springs Poolside by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. '...

Frank Sinatra and entourage on Miami Beach 1968 (printed later) C print 16 x 20 inches Estate signature stamped and numbered edition of 50 with certificate of authenticity from the Terry O'Neill estate also available in a lifetime signed 20 x 24 inch edition of 50 - message for details This picture was taken on the first day of filming, as Senatra walked from his hotel at the Fontainebleau Miami Beach to the set of ‘The Lady in Cement’. “This was the first time I ever saw Frank and I was astonished by the mere power of his presence, mesmerizing the crowd as he walked casually past." - Terry O'Neill Terry O'Neill CBE (1938-2019) was an eminent English photographer known for his masterful documentation of the 1960s fashions, styles, and celebrities. Born in London, his artistry deftly exhibited the keenness of capturing his subjects in candid moments or unconventional environments, reflecting a compelling narrative that was both revealing and authentic. O'Neill's photographic legacy spans across prominent personalities, including influential figures such as Winston Churchill, Nelson Mandela, iconic musicians like Frank Sinatra, Elvis, and Amy Winehouse, eminent actresses like Audrey Hepburn and Brigitte Bardot, supermodel Kate Moss, and every James Bond from Sean Connery to Pierce Brosnan. This diversity underscores O'Neill's proficiency in embracing the breadth of fame and human charisma. His extraordinary contribution to photography won him The Royal Photographic Society's Centenary Medal in 2011, a testament to his enduring influence. His work has graced numerous exhibitions, contributing to the art form's rich history. Terry O'Neill's indelible mark on photographic art continues to be celebrated at IFAC Arts, and elsewhere. For the complete catalogue of Terry O'Neiil on 1stdibs follow us at International Fine Arts...

Brigitte Bauer photographed in Tahiti wearing Estée Lauder makeup and hair styled by Kenneth. American Vogue, 1 May 1965. Brigitte Bauer in Tahiti. American Vogue, May 1965 C print ...

Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. Slim Aarons Poolside in Arizona 1973. (printed later) C print Estate stamped and numbered edition...

Positano Beach Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979. Gorgeous print measuring a Supersize 48 x 72" inch...

Slim Aarons Poolside Gathering at Kaufmann Desert House, 1970. (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party...

'Nelda And Friends' by Slim Aarons Set to become another Slim Aaron favourite - it's better known cousins 'Poolside Gossip' and 'Desert House Party' (also listed) are considered to...

Ormond Gigli Girls in the Window, 1960 (printed later) Color coupler print 16 x 16 inches Signed, dated and numbered edition of 100 Ormond Gigli: The Visionary Behind the "Girls in...

Three women wearing designs by Lilly Pulitzer take a break from shooting during a fashion shoot for Pulitzer at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Slim Aarons Lilly ...

Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. Slim Aarons Poolside in Arizona 1973. (printed later) C print Estate stamped and numbered edition...

Jerry Hall is photographed wearing a one-shouldered satin column dress and feathered coat by Dior during a British Vogue photoshoot at the Palace of Versailles. The image, taken Sept...

Michael Eastman (American, born 1947) "Candy Counter" Chromogenic color print (C Print) Bears label en verso hand signed, titled, dated, edition 3/5 Depicting a classic Americana candy counter, candyland at an Art Deco theater, Dimensions:. sight h. 36", w. 26.5". Frame h. 46.375", w. 37", d. 2". Published in book 'Vanishing America' by Michael Eastman of abandoned, derelict places in California and elsewhere. Vanishing America includes haunting images of the insides of iconic architectural buildings, such as Main Street cinemas, French Quarter houses, and Memphis hallways. Michael Eastman has established himself as one of the world's leading contemporary photographic artists. The self-taught photographer has spent five decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architecture forms and the textures of decay, which create mysterious narratives about time and place. Eastman's photographs have appeared in Time, Life, Art in America, Art News, Art Forum, Communication Arts and American Photographer, and they reside in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf). Select Group Exhibitions Edwynn Houk Winter Show Lillian Bassman, Valérie Belin, Sebastiaan Bremer, Zana Briski, Elinor Carucci, Lynn Davis, Michael Eastman, Elliott Erwitt, David Maisel, Abelardo Morell, Vik Muniz, Matthew Pillsbury, Jessica Wynne...

Palm Beach Idyll, 1955 C-print 30 x 30 inches A couple sunbathe by the sea at Palm Beach Florida 1955 USA Slim Aarons (1916-2006) worked mainly for society publications photograp...

Celia Hammond wearing goggles, for Queen magazine, 1964 Celia Hammond wearing goggles, for Queen magazine, 1964 C print Estate stamped and numbered edition of 21 on verso with certi...

Norman Parkinson Jerry Hall , 1976 C print 60 x 40 inches each Estate stamped and numbered edition of 21 on verso American model Jerry Hall wearing a swimsuit by Martil and lipstick...

A party of skiers adjourn for drinks at the bar on top of peak KT-22, Squaw Valley, California, 1961. Second from right is American lawyer and businessman Alexander Cochrane Cushing ...