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Richard HeepsRetaining Wall II, Rockingham - Abstract Blue Color Photograph2003
2003
$957.69
£700
€823.56
CA$1,315.24
A$1,472.02
CHF 768.62
MX$17,958.67
NOK 9,756.64
SEK 9,258.46
DKK 6,149.99
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About the Item
Blue abstract photograph from Richard Heeps' series Trading Paint.
Richard Heeps has a history of photographing Drag Racing in the UK, America and Europe. Trading Paint is a term that describes a car at speed makes impact with another car or the retaining wall. Richard has fired off a flash when photographing this creating an abstract photograph with a satisfying sense of texture and detail.
This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass.
Handmade to order.
This artwork is available in other sizes and pairs well with Richard Heeps' other artworks you can find in our 1stdibs store.
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography. He runs his own darkrooms in Cambridge (UK) where he makes his master prints. His work has been exhibited in Museums and Public Galleries around England and he has participated in Art Fairs around the world and his work is now part of many international collections.
- Creator:Richard Heeps (1965, British)
- Creation Year:2003
- Dimensions:Height: 33.47 in (85 cm)Width: 39.38 in (100 cm)Depth: 1.97 in (5 cm)
- More Editions & Sizes:16" x 18.5" Edition of 25Price: $24623.5" x 27.5" Edition of 25Price: $42426.5" x 30.3" Edition of 25Price: $63638.5" x 45" Edition of 10Price: $1,772
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cambridge, GB
- Reference Number:1stDibs: LU689315873042
Richard Heeps
Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interiors, still life, portrait or landscape. His distinctive style pushes the limits of lens-based photography without the need for digital manipulation. He runs his own darkrooms in Cambridge (UK) where he hand prints his colour photography. His work has been exhibited in Museums and Public Galleries around England, and he has participated in Art Fairs around the world, and his work is now part of many international collections.
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