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SIMON PROCTER"ARMANI Backstage Fall/Winter 2006, Paris" C-print by artist Simon Procter2006
2006
$13,000
£9,925.15
€11,367.77
CA$18,212.94
A$20,364.30
CHF 10,681.92
MX$246,660.53
NOK 134,838.29
SEK 127,389.60
DKK 84,849.15
About the Item
"ARMANI Backstage Fall/Winter 2006, Paris" black and white C-print by artist Simon Procter gives a behind-the-scenes look at a runway show by the Italian fashion house. From an edition of 10. Mounted on plexi backed with aluminum.
- Creator:SIMON PROCTER (1968, British)
- Creation Year:2006
- Dimensions:Height: 47.24 in (119.99 cm)Width: 70.87 in (180.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Not previously owned, but minor scratches on front. Some residue on back. (See back and detail images.).
- Gallery Location:Boca Raton, FL
- Reference Number:1stDibs: LU1554214705052
SIMON PROCTER
Simon Procter was born in 1968 in Lancashire, Northern England. He studied fine art for many years, originally focusing on both painting and sculpture, and holds a B.A. Honors degree in Fine Art from Trent University, United Kingdom. Procter moved to Paris in the late ‘90s and, while doing a variety of odd jobs in the city, met one of the associates at Visionaire. Thereafter, Procter took up photography and used his unique fine art aesthetic to develop a photographic technique that captures and documents the grand scale of fashion shows and the architectural spaces in which they take place. This synthesis of fashion photography and classical painting distinguishes Procter’s work. His first fashion photography endeavor was shooting a Dior show from 100 feet above the runway. The resulting images were published in two major stories in “V Magazine” and exhibited at Colette, with a sponsorship by both Armani and Prada. He has since produced works for Adidas Y-3, L’Oréal Paris, Christian Dior, Armani, Chanel, and Stella McCartney among others. His photography has been featured in numerous publications including “Vogue Nippon,” “Harper’s Bazaar” and “The New York Times” and has been exhibited in Paris’ Grand Palais, the Moscow Museum of Art and The Museum of Fine Arts, Boston. It was also the subject of a coffee-table book, “Lagerfeld: The Chanel Shows,” published by Rizzoli in 2019.
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