Patrick Lichfield

Guard and Tortoise

1960

Michael Chance (B. 1987) Green Shoots, 2021 Oil on canvas Signed lower left Titled, signed and dated verso 153.5 x 122 cm. Provenance: Michael Chance; Private Collection, United ...

Patrick Lichfield (1939-2005) Officially Thomas Patrick John Anson, 5th Earl of Lichfield Boy Wearing a Palestinian Keffiyeh, c. 1960 Gelatin silver print 38 x 29.1 cm. Provenance: Patrick Lichfield, who gifted to Hugh Myddelton Biddulph (1995-2021); Passed to Gaia Servadio (1938-2021); By descent to Orlando Mostyn-Owen (b. 1973); Private Collection, United Kingdom. This charming portrait expresses a moment of universal tenderness, the young boy grinning with a charismatic ease, his eyes lit with recent laughter. A cultural insight is provided by the Palestinian keffiyeh which he wears loosely around his head, a traditional and deeply sybmolic headdress worn in arid regions of the Middle East. Prior to the 1930s, keffiyeh were worn by rural workers, whereas city residents and the educated elite wore the Ottoman tarbush (or fez). However, during the 1936-39 Arab revolt in Palestine, rebel commanders ordered all Arabs to wear the keffiyeh. The black and white design as seen in the present photograph was popularised in the 1950s, after Sir John Bagot Glubb wanted to distinguish his Palestinian soldiers from the Jordanians (whose keffiyeh were red and white). The alternating pattern represents economically and culturally significant olive leaves, while the fish net motif symbolises fishing and the sea. The photograph is one taken by Lichfield on a visit to the Empty Quarter with his lifelong friend Hugh Myddelton Biddulph, of Chirk Castle, Wales. The sand desert encompasses most of the southern third of the Arabian Peninsula, and the visit was one of Lichfield’s earliest to the Middle East, which he would revisit throughout his career (particularly Dubai). The pair travelled through the region on a Mini Moke, carrying basic supplies and sleeping in a teepee. The photograph was left after Myddelton’s death to his second wife Gaia Servadio, the eccentric Italian journalist, writer, and first mother-in-law to Boris Johnson. After her death in 2021, it passed to her artist son Orlando Mostyn-Owen, and later into a private British collection. Patrick Lichfield was born in 1939, the son of Thomas Anson, Viscount Anson, and Anne Bowes-Lyon, later Princess Anne of Denmark. After seven years in the Grenadier Guards, Lichfield began his career as a photographer’s assistant in 1962 to Kasterine and Michael Wallis, after which he earned a five-year contract with American Vogue; he benefited greatly from his access to the royal family, since Queen Elizabeth was his maternal first cousin. In 1981 he took the official photograph for the wedding of the Prince and Princess of Wales. Although best known for his portraits of the royal family, Lichfield’s celebrity portraits included Yves Saint Laurent, Jane Birkin, Cecil Beaton, David Hockney, Kate Bush, Ian McKellen, Joan Collins, Joanna Lumley...

27. Theo Ellison (b. 1990) Entombment, 2017 C-type lambda print on paper Edition 1 of 5 Signed, titled, dated and numbered verso 78 x 120 cm. (within frame) Provenance: Theo Elliso...

William J. O’Brien (b. 1975) Cleanse, Fold and Manipulate (2007) Oil paint, aerosol paint, wood, string, carpet, wax, and other mixed media 136 x 53 x 48 cm. Provenance: William J...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 21. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...

Signed, titled, and dated, verso Acrylic on canvas Contact gallery for price. This work is offered by ClampArt in New York City.

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...