Vicki McKenna

"Beach Afternoon", Contemporary, Landscape, Summer, Color Photograph, 2011

2011

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

Marie Craig’s “Rising 2” is a 10 x 13 inch color photograph, a part of the artist’s “ Natural Consequences” series. Rich blues dominate this photo, which is surrounded by a white matt and framed in a white wood frame; framed dimensions are 18 x 22 x 0.75 inches. An original large-scale cyanotype photograph on transparent silk is re-photographed in the Boston cityscape...

Marie Craig’s “Warming 2” is a 10 x 13 inch color photograph, a part of the artist’s “ Natural Consequences” series. Rich blues dominate this photo, which is surrounded by a white ma...

Rebecca Skinner’s “In the Thick of It” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of two antique car...

A contemporary color landscape photograph of a green oasis in New York City, a dreamy garden in Downtown Manhattan. Paradise, New York City, 2012 by Roberta Fineberg is 20" x 16" an...

A contemporary photograph of a Greco-Roman statue in Ostia Antica, former Old Port of Rome, in a Pictorialist style, the photograph captures the spirit of Ancient Rome. In the Cities series by Roberta Fineberg, Roman God...

large format photograph of a sea of green sun umbrellas and yellow-green striped sun chairs, a Mediterranean pre-summer season study of Italian beach clubs in the iconic coastal reso...

Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...