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Early 2000s Figurative Photography

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Period: Early 2000s
Spring
Located in Sante Fe, NM
The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Pigment

Untitled 3
Located in Sante Fe, NM
The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Pigment

Dusting (The Girl behind the White Picket Fence) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Dusting (The Girl Behind the White Picket Fence) - 2013 with Heather Megan Christie 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certif...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

And there she was... (Till Death do us Part) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
And there she was... (Till Death do us Part) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Certificate and Signature label. Artist ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Lila's Studio (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Pool at Night (Suburbia) - Contemporary, Polaroid
Located in Morongo Valley, CA
Pool at Night (Suburbia) 2004, 50x50cm, Edition of of 10, digital C-Print based on an expired Polaroid. Signature label with Certificate, unmounted. The project "Suburbia" was shot...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Kingman Haunted #52, Contemporary, 21st Century, Polaroid, Figurative Photograph
Located in Morongo Valley, CA
Kingman Haunted #52, 2007 [From the series Schoffie] Published in her book The Eyes of the Fox, 2018 Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMO...
Category

Contemporary Early 2000s Figurative Photography

Materials

Color, Polaroid

Signed limited edition nude print, Black white, Sensual, Contemporary- Swing
Located in Sant Cugat del Vallès, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Swing ‘ Limited edition of 5 Signed...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Black and White, Archival Pigment, Giclée, Pigment

Skywhale (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Flight of Stairs II - featuring Naomi Watts - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Polaroid

Headless (Stay) featuring Ewan McGregor
Located in Morongo Valley, CA
Headless (Stay) - 2006 featuring Ewan McGregor 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #5084. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category

Contemporary Early 2000s Figurative Photography

Materials

C Print, Color, Polaroid, Archival Paper, Photographic Paper

Womb #03 - from the movie 'Stay' Analog hand print
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Carla - Signed limited edition print, Sensual, Contemporary, Oversized photo
Located in Sant Cugat del Vallès, Barcelona
Carla - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fre...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Black and White, Giclée, Archival Pigment, Pigment, Phot...

Monument Valley, Arizona, USA
Located in PARIS, FR
Impression fine art sur papier baryté, réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Photographie tirée du carnet "Petits paysages américains" de Jean-Christophe Béchet (2018, 48 pages, éditions Trans Photographic Press). "Aux Etats-Unis, tout est plus grand, plus fort et plus impressionnant, notamment les paysages ! Les photographies légendaires d’Ansel Adams ont structuré notre mémoire visuelle et aujourd’hui dans chaque lieu touristique, des galeries proposent des images de grand format où les couleurs saturées jouent une symphonie bruyante et kitsch. Tout le panel des artifices de la photographie contemporaine est au service d’une représentation allégorique d’un paradis perdu, d’un eden déconnecté du monde réel. Mes « petits paysages américains », de taille modeste, en noir & blanc argentique, faits au Leica...
Category

Early 2000s Figurative Photography

Materials

Digital Pigment

Happiness (Suburbia) - with Radha Mitchell - Contemporary, Polaroid
Located in Morongo Valley, CA
Happiness (Suburbia) - 2004 28x37cm, Edition of 10, Archival C-Print based on the Polaroid. Signature label with Certificate, Not mounted. Artist Inventory # 1706. The works of S...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Charlotte Solomon - Original Limited Edition Photograph by Angelo Cricchi
Located in Roma, IT
Charlotte Salomon is an original digital photograph realized by Angelo Cricchi in 2009. Hand-signed, dated, numbered by the artist on the back of t...
Category

Early 2000s Figurative Photography

Materials

Photographic Paper

Boccia III (Beachshoot ) with Radha Mitchell -Polaroid, Contemporary, Women
Located in Morongo Valley, CA
Boccia III (Beachshoot) - 2005 38x36cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1467. Not mounted. featuring C...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Alphabet Soup (Till Death do us Part) - mounted
Located in Morongo Valley, CA
Alphabet Soup (Till Death do us Part) - 2005, 128x127cm, Edition 2/5, analog C-Print, hand-printed by the artist. based on the Polaroid. Artist Inventory No. 9283.02. Mounted o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Metal

Oaxaca, kitchen. Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, Archival Pigment

Untitled (The Last Picture Show)
Located in Morongo Valley, CA
'Untitled' (The Last Picture Show) - 2005 38x37cm, Edition of 10. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist inventory 1016. Not mounted.
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Untitled - Oilfields
Located in Morongo Valley, CA
'Untitled' by Stefanie Schneider (Oilfields) 2004, 60x60cm, Edition of 10, Analog C-Print, based on the Polaroid Certificate and Signature label artist Inventory Nr. 1215.05 Not mo...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Polaroid

Mafia Wife in Training, Contemporary, 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
‘Mafia Wife in Training’ Vanessa does housework. Photographed at the Georgian Terrace Hotel. 2018, 20x20cm, Edition 1/10, digital C-Print based on a Polaroid photographs, Certificate and Signature label, not mounted 'I have often found a companion in the camera, a partner that allows me a way to communicate how I see things in my mind. The element of chance, the imperfections, the saturated colors, all give each unique Polaroid a surreal, dreamy quality that I only experience otherwise in my dreams.’ Coming from a background as a model and actress, getting behind the camera feels like a natural step in the creative process for Caitlin Fowler...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Polaroid

Beachshoot Mini #02 - mounted - featuring Rdaha Mitchell, based on a Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis - The size of a Polaroid. 'Untitled #4' (Beachshoot) featuring Radha Mitchell, 2005. Lambda digital Color Photographs based on a Polaroid. Signed and s...
Category

Contemporary Early 2000s Figurative Photography

Materials

Color, Archival Paper, Plexiglass, Lambda, Polaroid

Untitled (Oilfields)
Located in Morongo Valley, CA
'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Santa María, Sillón. Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, Archival Pigment

Planet of the Apes XI - Polaroid, Color, Nude, Men, Contemporary
Located in Morongo Valley, CA
Planet of the Apes XI, 1999, Edition 1/10, 40x40cm, Signature label and Certificate. not mounted, Stefanie Schneider received her MFA in Communication Design at the Folkwang Schul...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Childhood Memories (Stay) - Contemporary, Polaroid, Photograph, Film,
Located in Morongo Valley, CA
Childhood Memories (Stay) from the Ryan Gosling's memory sequence, 2006, 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, matte surface, based on the Polaroid. ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Cat Story #3 – Miles Aldridge, Woman, Fashion, Erotic, Model, Cat, Flowers, Art
Located in Zurich, CH
Miles ALDRIDGE (*1964, Great Britain) Cat Story #3, 2008 Chromogenic print 101.5 x 152.4 cm (40 x 60 in.) Edition of 3, plus 2 AP's; Ed. no. 2/3 Print only A fiercely original photo...
Category

Contemporary Early 2000s Figurative Photography

Materials

C Print

DETAIL FROM: FOUR REGENTS OF THE GROOT-KRAMERGILD, 1622 painting
Located in Los Angeles, CA
Detail From: Four Regents of the Groot-Kramergild WERNER J. VAN DEN VALCKERT, 1622, PAINTING GALLERY BERLIN ​ Timeless authority, captured anew. In this masterful fine art photograph...
Category

Conceptual Early 2000s Figurative Photography

Materials

Lambda

Untitled (Suburbia) featuring Radha Mitchell, analog
Located in Morongo Valley, CA
Untitled (Suburbia), 2004, Edition of 3/3, 50x60cm, analog C-Print, hand-printed by the artist, based on a Polaroid, not mounted, signature label and Certificate, artist Inventory No...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

La Casa de Daniel, Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, Archival Pigment

Bluesette #23 - Contemporary, Figurative, Polaroid, Photograph
Located in Morongo Valley, CA
Bluesette #23, 2009 [From the series Need to be] Digital archival pigment print on beautiful PHOTO RAG ® ULTRA SMOOTH paper 305gsm, 100% cotton by HAHNEMÜHLE - not mounted 25x25 c...
Category

Contemporary Early 2000s Figurative Photography

Materials

Color, Polaroid, Archival Paper, Archival Pigment

Max Von Sidow - Vintage Photo - 2000s
Located in Roma, IT
Max von Sidow-Vintage Photo is a black and white photograph realized in the 2000s. Good conditions and aged.
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper

'Margarita smokes in Bathroom' (Till Death do us Part) - Polaroid, Contemporary
Located in Morongo Valley, CA
Margarita Smokes in Bathroom (Till Death do us Part), 2007, 40x50cm, Edition 1/5, analog C-Print, printed by the artist, mounted on Aluminum with matte UV-Protection based on an o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Metal

Parade
Located in New York, NY
Digital C-print (Edition of 10) Signed, dated, and numbered, recto This artwork is offered by ClampArt, located in New York City. Susan Barnett’s photographs are not about the t-sh...
Category

Contemporary Early 2000s Figurative Photography

Materials

C Print

Lilac Gloves, Goodwood, Chichester - Feminine fashion, color photography
Located in Cambridge, GB
'Lilac Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of sophistication. This artwork f...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

'Margarita smokes in Bathroom' (Till Death do us Part) - Polaroid, Contemporary
Located in Morongo Valley, CA
Margarita Smokes in Bathroom II (Till Death do us Part), 2007, 40x50cm, Edition 1/5, analog C-Print, printed by the artist, mounted on Aluminum with matte UV-Protection, based on a...
Category

Contemporary Early 2000s Figurative Photography

Materials

Metal

Santa María, Artist Self Portraits Black and white Photograph. Triptych
Located in Miami Beach, FL
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, Archival Pigment

Condesa, Artist Self Portraits. Black and white Photograph
Located in Miami Beach, FL
Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper

Pink Gloves, Goodwood, Chichester - Feminine fashion, color photography
Located in Cambridge, GB
'Pink Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of soph...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

White Handbag, Goodwood, Chichester - Feminine fashion, color photography
Located in Cambridge, GB
'White Handbag (detail)' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Ryan Gosling - Stay
Located in Morongo Valley, CA
'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...
Category

Contemporary Early 2000s Figurative Photography

Materials

C Print, Color, Polaroid

The Hunter 01 [From the series Wild Things] - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
The Hunter 01 [From the series Wild Things] 2007 / 2019, 25x25x0.4cm Edition of 7 + 2AP Hand signed & numbered by artist on the back Museum quality c-print based on a Polaroid Mount...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, C Print, Color, Polaroid

Legs 2000 by Chris Marlow Color Phothography on Paper
Located in Brescia, IT
This human figure becomes abstract through the eyes of artist Chris Marlowe. The woman is seen only from one part of her body: the legs. No sexual references but a close look at the ...
Category

Abstract Impressionist Early 2000s Figurative Photography

Materials

Paper

Girls like Strawberries, for no reason at all #14 - 21st Century, Polaroid
Located in Morongo Valley, CA
Girls like Strawberries, for no reason at all #14 - 2006 [From the series Need to be] Edition of 25 25x25cm (white border included) Hand signed & numbered by the artist. Archival ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Color, Archival Pigment, Polaroid

Untitled #27, Oslo - Karine Laval, Travel photography, Contemporary imagery
Located in Brighton, GB
All prints are produced to order. Lead times between 5-10 days. Due to currency fluctuations prices may change. Please contact the gallery for more information about this print or...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color

First Violin (self Portrait) - 21st Century, Polaroid, Photography, Contemporary
Located in Morongo Valley, CA
First Violin #04 - 2013 [From the series Need to be] 50x50cm Archival color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% cotton by HAHNEMÜHLE. ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Color, Archival Pigment, Polaroid

A sunny Morning II (The Girl behind the White Picket Fence_ - Polaroid
Located in Morongo Valley, CA
A sunny Moring II (The Girl behind the White Picket Fence) 2013, 20x24cm, Edition 9/10,digital C-Print, based on an expired Polaroid. Certificate and Signature label. Artist Inventor...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Polaroid

Colors of Africa Abstracted Zebras
Located in Soquel, CA
Abstracted limited edition photograph of zebras with vivid colors by Ken Dorr (American, 20th Century), c. 2000. #10/250. Signed and numbered lower edge of mat. Presented in black me...
Category

Abstract Early 2000s Figurative Photography

Materials

Ink, Photographic Paper

Manuela 4 - Photograph By Roberto Vignoli - 2006
Located in Roma, IT
Light painting technique, realized in a completly dark photographic studio, where the photographer manually "paint" by torch with light of different colours, the subjects and the ba...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper

'Teenage Kicks' C-type Limited Edition Oversize
Located in London, GB
'Teenage Kicks' C-type Limited Edition by Jamie Beeden, personal work. A portrait of a young girl at a club in Tufnell Park, London 2003. Jamie's body of work includes varied maga...
Category

Modern Early 2000s Figurative Photography

Materials

C Print

Memories of Green II, triptych, analog, mounted
Located in Morongo Valley, CA
Memories of Green II, triptych, Edition 1/5 , 2003 each 58x56cm, installed with gaps 58x178cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, based o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Sasha
Located in New York, NY
Digital C-print Stamped and numbered, verso 24 x 20 inches (Edition of 10) 40 x 30 inches (Edition of 5) 60 x 50 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...
Category

Contemporary Early 2000s Figurative Photography

Materials

C Print

Three Girls VII (The Last Picture Show)
Located in Morongo Valley, CA
Three Girls VII (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Three Girls VI (The Last Picture Show)
Located in Morongo Valley, CA
Three Girls VI (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...
Category

Contemporary Early 2000s Figurative Photography

Materials

Photographic Paper, C Print, Color, Polaroid, Archival Paper

With the Pack
Located in Sante Fe, NM
"I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility o...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Pigment

NIGHTMARE Signed Photograph, Surreal Self-Portrait, Mexican Folklore, Skeleton
By Nia Mora
Located in Union City, NJ
NIGHTMARE by the photographer Nia Mora is a very unique self portrait color photograph exhibiting lush deep tones of intense red and jet-black, with haunting surrealist imagery of three figures positioned on a bed in a red walled room: one wearing a skeleton mask robed in black velvet, two with ghostly white faces all portraying the artist's self portrait as three entities of a nightmare. Photo Print size - 24 x 24 inches, unframed, excellent condition, signed in black ink on reverse by photographer Nia Mora Edition of 10 Year produced - 2007 Nia Mora, an American photographer, artist and chef, focuses her commercial work towards her passions of food, wine, and travel. Originally from Detroit, Michigan, her father is the jazz percussionist Francisco Mora...
Category

Surrealist Early 2000s Figurative Photography

Materials

Photographic Paper, Color

Beast
Located in Sante Fe, NM
The series, Traveling Dream comes from a lifelong obsession of exploring how my subconscious generates my dreams. As I move through my day, I am keenly aware of my encounters with pe...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Pigment

'Young' C-type Limited Edition
Located in London, GB
'Young' C-type Limited Edition by Jamie Beeden, personal work. A wonderfully observed portrait of two fashionable teenage girls at a club in Tufnell Park, London 2003. Jamie's bod...
Category

Modern Early 2000s Figurative Photography

Materials

C Print

Swim - Signed limited edition contemporary print, Pool, Colour figurative photo
Located in Sant Cugat del Vallès, Barcelona
Swim - Signed limited edition archival pigment print, Edition of 5 Signed by Ian Sanderson lower right and numbered lower left. Delivered with certificates of authenticity, Unframe...
Category

Contemporary Early 2000s Figurative Photography

Materials

Archival Paper, Color, Giclée, Pigment, Archival Pigment

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