Stefanie Schneider

Nail Polish (Beachshoot)

2006

Untitled (Beachshoot) - 2005 Edition of 10, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1407. Signature label and ...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 18572. Not mounted. Beachshoot These photographic fantasies are determined by carefully chosen constraints and the use of symbolic attributes. Telegraph poles, airplanes, vast wastelands, a train bridge or a 50s American car tell in the same manner different stories, as do lurid wigs, kids toys, a headscarf or an old super 8...

Girls (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. ...

Untitled (Beachshoot) - 2005 38x37cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1410. Not ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Emma SUMMERTON (*1970, Australia) Landed, 2005 Archival pigment print on Hahnemühle Paper 100 x 120 cm (39 3/8 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 2/5 Print only Australian born Emma Summerton (*1970) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner while starting her career as a photographer. Emma Summerton’s first published fashion editorial was a Self Portrait Polaroid story shot for Dazed & Confused in 2005. Since then Summerton has established herself as one of the most talented photographers to emerge in the mid 2000's. Her in-depth technical knowledge coupled with her eye for detail and love for fashion have made her images not only unique but very distinctive, setting her apart from other photographers working in the industry today. Summerton’s Editorial Clients include: Italian, British, American, German, Australian, Spanish, Japanese and Chinese Vogue’s, i-D, Self Service, Dazed & Confused, The Last magazine,10 and Big Magazine. – Art, Contemporary, Colour, Photography, Fine Art, Fashion, Polaroid, Architecture, House, Beach, Seascape, Blue, Sky, Shoes...

Bathing establishment n°2 is a photograph by French contemporary artist Camille Brasselet. This photograph is sold unframed as a print only. It is available in 2 dimensions: *50 cm...

This textured composite landscape, beachscape, seascape features hues of blue and white. This listing is for an unframed print. Jennifer McKinnon Ri...