Stefanie Schneider

Daisy front of Trailer (Till Death do us Part)

2005

'Austen and Daisy in front of Trailer II' (Till Death do Us part), 2005 - 128x126 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Certific...

Daisy and Austen in front of Trailer (Till Death do Us Part) - 2005 Edition 5/5, 125x123cm each. 125x520cm installed. 4 Analog C-Prints, hand-printed by the artist on Fuji Cristal ...

Austen and Daisy in front of Trailer IV (Till Death Do Us Part) - 2005 80x79cm, Edition 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate ...

Daisy in Trailer (Till Death do Us part), 2005, 40x40cm, Edition 1/10, digital C-Print, based on an original Polaroid, Certificate and Signature label, artist Inventory No 9517.01, not mounted On offer is a piece from the movie: Till Death do Us part 'Till death do us part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences. 'Till Death Do Us Part' is the story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely dessert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal was also a lonely child and already dangerously close to vanishing when she finds Margarita. For her it is the begging of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all. The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they loose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever? An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality. The Californian desert light and the vintage colors of Polaroid create a unforgettable atmosphere in the abandoned trailer park. Austen Tate gives Margarita her voice in poetry and Daisy McCrackin...

This cinematic Californian road trip artwork shows a classic British Austin Morris 1100 car, attached to an iconic American Airstream RV. Photographed ...

Photography, edition 1/12.

Archival pigment print Signed and numbered, verso 30 x 36 inches (Edition of 3) 20 x 24 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Ad...

Stephen GILL (*1971, Great Britain) Untitled, from the series 'Coexistence‘, 2012 Canson Platine Fibre Rag 310 gsm Image 54.6 x 36.5 cm (21 1/2 x 14 3/8 in.) Sheet 60.9 x 45.4 cm (24...