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Michael EastmanLarge Color Chromogenic Photograph C Print Candy Counter Michael Eastman Photo2004-2008
2004-2008
About the Item
Michael Eastman (American, born 1947)
"Candy Counter"
Chromogenic color print (C Print)
Bears label en verso hand signed, titled, dated, edition 3/5
Depicting a classic Americana candy counter, candyland at an Art Deco theater,
Dimensions:. sight h. 36", w. 26.5". Frame h. 46.375", w. 37", d. 2".
Published in book 'Vanishing America' by Michael Eastman of abandoned, derelict places in California and elsewhere. Vanishing America includes haunting images of the insides of iconic architectural buildings, such as Main Street cinemas, French Quarter houses, and Memphis hallways.
Michael Eastman has established himself as one of the world's leading contemporary photographic artists. The self-taught photographer has spent five decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architecture forms and the textures of decay, which create mysterious narratives about time and place.
Eastman's photographs have appeared in Time, Life, Art in America, Art News, Art Forum, Communication Arts and American Photographer, and they reside in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf).
Select Group Exhibitions
Edwynn Houk Winter Show
Lillian Bassman, Valérie Belin, Sebastiaan Bremer, Zana Briski, Elinor Carucci, Lynn Davis, Michael Eastman, Elliott Erwitt, David Maisel, Abelardo Morell, Vik Muniz, Matthew Pillsbury, Jessica Wynne.
Edwynn Houk Summer Show
Michael Eastman, Sally Mann, Abelardo Morell, Robert Polidori, Herb Ritts, Stephen Shore, Paolo Ventura & others.
Robert Anderson Gallery; Mirrors and Reflection
Manuel Álvarez Bravo, Eugène Atget, Edouard Boubat, Brassaï, Rudy Burckhardt, Robert Doisneau, Michael Eastman, Gerard Petrus Fieret, Fay Godwin, André Kertész, Ruth Orkin, Helga Paris, W. Eugene Smith, Edward Steichen, George Tice, Jerry N. Uelsmann, Clarence H. White & others
Collections
Amon Carter Museum, Texas
Art Institute of Chicago
High Museum of Art, Atlanta
International Center of Photography, New York
Kemper Museum of Contemporary Art, Kansas City
Los Angeles County Museum of Art
Metropolitan Museum of Art, New York
Museum Of Fine Arts, Boston Massachusetts
Nelson-Atkins Museum of Art, Kansas City
New Mexico Museum of Fine Arts
New Orleans Museum of Art
Oklahoma City Museum of Art
Pizzuti Collection, Columbus, OH
Polaroid Collection
Rockefeller Collection
Saint Louis Art Museum
San Diego Museum of Contemporary Photography
San Francisco Museum of Modern Art
Sheldon Museum of Art
The George Eastman Photographic Collection, Rochester
Ulrich Museum of Art, Kansas
Books
Havana, Cuba (Prestel, 2011) — Introduction by Achy Obejas, Interview with Vicki Goldberg
Vanishing America: The End of Main Street (Rizzoli, 2008) — Intro by Douglas Brinkley, Essay by William H. Gass
Auguste Rodin (Archipelago) — Text by Rainer Maria Rilke, Introduction by William H. Gass
Horses (Knopf) — Introductions by Jane Smiley and William H. Gass
Galleries
Edwynn Houk Gallery, New York
Robert Koch Gallery, San Francisco, California
Holden Luntz Gallery, Palm Beach Fl
Barry Friedman Gallery, New York
Michael Hoppen Gallery, London, England
- Creator:Michael Eastman (1947, American)
- Creation Year:2004-2008
- Dimensions:Height: 46 in (116.84 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:frame and plexi has minor wear. piece is well protected.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211527622
Michael Eastman
Michael Eastman has established himself as one of the world’s leading contemporary photographic artists. The self-taught photographer has spent four decades documenting interiors and facades in cities as diverse as Havana, Paris, Rome, and New Orleans, producing large-scale photographs unified by their visual precision, monumentality, and painterly use of color. Eastman is most recognized for his explorations of architectural form and the textures of decay, which create mysterious narratives about time and place. Eastman’s photographs have appeared in Time, Life, and American Photographer; residing in the collections of The Metropolitan Museum of Art, the International Center of Photography, The Art Institute of Chicago, the Los Angeles County Museum of Art, and other prestigious institutions. His books include Havana (2011, Prestel), Vanishing America (2008, Rizzoli) and Horses (2003, Knopf), which is now in its fifth edition. Eastman lives in St. Louis.
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