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Abolhassa Banisadr - Historical Photo -1960s

1960s

Historical Photo  - Saad Dahlab is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historica...

Historical Photo  -Ferrhat Ahass is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historic...

Historical Photo  - Saad Dahlab is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including historica...

Historical Photo  -Yazid Belkocem is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical album including histori...

Original photography of Christian Dotremont by unknown photographer, circa 1970. In original good condition. Christian Dotremont (1922-1979) was a Belgian painter and poet. He was a founding member of the Revolutionary...

Paul Georges poses with self portrait with wife - January 6th 1967 Photographer is Fred McDarrah Paul Georges with Painting Jan 6, 1967 Photographer is Fred McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...

Gelatin silver print Signed in ink, l.r. Artist/Magnum Photos stamp in ink, verso 11 x 14 inches, sheet 8 x 12 inches, image This photograph is offered by ClampArt, located in New York City. This photograph is from Gilles Peress...