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Period: Early 2000s
Untitled (Woman with Dog)
By Evžen Sobek
Located in New York, NY
Archival pigment print
Signed and numbered, verso
12 x 12 inches
(Edition of 10)
25 x 25 inches
(Edition of 10)
This artwork is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
Evžen Sobek...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Pigment
Boy with Silver Mask (Stay)
Located in Morongo Valley, CA
Boy with Silver Mask (Stay) - 2006
37x36cm,
Edition of 30,
Archival C-Print, based on a Polaroid.
Certificate and Signature label
artist Inventory #5606.
Not mounted.
Torsten ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Shirin Neshat - Limited edition framed figurative photograph
By Laurina Paperina
Located in East Quogue, NY
Limited edition framed figurative photograph titled "Shirin Neshat" by Laurina Paperina - Edition 3/3
Laurina Paperina, the artistic alter ego of Laura Scottini, pokes fun at art a...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Film, Photographic Paper
Markus Klinko - Diamond Dust - Beyonce Seduction, 2003, Printed After
Located in Greenwich, CT
20th Anniversary Limited Edition Diamond Dust Print From the photoshoot of the 2003 album Dangerously in Love
All available sizes and editions:
20 x 24 in, Edition of 50 + 8 AP's
3...
Category
Contemporary Early 2000s Figurative Photography
Materials
C Print, Color
Rob
By Jen Davis
Located in New York, NY
Archival pigment print
Signed and numbered, verso
30 x 24 inches
(Edition of 6)
40 x 30 inches
(Edition of 6)
This photograph is offered by ClampArt, located in New York City.
Plea...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Pigment
A Vision you can't Capture (29 Palms, CA) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
A Vision you can't Capture (29 Palms, CA) - 2007,
Edition 1/5,
125x150 cm each, 3 pieces, installed 125x470cm.
3 Analog C-Prints printed on Fuji Archive Paper, hand-printed by th...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Boccia III (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women
Located in Morongo Valley, CA
Boccia III (Beachshoot) - 2005
38x36cm,
Edition of 10.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1467.
Not mounted.
featuring C...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled - Oilfields
Located in Morongo Valley, CA
'Untitled' by Stefanie Schneider
(Oilfields) 2004,
60x60cm,
Edition of 10, Analog C-Print, based on the Polaroid
Certificate and Signature label
artist Inventory Nr. 1215.05
Not mo...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Polaroid
Lila's Studio (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's art work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Lila's Studio (Stay) with Noami Watts and Ewan McGregor - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 5109.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Officer's Wives Club - Contemporary, 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
Officer's Wives Club (29 Palms, CA), diptych - 1999
Edition of 23/25,
40x40cm each, installed 40x87cm, including gap.
2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids.
Signed on back with Certificate.
Artist inventory number: 316.
Mounted on Aluminum with matte UV-Protection.
29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and
explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Badwater (Memories of Green) 4 analog hand-prints, 58x56cm each
Located in Morongo Valley, CA
Badwater - Memories of Green, quadriptych (four pieces), - 2003
Edition 1/5,
each 58x56cm, installed with gaps 122x117cm,
analog C-Prints, hand-printed by the artist on Fuji Crysta...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Window
Located in Sante Fe, NM
The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Pigment
Encaustic Image -- Drag
Located in Troy, NY
This print uses relief printmaking, inkjet and encaustic on lauan panel. A child drags burgundy threads across a turquoise encaustic background. Centered above is a creature, perhaps a sea urchin, in orange, brown and sea green. The effect is that of a dreamscape. This piece is unframed.
Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...
Category
Contemporary Early 2000s Figurative Photography
Materials
Mixed Media, Encaustic
Light Blue Lingerie (Wastelands)
Located in Morongo Valley, CA
Light Blue Lingerie - however - (Wastelands) - 2003
57x56cm,
Edition 4/5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on a Polaroid, Artist inve...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Girls like Strawberries, for no reason at all #14 - 21st Century, Polaroid
Located in Morongo Valley, CA
Girls like Strawberries, for no reason at all #14 - 2006
[From the series Need to be]
Edition of 25
25x25cm (white border included)
Hand signed & numbered by the artist.
Archival ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid
Santa María, Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Santa María by Paola Dávila
Photograph printed analogically on 255 gr baryta fiber photographic paper turned to selenium.
Image size: 18.3 cm H x 18.3 cm W.
Paper size: 25 cm H x 20 ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, Archival Pigment
Sunspots-Signed limited edition nude art print, Black white, Oversize, Sensual Sexy
Located in Sant Cugat del Vallès, Barcelona
Sunspots - Signed limited edition archival pigment print - Edition of 10
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Black and White, Giclée, Pigment, Archival Pigment, Phot...
Boccia I (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women, Color
Located in Morongo Valley, CA
Boccia I (Beachshoot) - 2005
38x36cm,
Edition of 10.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1467.
Not mounted.
featuring Cam...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Diane Arbus - Original Limited Edition Photograph by Angelo Cricchi
Located in Roma, IT
Diane Arbus is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2010.
Original Digital Photograph on paper.
Hand-signed, dated and numbered on the back. The original mark of the photographer is also present. Edition of 5 unique specimens.
The artwork is one of the photographs of the series "Gloomy Sunday" realized by the artist in the 2000s.
The artwork represents a female nude figure in the foreground lying on the grass, near her body there is an old camera...
Category
Early 2000s Figurative Photography
Materials
Photographic Paper
Condesa, Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Condesa by Paola Dávila
Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium.
Image size: 18.3 cm H x 18.3 cm W.
Paper size: 25 cm H x 20 cm ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper
Altstadt Rêveries #02 [From the series Goldenbogen & Zouzou]
Located in Morongo Valley, CA
Altstadt Rêveries #02, 2008
[From the series Goldenbogen & Zouzou]
Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, Color, Polaroid, Archival Paper, Archival Pigment
![Altstadt Rêveries #02 [From the series Goldenbogen & Zouzou]](https://a.1stdibscdn.com/carmen-de-vos-photography-altstadt-reveries-02-from-the-series-goldenbogen-zouzou-for-sale/a_6523/a_70268121604810698645/carmendevos_08_AltstadtReveries_02_master.jpg?width=240 "frenk zouzou")
Untitled - part 8 - Beachshoot starring Radha Mitchell
Located in Morongo Valley, CA
Boccia VIII (Beachshoot) - 2005
30,7x30cm,
sold out Edition of 68, Artist Proof 4/5
Lambda Print, based on a Polaroid
Certificate and Signature label,
artist Inventory # 1467.
Not...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Meeting in front of Church (Sidewinder)
Located in Morongo Valley, CA
Meeting in front of Church (Sidewinder) - 2007
Edition 2/5,
each 30x37cm, installed 30x160cm.
4 analog C-Prints, hand-printed by the artist, based on the 4 oirginal Polaroids.
Ce...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stare – Roger Ballen, Black and White, Staged, Lightbox, Venice Biennale
By Roger Ballen
Located in Zurich, CH
Roger Ballen
Stare, from the series 'The Theatre of Apparitions', 2008
One sided Texflex Lightbox, Powder coated Ferro Black
Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2 in.)
E...
Category
Early 2000s Figurative Photography
Materials
Textile, LED Light
Childhood Memories (Stay) - Contemporary, Polaroid, Photograph, Film,
Located in Morongo Valley, CA
Childhood Memories (Stay) from the Ryan Gosling's memory sequence, 2006,
50x50cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, matte surface, based on the Polaroid. ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
White Trash Beautiful I - 29 Palms, CA featuring Radha Mitchell
Located in Morongo Valley, CA
White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999
128x125cm,
Edition 3/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based o...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Minis - Untitled No 2 - Beachshoot - featuring Radha Mitchel
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Untitled #2' (Beachshoot) featuring Radha Mitchell, 2005
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
Polaroi...
Category
Contemporary Early 2000s Figurative Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Cuban Artist Original Hand Signed photoengraving 30x22 in. n2
Located in Miami, FL
Juan Carlos Alom (Cuba, 1964)
'Esta obra no tiene título es sólo el silencio de mi veneración', 2004
photoengraving on paper
30 x 22.1 in. (76 x 56 cm...
Category
Contemporary Early 2000s Figurative Photography
Materials
Paper, Photogravure
Stefanie Schneider Minis - The Dancer (Stay)
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'The Dancer" (Stay), 2006
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
from the movie 'Stay' by Marc Forster,...
Category
Contemporary Early 2000s Figurative Photography
Materials
Plexiglass, Color, Lambda, Polaroid
First Violin (self Portrait) - 21st Century, Polaroid, Photography, Contemporary
Located in Morongo Valley, CA
First Violin #04 - 2013
[From the series Need to be]
25x25cm + white border 0,5cm (total 26x26cm)
Archival color print based on original Polaroid
on beautiful PHOTO RAG ULTRA SMOOTH...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid
First Violin (self Portrait) - 21st Century, Polaroid, Photography, Contemporary
Located in Morongo Valley, CA
First Violin #04 - 2013
[From the series Need to be]
50x50cm
Archival color print based on original Polaroid
on beautiful PHOTO RAG ULTRA SMOOTH
305gsm - 100% cotton by HAHNEMÜHLE. ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid
'Teenage Kicks' C-type Limited Edition Oversize
By Jamie Beeden
Located in London, GB
'Teenage Kicks' C-type Limited Edition
by Jamie Beeden, personal work.
A portrait of a young girl at a club in Tufnell Park, London 2003.
Jamie's body of work includes varied maga...
Category
Modern Early 2000s Figurative Photography
Materials
C Print
La Casa de Daniel, Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
La Casa de Daniel by Paola Dávila
Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium.
Image size: 18.3 cm H x 18.3 cm W.
Paper size: 25 cm ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, Archival Pigment
Sunset (Till Death do us Part) - Polaroid, Contemporary, 21st Century, Women
Located in Morongo Valley, CA
Sunset (Till Death do us Part)
90x112cm, Edition 1/5, 2005
Analog C-Print, hand-printed by the artist, based on a Polaroid.
Artist Inventory No. 9493.01.
Mounted on Aluminum with...
Category
Contemporary Early 2000s Figurative Photography
Materials
Metal
Curtains (Cyndi Lauper) - 'Bring Ya to the Brink' record cover shoot
Located in Morongo Valley, CA
"Curtains" (Cyndi Lauper) from the 'Bring Ya to the Brink' Cyndi Lauper record Album) - 2009,
20x20cm, Edition 3/5, plus 2 Artists Proofs,
digital C-Print based on a Polaroid.
Cer...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ryan Gosling - Stay
Located in Morongo Valley, CA
'Ryan Gossling' (Stay) - 2006,
20x20cm, Edition of 2/10,
digital C-Print, based on a Polaroid
Certificate and Signature label
artist Inventory No. 2447.02
Not mounted.
Stefanie Schneider:
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.
Stay
Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...
Category
Contemporary Early 2000s Figurative Photography
Materials
C Print, Color, Polaroid
Untitled (Beachshoot) with Radha Mitchell - Polaroid, Contemporary, Women
Located in Morongo Valley, CA
Untitled (Beachshoot) - 2005
50x50cm, Edition of 10,
digital C-Print, based on a Polaroid
Certificate and Signature label,
artist Inventory # 898,
not mounted
“I never rememb...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
"Traces of Tears" (Cyndi Lauper) - record cover shoot
Located in Morongo Valley, CA
Traces of Tears (Cyndi Lauper)
from the 'Bring Ya to the Brink' record shoot in 2009
20x20cm,
Edition of 10.
Archival Print based on the Polaroid.
Certificate and signature label...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Taking Turns (Till Death Do Us Part) - 21st Century, Polaroid, Nude, Photograph
Located in Morongo Valley, CA
Taking Turns (Till Death Do Us Part) - 2006
20x24cm,.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid.
Certificate ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Cuban Artist Original Hand Signed photoengraving 30x22 in. n7
Located in Miami, FL
Juan Carlos Alom (Cuba, 1964)
'Mandy y Tara', 2004
photoengraving on paper
30 x 22.1 in. (76 x 56 cm.)
Edition of 106
ID: ALO1534-007-106
Hand-signed ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Paper, Photogravure
Red Shoes - Stage of Consciousness - starring Radha Mitchell - Artist Proof 2/2
Located in Morongo Valley, CA
'Red Shoes' (Stage of Consciousness) - 2007,
20x24cm, sold out Edition of 10, Artist Proof 2/2,
digital C-Print, based on a Polaroid, Certificate and Signature label,
artist Inve...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Polaroid
Henry watching Athena Dance I (Stay) Edition 9/10 - analog, hand-print, polaroid
Located in Morongo Valley, CA
Henry watching Athena Dance (Stay) - 2006
37x36cm, Edition of 9/10,
analog C-Print, hand-printed by the artist, based on a Polaroid.
Certificate and Signature label,
artist Inven...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Crow Burial II (Sidewinder)
Located in Morongo Valley, CA
Crow Burial II (Sidewinder) 20 x 20 cm, 2005,
Edition 4/10, digital C-Print based on a Polaroid,
Artist Inventory 3505.04, not mounted
Stefanie Schneider...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Floaties #4 (Beachshoot) - Polaroid, Vintage, analog, Contemporary
Located in Morongo Valley, CA
Floaties #4 (Beachshoot) - 2005
20x20cm,
sold out Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid,
Certificate and Signature label,
artist Inventory # ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dancer - Contemporary, nude, portrait, figurative, Polaroid, photograph, expired
Located in Morongo Valley, CA
The Dancer (Stay), 2006, 37x36cm,
Edition of 2/5, Lambda Print, based on a Stefanie Schneider expired Polaroid photograph
Certificate and Signature label
artist Inventory Nr. 5315.10...
Category
Contemporary Early 2000s Figurative Photography
Materials
C Print, Color, Polaroid
Stefanie Schneider Minis - Jules and Jim (29 Palms, CA)
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Jules and Jim' (Reneé's Dream - 29 Palms, CA), 2007
signed and signature brand on verso
Lambda digital Color Photographs base...
Category
Contemporary Early 2000s Figurative Photography
Materials
Plexiglass, Archival Paper, Photographic Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Runaway (Haley and the Birds)
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Runaway' (Haley and the Birds) - 2013
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
Polaroid sized open Editi...
Category
Contemporary Early 2000s Figurative Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Accident I (Stay) analog, 128x125cm, starring Ryan Gosling, Polaroid, Color
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled 3
Located in Sante Fe, NM
The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Pigment
Matt and Rachel
By Jen Davis
Located in New York, NY
Archival pigment print
Signed and numbered, verso
24 x 30 inches
(Edition of 6)
30 x 40 inches
(Edition of 6)
This photograph is offered by ClampArt, located in New York City.
Plea...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Pigment
Girl at Fence III (The Last Picture Show) - 20x20cm
Located in Morongo Valley, CA
Girl at Fence III (The Last Picture Show) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs,
analog C-Print, hand-printed by the artist, based on a Polaroid
Certificate and Signa...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled - part 8 - Beachshoot starring Radha Mitchell
Located in Morongo Valley, CA
'Untitled' by Stefanie Schneider
(Beachshoot), 2005, 30,7x30cm,
sold out Edition of 68, Artist Proof 3/5, 2005
Lambda Print, based on a Polaroid Original
Certificate and Signature ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Flying Boy (Stay) - Contemporary, Figurative, Polaroid, Photograph, Film,
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category
Contemporary Early 2000s Figurative Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Girl at Fence III (The Last Picture Show) - 70x70cm
Located in Morongo Valley, CA
Girl at Fence III (The Last Picture Show) - 2005
70x68cm,
Edition of 10 plus 2 Artist Proofs,
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist Inve...
Category
Contemporary Early 2000s Figurative Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Honey, I love you (Till Death do us Part) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Honey, I love you (Till Death do us Part) - 2007,
20x24cm,
Edition 1/10.
Digital C-Print, based on the Polaroid,
Certificate and Signature label.
Artist Inventory No. 8781.
Not m...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Daisy in front of Trailer (Till Death do Us Part ) + Soundtrack LP - 80x78cm
Located in Morongo Valley, CA
Daisy in front of Trailer (Till Death do Us Part) - 2005
Edition of 10, plus 2 Artist Proofs.
80x78cm,
Archival C-Print, based on a Polaroid.
Artist inventory 9250.
Signature label and certificate.
Not mounted.
This special Edition comes with the vinyl soundtrack of "Till Death do us Part" (directed by Stefanie Schneider and music by Daisy McCrackin)
Note: the additional images show the edition mounted.
Stefanie Schneider’s Till Death Do Us Part...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Loading the Gun (Wastelands) hand printed analog C-Print, based on a Polaroid
Located in Morongo Valley, CA
Loading the Gun (Wastelands) - 2003
57x56cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid, Artist inventory Number...
Category
Contemporary Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Whisky Dance III (Sidewinder) - Polaroid, Contemporary, 21st Century, Figurative
Located in Morongo Valley, CA
Whisky Dance III (Sidewinder), 2005
20x24cm, Edition 1/10,
digital C-Print, based on a Polaroid,
Certificate and Signature label,
artist Inventory # 3207,
not mounted
Stefanie S...
Category
Outsider Art Early 2000s Figurative Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
