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Stefanie Schneider
Moving in Together (Till Death do us Part) - analog, Contemporary, mounted

2008

$9,900
£7,504.46
€8,762.21
CA$13,867.08
A$15,609.83
CHF 8,259.41
MX$193,620.79
NOK 102,038.71
SEK 97,591.01
DKK 65,370.41
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About the Item

Moving in Together (Till Death do us Part) - 2008 125x154cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Certificate and signature label. Artist inventory # 8535. Mounted on Aluminum with matte UV-Protection. Exhibits : 2008 29 Palms, CA, Galerie Spesshardt & Klein, Berlin (S) (see installation photos) On offer is a piece from the movie "Till Death do us Part" Stefanie Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept. Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream. Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection. Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.

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