Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Mitchell Funk
Surreal Road, Monument Valley, Sci-fi Photography, Science Fiction

1975

$5,500
£4,181.51
€4,825.63
CA$7,698.52
A$8,620.29
CHF 4,497.64
MX$105,031.93
NOK 57,071.82
SEK 54,260.11
DKK 36,020.13
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

The history of Sci-fi art and illustration has had a rich and storied past. Generation of illustrators and painters have rendered their fantastic ideas on paper and canvas. The decades of the 1920’s - 1940’s saw the imaginative but crudely drawn pulp magazine gouaches of Frank R Paul. Virgil Finlay employed a scratchboard and stippled technique for such newsstand favorites as Weird Tales. J. Allen St. John crafted his fantasy oil scenes for the Edgar Rice Burroughs stories. The1950s gave rise to more realistic and accurate illustrations of Chesley Bonestell for such magazines as Life. Then in he late 1970 a true breakthrough in history of Sci-fi art was ushered in. It was Omni Magazine. It’s a mission, to take a giant leap for mankind in visualizing new worlds. Hitherto, only painters and illustrators were hired to depicted Sci-fi worlds. Omni magazine was the first to consistently use photographers. They still commissioned top illustrators of the day such as E.I. Gieger but they were the ones to push photography. For this end, they recruited conceptual color photographer Mitchell Funk to pilot the nascence of Sci-fi photography. They used Mitchell for some interior illustrations. However, it was the important promotional ad campaign that was to brand the image of Omni as the coolest Sci-fi, Mitchell Funk worked for Omni magazine doing editorial and promotional content. Man on Road in Monument Valley predate the "Close Encounters of the Third Kind: poster that features the same iconography of a road-going back into space. Signature: Signed and dated on lower right, numbered on verso Edition 3 of 15. Unframed. Another size available, printed later, Printed on Hahnemühle Fine Art paper

More From This Seller

View All
The Road To Monument Valley - Surreal Road in Desert
By Mitchell Funk
Located in Miami, FL
Monument Valley Navajo Tribal Park, Four Corners at dawn. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later, Printed on Hahnemühle Fi...
Category

1980s Abstract Impressionist Landscape Photography

Materials

Inkjet

Sci-fi Single Man, Surreal Road to Destiny, Camera 35 Cover - Surrealism -
By Mitchell Funk
Located in Miami, FL
Signed, dated, numbered 4/15 recto, unframed, printed later, other sizes available, Printed on Hahnemühle Fine Art paper Cover Camera 35 Magazine Aug/Sept 1976
Category

1970s Surrealist Landscape Photography

Materials

Photographic Paper, Archival Ink, Archival Paper, Archival Pigment

Nude man on Endless Surreal Arizona Road to Infinity
By Mitchell Funk
Located in Miami, FL
Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and number lower right recto, Other sizes available, unframed, printed later. Printed on Hahnemüh...
Category

1970s Surrealist Nude Photography

Materials

Inkjet

Nude man on Endless Surreal Road
By Mitchell Funk
Located in Miami, FL
Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and number lower right recto, Other sizes available unframed, printed later. Printed on Hahnemühle ...
Category

1970s Surrealist Nude Photography

Materials

Photographic Paper

Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
Category

1980s Surrealist Landscape Photography

Materials

Photographic Paper

Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...
Category

1980s Surrealist Landscape Photography

Materials

Photographic Paper

You May Also Like

Monument Valley, Arizona, USA
Located in PARIS, FR
Impression fine art sur papier baryté, réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Photographie tirée du carnet "Petits paysages américains" de Jean-Christophe Béchet (2018, 48 pages, éditions Trans Photographic Press). "Aux Etats-Unis, tout est plus grand, plus fort et plus impressionnant, notamment les paysages ! Les photographies légendaires d’Ansel Adams ont structuré notre mémoire visuelle et aujourd’hui dans chaque lieu touristique, des galeries proposent des images de grand format où les couleurs saturées jouent une symphonie bruyante et kitsch. Tout le panel des artifices de la photographie contemporaine est au service d’une représentation allégorique d’un paradis perdu, d’un eden déconnecté du monde réel. Mes « petits paysages américains », de taille modeste, en noir & blanc argentique, faits au Leica...
Category

Early 2000s Black and White Photography

Materials

Digital Pigment

"Monument Valley" #2 - Desert Landscape Photograph
Located in Soquel, CA
Desert landscape photograph of Monument Valley by an unknown artist (American, 20th Century). Signed "CJB" in the lower right corner. Dated "April '84" in the lower left corner. Moun...
Category

1980s Contemporary Landscape Photography

Materials

Photographic Paper, Silver Gelatin

Andres: Monument Valley, Arizona 1968.
By Erich Andres
Located in Cologne, DE
Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are d...
Category

1960s Modern Black and White Photography

Materials

Black and White

The Road to Death Valley, Mojave Desert, California - Landscape Color Photo
By Richard Heeps
Located in Cambridge, GB
'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...
Category

Early 2000s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

The Road to Death Valley, Mojave Desert, California - Landscape Color Photo
By Richard Heeps
Located in Cambridge, GB
'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...
Category

Early 2000s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

The Road to Death Valley, Mojave Desert, California - Landscape Color Photo
By Richard Heeps
Located in Cambridge, GB
'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...
Category

Early 2000s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin