Slim Aarons

Slim Aarons 'Zermatt Skiing' - Mid-century Modern Photography

1961

Slim Aarons Leisure In Antibes 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A woman sunbathing in a motorboat as it tow...

Civilized Snooze, Self Portrait on Holiday in Athens, Greece 1955 C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. circa...

Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A topless swimmer in Saint-Tro...

Slim Aarons Catherine Wilke, 1980, Printed Later C print Estate stamped and numbered edition of 150 with Certificate of authenticity Catherine Wilke joins the topless sunbathers a...

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Slim Aarons Lounging in Gstaad 1961 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Holidaymakers in sun loungers on the slopes...

Collage photography of Big Ben behind acrylic glass by applying the CMPB-technique Artwork will be printed on highest quality photographic paper, ...

We are excited to announce the grand opening of “Indian Summer” at La Plage in Sag Harbor. This exhibition will include Fine Art + Photography from the Robin Rice Gallery including R...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. C Print, Blue, House, Red Door, Vignette, Blur, House, West Cork...

The Carl Simon Archive was a sleeping treasure of photos for 60 years. In 2011 finally the sensational life work of Carl Simon was rediscovered in an old storage room in Unterbilk,...

Susan Wides "Atlas Cement Near Olana (December 18, 1997)" 1997 Chromogenic Print on Matte Paper 10"x10.5" image, overall 11" x 14", Unframed $2200 Signed on reverse in ink *Custom fr...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...