Curtice Taylor

St. Sebastian

2023

Marcus 2021 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 9 x 7 inches (22.9 x 17.8 cm), image 10 x 8 inches (25.4 x 20.3 cm), sheet...

Fallen Angel 2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 4.5 x 6.5 inches (11.4 x 16.5 cm), image...

Nude on a Rock 2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 7 x 9.5 inches (17.8 x 24.1 cm), image 9.75 x 12.25 inches (24.8 x...

Jacque 2023 Signed, titled, numbered, and dated in pencil, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 7.25 x 10.5 inches, sheet This work is offered ...

In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...

man, male, men, portrait, ocean, water, summer, beach, bathing suit, black and white, muscle, athletic, swimming, swim, beach, black & white, figure, running, beach, swimming, male, water, athletic, black and white Born in Havana, Cuba in 1959, José Picayo left his homeland in 1966 and moved to Puerto Rico, where he lived for 10 years. By 1975 José was in Kent, Ohio completing his high school studies. In 1981, he settled in New York City, where he received a BFA from Parsons School of Design in 1983. José began his professional career in 1987, working for such magazines as Vanity (Italian), Sassy, Taxi, and Connoisseur. His work has appeared in Harper's Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, Pottery Barn, William Sonoma, Lucky Brand...

An indication that we have entered a new era of creativity, are the photographs of John Casado. “His nudes reveal new attitudes and visions that stamp him firmly as an artist who differs from his predecessors of the past 170 years. In the past two centuries, the nude has evolved slowly, but there is now a decided change.” David Leddick...

In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...