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Stefanie Schneider
Ladybird (Chicks and Chicks and sometimes Cocks)

2019

About the Item

Ladybird (Chicks and Chicks and sometimes Cocks) 2019 - Edition of 10, 20x20cm, digital C-Print, based on a Polaroid Artist inventory 22256. Signature label and Certificate. Not mounted. The 'Chicks and Chicks' series is part of my Desert Living Project, which encompasses all aspects of organic living including growing your own organic food, self sustainability and regarding the beauty and personality of farm animals and their welfare in an endeavor to connect human needs back to the sources of living. The full circle of Industrialization returns to the homestead. That’s a compelling quote — "If you want to learn what someone fears losing, watch what they photograph." When applied to Stefanie Schneider’s work, it reveals a rich undercurrent of longing, fragility, and the ache of impermanence. Schneider's Polaroids are drenched in the ephemeral: sun-bleached deserts, abandoned motels, half-glimpsed lovers, wistful stares, and dreamlike stillness. These are not just aesthetic choices — they are emotional records. What she photographs — fleeting light, transient beauty, broken timelines — suggests a fear of losing time itself, along with memory, youth, love, and emotional connection. Her use of expired Polaroid film isn’t nostalgic for the sake of style — it’s a deliberate act of preservation in the face of decay. The film is already breaking down, much like the moments she captures. But instead of resisting that, she embraces it. There’s a tender defiance in her images: If I photograph it now — even as it fades — I can keep it alive a little longer. In that sense, Stefanie may fear losing: Authentic emotional connection, seen in her raw, unguarded portraits. The California dream, which in her work is always both seductive and slipping away. The past, not as it was, but as it felt. Intimacy, in all its forms — romantic, familial, or even self-reflective. Each photograph is like a fragile spell cast against forgetting. They’re not about preserving perfection — they’re about holding onto what’s real, even when it’s broken or about to vanish.

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Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Proof b4 Printing / 128x125cm signed, analog C-Print, hand-printed by the artist, based on a Polaroid, signed on...
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Self-Portrait II - Mounted, Contemporary, Polaroid, Color, Portrait
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Located in Morongo Valley, CA
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2010s Contemporary Color Photography

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Oxana and Hans - Stage of Consciousness, part 6, featuring Udo Kier
By Stefanie Schneider
Located in Morongo Valley, CA
'Oxana and Hans' (Stage of Consciousness), part 6 - 2007, 41x52cm, sold out Lumas Edition of 147, Artist Proof 2/3, Lambda Print, Not mounted Certificate and signature label, art...
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Early 2000s Contemporary Color Photography

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Beloved (Stage of Consciousness) - with Radha Mitchell - last Edition
By Stefanie Schneider
Located in Morongo Valley, CA
Beloved (Stage of Consciousness) - 2007 75x93cm, Edition 5/5 - Last edition! Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on an original Polaroid....
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Evesdroppings (29 Palms, CA) - Figurative, Portrait, Polaroid, Radha Mitchell
By Stefanie Schneider
Located in Morongo Valley, CA
'Eavesdropping' (29 Palms, CA), Edition 3/10, 20x20cm, 1999, digital C-Print, based on a Polaroid. Signature Label and Certificate. Artist inventory No. 18257.03. Not mounted. ...
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1990s Contemporary Color Photography

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Margarita Smoke Rings (Till Death do us Part) - analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Margarita Smoke Rings (Till Death do us Part) - 2009 Edition 1/5, 125x154cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-P...
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Early 2000s Contemporary Color Photography

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